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OCARINA
Soli, Mixted choir and accompaniment
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Georg Friedrich Händel: As Pants The Hart HWV 251e Chapel Royal Anthem: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloist...
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Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.
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Ludwig van Beethoven: Mass C major op. 86: SATB: Study Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
G. Henle
Missa C major op. 86-Ludwig van Beethoven mit sa premi?re messe en musique en 18...
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Missa C major op. 86-Ludwig van Beethoven mit sa premi?re messe en musique en 1807 ? la demande du prince Nikolas II Esterh?zy ? l?occasion de la f?te du pr?nom de son ?pouse. Il s?agit de la messe op. 86 pour solistes ch?ur et orchestre. Ainsi composa-t-il dans le voisinage temporel d??uvres aussi c?l?bres que le 4e concerto pour piano le concerto pour violon et les 4e et 5e symphonies une ?uvre de nature totalement diff?rente. Il d?clara ? son ?diteur qu?il pensait avoir trait? le texte de la messe d?une mani?re ?dont il l?a rarement ?t?. Cette partition d??tude reproduit la totalit? du texte musical conform?ment ? l??dition compl?te des ?uvres de Beethoven. Les sources utilis?es pour?laborer cette ?dition sont pr?sent?es de mani?re d?taill?e dans la pr?face et dans le commentaire critique.
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Felix Mendelssohn Bartholdy: Elijah Op.70: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled ove...
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Oratorio-Immediately after completing ?St. Paul? in 1836 Mendelssohn mulled over the idea of composing a further oratorio. However a whole decade elapsed before the composition of ?Elijah? which takes as its theme the story of the Biblical prophet from the 1st Book of Kings. When he received the invitation to write a major work for the Birmingham Music Festival Mendelssohn finally embarked on work on the oratorio. ?Elijah? was premiered in 1846 in Birmingham with great success and has enjoyed great popularity ever since.Following the first performance Mendelssohn undertook a revision of the oratorio inwhich whole numbers were removed and new ones substituted. This is the version which was first heard in 1847 in London and which is still performed today.To mark the Mendelssohn anniversary year 2009 the Mendelssohn specialist Douglass Seaton Professor at Florida State University prepared a critical new edition of the oratorio. The edition reflects the latest research findings and includes both English and German singing texts.A critical commentary completes the new edition.- One of Mendelssohn?s most popular works in an edition reflecting the latest editorial knowledge.- Bärenreiter-Urtext including numbers from the original version for the first time.- English and German singing texts.- Critical Commentary (Eng).- Full score performance material (BA9070) and vocal score (BA9070-90) available for sale.
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Georg Friedrich Händel: Samson: Opera: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Novello & Co Ltd.
Samson an oratorio for soloists mixed chorus and orchestra by George Frideric ...
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Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes. Edited by Donald Burrows. This latest addition to the Novello Handel Edition is the first complete modern edition of the composer’s longest oratorio prepared after examination of all known contemporary sources both music and word-books. The publication embodies the complete text known to have been performed at the Covent Garden premiere in 1743 as well as identifying the later shorter versions and additions performed regularly by Handel and an Appendix of allfurther variants created by him and performed during his lifetime. It is thus a comprehensive and flexible edition for between four and eight soloists with an abundance of choral writing and some of Handel’s most sublime writing for voices.Includes an historical preface extensive notes on the performance of the different versions and useful practical notes on the interpretation of Handel.
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Mass in C major (BEETHOVEN LUDWIG VAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again...
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Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again?? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression for the liturgical text, opening up new avenues for the further development of mass compositions in the 19th century. This important work of choral literature can now be performed by smaller forces thanks to this arrangement for soloists, choir and chamber orchestra. Instead of 12, just 5 wind instruments are required. The string parts can also be played by single soloists; the performance material contains suggestions about how to deal with the divisi passages. All the vocal parts (soloists and chorus) are unaltered in the arrangement, so that the vocal scores and choral scores from the original version can be used.-Large mass also performable for smaller choirs-Wind instruments of the original version reduced to five single instruments-Vocal and choral scores of the original version can be used-carus plus: the work (original version) is available in the app carus music, the Choir Coach, as well as in the series Carus Choir Coach (audio only) / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orchestre
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Georg Friedrich Händel: Athalia HWV 52: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Oratorio in three parts The oratorio “Athalia” tells the Old Testame...
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Oratorio in three parts The oratorio “Athalia” tells the Old Testament story of the Queen Athalia. Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great success of this performance is generally regarded as a reason for Handel’s renewed interest in the oratorio form. As was frequently the case Handel also carried on composing this work after the first performance. Thus for the version which was performed in London in 1735 he introduced numbers in Italian for the Italian singer Carestini in the roleof Joad. He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely large parts of the music to Athalia form the basis for other works by Handel such as “Parnasso in festa” (HWV 73) and the Wedding Anthem (HWV 262). The Piano reduction by Andreas Köhs (BA4082-90) based on the Urtext of the “Halle Handel” Edition includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed. - Based on the Urtext of the “Halle Handel” Edition - Includes all versions - Detailed foreword (Ger/Eng) - Full score (BA4082) and Vocal score (BA4082-90) available for sale - Performance material (BA4082-72) available for hire
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Georg Friedrich Händel: Athalia HWV 52: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Oratorio in three parts-Oratorio in three parts The oratorio “Athalia&rdqu...
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Oratorio in three parts-Oratorio in three parts The oratorio “Athalia” tells the Old Testament story of the Queen Athalia. Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great success of this performance is generally regarded as a reason for Handel’s renewed interest in the oratorio form. As was frequently the case Handel also carried on composing this work after the first performance. Thus for the version which was performed in London in 1735 he introduced numbers in Italian for the Italian singer Carestini in the roleof Joad. He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely large parts of the music to Athalia form the basis for other works by Handel such as “Parnasso in festa” (HWV 73) and the Wedding Anthem (HWV 262). The Piano reduction by Andreas Köhs (BA4082-90) based on the Urtext of the “Halle Handel” Edition includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed. - Based on the Urtext of the “Halle Handel” Edition - Includes all versions - Detailed foreword (Ger/Eng) - Full score (BA4082) and Vocal score (BA4082-90) available for sale - Performance material (BA4082-72) available for hire
516.50 GBP - Sold by Musicroom UK
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Peter Pan ou la véritable histoire de Wendy Moira Angela Darling (BURGAN PATRICK)
Soli, Mixted choir and accompaniment
[Sheet music]
Lemoine, Henry
Par BURGAN PATRICK. Du parlé au chanté, du réel à l\'imaginaire ? : une mise...
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Par BURGAN PATRICK. Du parlé au chanté, du réel à l\'imaginaire ? : une mise en abîme. L\'histoire de Peter Pan - surtout connue à travers la lecture simplificatrice du dessin animé de Walt Disney - se révèle, dans le conte originel de James Matthew Barrie, une étonnante parabole sur l\'existence et sur la mort. L\'opéra renforce la mise en abîme et le jeu sur l\'éternel retour en mettant en scène la perte prématurée du frère de Wendy qui n\'est autre que Peter, rejoint par elle dans l\'au-delà : le Neverland. Trois mondes alternent sur la scène, selon des techniques assez cinématographiques (flash-backs, fondus, transitions abruptes). Le premier, l\'axe central, met en présence deux actrices : Wendy, aujourd\'hui grand-mère, raconte son histoire à sa petite fille Lucie, avec toutes les déformations et contradictions dues peut-être moins à son âge qu\'à sa mythomanie. Les deuxième et troisième mondes sont l\'illustration de son propos, les images vivantes de son souvenir : la chambre de son enfance, où les voix sont parlées mais cette fois-ci calées rythmiquement avec l\'orchestre, et le Pays imaginaire quant à lui entièrement chanté. La présence de la musique est donc proportionnelle à la distance prise avec le réel, puisque les actrices parlent (ici et maintenant), les solistes parlent sur l\'orchestre (le souvenir), solistes et choeurs chantent où tout n\'est plus que musique (le rêve... l\'Ailleurs !). Sirènes, fées, pirates, indiens, bêtes sauvages - disputes familiales, perte des enfants - nostalgie du regard sur son passé, etc. De la réflexion sur l\'enfance éternelle (seule la vie peut offrir le vieillissement) jusqu\'aux batailles les plus spectaculaires, puisse cet opéra - à l\'instar du conte de James Matthew Barrie - s\'ouvrir à tous les niveaux de lecture. Patrick Burgan / Date parution : 2023-01-06/ Répertoire / Voix Solistes, Ch?ur et Orchestre
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Georg Friedrich Händel: Saul HWV 53: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Oratorio in three acts-Saul was given its first performance under Handel’s...
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Oratorio in three acts-Saul was given its first performance under Handel’s direction at the Haymarket Theatre London on 16 January 1739. The original libretto (dated 1738) refers to the work as “an Oratorio or Sacred Drama”. This libretto was written by Charles Jennens (1700–1770) a wealthy amateur writer from Gopsall Leicestershire. A letter of 28 July 1735 from Handel to Jennens suggests that a complete raft of the text already existed at that time. Saul occupies an extraordinarily important position in the English oratorio tradition that Handel brought to perfection standing alongside Israel in Egypt at the end of the first creative period of such works.- Urtext of the Halle Handel Edition - Full score (BA4020) & vocal score (BA402090) available for sale - Performance material (BA402072) available for hire
380.00 GBP - Sold by Musicroom UK
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John Tavener: Celtic Requiem: Soprano & SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Chester
This work for soprano children's choir chorus and orchestra was commissioned b...
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This work for soprano children's choir chorus and orchestra was commissioned by the London Sinfonietta. the first performance was given by them in July 1969 at the Royal Festival Hall with the London Sinfonietta Chorus andChildren from Little Missenden Village School conducted by David Atherton. Duration c. 23mins. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.
39.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: O come let us sing HWV 253 - Chandos Anthem No.8: Voice:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My s...
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O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale
17.00 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Messiah: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Peters
Original English Text-Vocal Score of George Fiderich Handel's Messiah HWV 56 fo...
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Original English Text-Vocal Score of George Fiderich Handel's Messiah HWV 56 for Soli Chorus and Orchestra.Edition for Voices and Piano reduction edited by Donald Burrows.
14.95 GBP - Sold by Musicroom UK
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Oreste
Italiano
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Divers / Partition
259.60 EUR - Sold by LMI-partitions
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Alcina
Italiano
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Chant/Vocal/Choeur / Partition
444.80 EUR - Sold by LMI-partitions
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Don Giovanni Kv 527
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Eulenburg
/ Solistes, Choeur Et Orchestre
59.30 EUR - Sold by LMI-partitions
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Requiem D-Moll Kv 626 (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Harm. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ ...
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Harm. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Répertoire / Soliste, Choeur Mixte et Orchestre
64.20 EUR - Sold by LMI-partitions
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Requiem D-Moll Kv 626 (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Réper...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C./ Répertoire / Soliste, Choeur Mixte et Orchestre
19.90 EUR - Sold by LMI-partitions
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Requiem D-Moll Kv 626 (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C. /Bernst...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Robbins Landon, H. C. /Bernstein/ Répertoire / Soliste, Choeur Mixte et Orchestre
30.20 EUR - Sold by LMI-partitions
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Jephta. Oratorium Hwv 70 (I/30)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Divers / Partition
506.60 EUR - Sold by LMI-partitions
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Messe H-Moll
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
/ Divers
162.60 EUR - Sold by LMI-partitions
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Mozart, Wolfgang Amadeus : The Seven Great Operas K. 366, 384, 492, 527, 588, 620, 621
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Classique / Coffret Partition /
289.00 EUR - Sold by Note4Piano
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3-10 days - In Stock Supplier
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