Par HAMPTON ANDY. Saxophone Basics est une méthode de point de repère par l'une des figures marquantes dans l'éducation de saxophone. Il commence à niveau débutant absolu et progresse à propos de Grade 2. Il y a 22 étapes, chaque section comprend une variété de merveilleuse de morceaux de concert des grands compositeurs, airs traditionnels et amusant, exercices originaux, ' doigt gymnases ' et ' chaud ups pour aider à établir une solide technique, ' factfiles ' et ' quizzes ' pour enseigner la notation et musicalité générale, utile, désactivez ' doigtés graphiques ' et 'boîtes rythmique et illustrations grandes. Un CD d'accompagnement pour le saxophone alto est disponible séparément (0-571-52160-6) qui contient tous les accompagnements à toutes les pièces ainsi que des fournissant des pièces supplémentaires pour les duos et trios. Alternativement, il y a aussi une édition du livre/CD (0-571-52283-1). / Date parution : 2000-09-21/ Méthode / Saxophone

Par SINATRA FRANK. Australian saxophone wizard Brian Hayes brings you this collection of classic swing standards. A great set that you won\'t want to miss! Includes a printed music score with parts for both B-flat tenor and E-flat alto saxes, and access to online audio containing a complete performance with soloist (on tenor sax), then a second version with accompaniment only. Performed by Brian Hayes, tenor sax Accompaniment: The MMO Orchestra The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys,and pan left or right./ Recueil / Divers

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

World Famous Folksongs contient 22 airs traditionnels en provenance du monde entier (Oh! Susannah - Donna, Donna - Mexican Hat Dance - Sur le pont d'Avignon - Cielito Lindo - Sakura, etc.). / [CD inclus - version intégrale + play-along]. / La version papier des accompagnements de piano est vendue séparément. / Saxophone / 24 pages / niveau : Facile / Partition + Cd

Les 99 mélodies dans ce volume ont été soigneusement choisis selon deux critères. Premièrement, ils sont bons airs durable qui sont amusantes à jouer et présenter le musicien de développement avec du matériel digne de l'exploration plus loin. Deuxièmement, ils offrent la pratique à tous niveaux dans la production de ton, la technique des doigts, articulation, élocution et sa musicalité en général. / Saxophone / 50 pages / niveau : Facile - Elémentaire / Partition

Enfants ces jours semblent veulent apprendre à jouer des instruments à un âge plus précoce et doivent être fournis avec beaucoup de pièces courtes faciles à maintenir leur intérêt avant et entre les examens. Ce livre offre une foule d'airs familiers faciles qui auront plaisir à jouer et une incitation à la pratique. / Saxophone / 28 pages / niveau : Facile / Partition

Par BERLE ARNIE. Ecrit par un des éducateurs de jazz grand d'aujourd'hui, c'est un système pour la construction de lignes de jazz de grands et de son. la relation entre les lignes individuelles pour cordes et progressions est analysée. En outre, les études originales de saxophone intègrent ces concepts avec des compétences techniques. / Niveau : Intermédiaire / Jazz - Licks and Phrases / Recueil / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

From best-selling author, John O'Neill, The Saxophone Method is a complete course for the beginner to intermediate saxophonist. Start by mastering the essential foundation techniques of breathing, embouchure, tone production, and tonguing required to be a great player in any style. With a wide range of tunes from all over the world you will be exposed to a great variety of musical styles to motivate and inspire.The mp3 backing tracks, available as free downloads, feature top professional musicians and will give you the feeling of playing in a great band from the very beginning.The Saxophone Method is supplemented by two Repertoire Books to give you even more music to practice and enjoy, and perfectly complements the Jazz Method for Saxophone. By the end of the method you will be able to:understand the fundamentals of good playing techniquehave explored the full range of the instrumentbe familiar with the most common rhythmshave a solid grounding in music theoryhave the confidence to play with a real band in many different styles / Alto Saxophone

Grâce à son travail avec Art Blakey et les Jazz Messengers, le Miles Davis Quintet, Weather Report et dans sa propre carrière solo prolifique, saxophoniste et compositeur Wayne Shorter a été l'une des figures les plus originales dans le jazz depuis plus de 40 ans. Sa carrière remarquable est documentée dans ces transcriptions de 27 chansons / Saxophone / 122 pages / Partition

Danse Saxophone contient dix pièces basés sur des danses caractéristiques de différents pays, tels que l'Allemagne, aux Etats-Unis, la Grande-Bretagne, l'Australie et le Mexique. Ces pièces mélodieuses et vif sont faciles et aussi propice aux amateurs et aux étudiants. / Saxophone Alto Et Piano

A Method For Developing Sight-Reading Skills In 4 Parts. Par RAE JAMES. Il s'agit des quatrième et dernières volumes par James Rae dans la série d'yeux et les oreilles avec succès - un cours pour développer des musiciens pour clarinette et saxophone aborder tous les aspects et toutes les techniques d'orchestres réussie. Une partie du duo est incluse pour l'enseignant fournissant l'étudiant avec l'appui et l'élan pour continuer ! Egalement, les tests de spécimen (solo) sont inclus comme rencontrés dans un examen typique. Déjà publié : yeux et les oreilles 1 - Fondation (1 - 2) 21144Eyes de l'UE et oreilles 2 - la prochaine étape (2 - 3) 21145Eyes de l'UE et oreilles 3 - intermédiaires (3 - 4) UE 21146 Biographie : James Rae est une figure de proue dans le domaine de l'éducation musicale. Ses compositions pour instruments à vent sont largement publiées et bien connues comme étant les deux éducatifs et immédiatement appel aux élèves. Ses compositions sont fixées sur les programmes d'examen mondial./ Méthode / Saxophone

Après le grand succès d'amusement pour clarinettes du suivi est ici: plus de plaisir pour clarinettes. Tout comme plaisir pour Clarinettes ce livre est idéal pour ceux qui joue de la clarinette dans un orchestre ou prend des leçons de flûte. Les six attrayante, des morceaux modernes sont parfaits pour la clarinette et peut être utilisé avec beaucoup de souplesse. Ils sont adaptés pour tous ceux qui ont été l'apprentissage de la clarinette pendant deux à deux et une moitié d'années.Sur le CD, vous trouverez plusieurs versions de chaque morceau: d'abord, vous entendrez un enregistrement complet pour vous donner une idée du résultat final possible. Suit alors une version sans la clarinette d'abord, une version sans la clarinette secondes, l'autre sans la clarinette troisième, et enfin une version avec seulement l'accompagnement balancer. Bien sûr, cette dernière version est le plus amusant, car il permet à trois (ou plus) clarinettistes de jouer ensemble! / Saxophone / 24 pages / niveau : Facile - Elémentaire / Partition + Cd