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Recorder
OCARINA
Soli, Mixted choir and accompaniment
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Georg Friedrich Händel: O come let us sing HWV 253 - Chandos Anthem No.8: Voice:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My s...
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O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale
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Sunleif Rasmussen: I: SATB: Score
Soli, Mixted choir and accompaniment
Wilhelm Hansen
I (2011) -Â for Alto and Tenor soli 5-part chorus (SSATB) and Recorder. Text f...
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I (2011) - for Alto and Tenor soli 5-part chorus (SSATB) and Recorder. Text from Inger Christensen's LYS. English translation by Susanna Nied. Commissioned by the Danish National Vocal Ensemble / DR. Recorder part: WH31391A
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Vocal Ensemble:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orc...
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2 Solo Sopranos 2 Solo Altos 3 Solo Tenors 2 Solo Basses Mixed Choir and Orchestra-Scholarly-critical Urtext edition orientated towards performance practice.Detailed critical commentary (Eng) in the full score.Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.These movements are also available with Piano reduction as print-on-demand.Claudio Monteverdi?s ?Vespro della Beata Vergine? is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under thedirection of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem? oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.Full score & performance material available for sale.
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (...
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With final chorus An die Freude (Ode to Joy)-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for sale
99.00 GBP - Sold by Musicroom UK
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt ...
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Basso Continuo-Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.
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Claudio Monteverdi: Vespro Della Beata Vergine 'Marienvesper': Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most...
(+)
Claudio Monteverdi?s Vespro Della Beata Vergine is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings it is frequently performed in its entirety or in parts. The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas under the direction of the Monteverdi specialist Hendrik Schulze.The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led for instance to a divergent evaluation of the ?Lauda Jerusalem?oriented towards performance practice with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.- Scholarly-critical Urtext edition orientated towards performance practice- Detailed critical commentary (English) in the full score- Movements 10 13 and 14 are included in their original high clef in the appendix of the full score.- These movements are also available with Piano reduction as copy on request.
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Sunleif Rasmussen: I: Vocal: Part
Soli, Mixted choir and accompaniment
Wilhelm Hansen
The recoreder part for I (2011) -Â for Alto and Tenor soli 5-part chorus (SSAT...
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The recoreder part for I (2011) - for Alto and Tenor soli 5-part chorus (SSATB) and Recorder. Text from Inger Christensen's LYS. English translation by Susanna Nied.
6.50 GBP - Sold by Musicroom UK
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Symphonie 2 "Ressurection" (MAHLER GUSTAV)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Study Score / Miniature]
Universal Edition
Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Sympho...
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Par MAHLER GUSTAV. Over the years, the need for a new edition of Mahler's Symphony No. 2 became apparent for several reasons. First, many new sources for this work have become accessible since 1970, when Erwin Ratz completed the first critical edition of this symphony, the most significant being Mahler's personal reference score in which he recorded changes to be made (his last entries were made in September 1910). The second reason was the significant strengthening of the editorial standards of the critical edition in recent years. The music is now computer-generated. Previously, changes to the score could be made only by retouching the film of old engravings. Computerization also ensures a concurrence between the score and performance materials. Editorially, the new edition benefits from expanded texts that describe and assess the source materials, document and explain the editors' decisions and provide detailed information on the work's origin, the history of the published scores, performance practices, etc. Over the past five years, Renare Stark-Voit and Gilbert Kaplan, editors of the new edition of Symphony No. 2, have identified, evaluated and analyzed every significant source, and as a result of their work a substantial number of errors has been corrected./ Répertoire / Solistes, Choeur et Orchestre
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
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Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
6.50 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Symphony no. 9 in D minor op. 125: Orchestra: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Critical Reports]
Barenreiter
Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 a...
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Critical Commentary-With final chorus 'An die Freude' (Ode to Joy)Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.Full score & performance material (BA9009) study score format 22.5 x 16.5cm (TP909) & vocal score (BA9009-90) available for saleDetailed Critical Commentary (English) documents all the sources and findings made by the editor.
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
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Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
6.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
17.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
6.50 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
6.50 GBP - Sold by Musicroom UK
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Te Deum (BRUCKNER ANTON)
Soli, Mixted choir and accompaniment
[Vocal Score]
Carus Verlag
Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's ou...
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Par BRUCKNER ANTON. Anton Bruckner's Te Deum - a high point in the composer's output and one of the most important works of the sacred choral repertoire in the 19th century - is now available in a modern, scholarly edition. The Carus edition draws on both the two sources regarded as important, the autograph score and the first printed edition, with careful consideration given to variant readings. And so a music text has been prepared which reflects the composer's intentions as closely as possible. Great emphasis has been placed on a clear-to-read layout of the full score pages, as well as excellent legibility for the parts, which are available on sale. With current performance practice in mind, the clarinet parts are notated in B flat instead of A, corresponding with the first printed edition. The vocal score has been newly prepared to reflect current practical requirements. As an economical alternative, a chorus score is available. Bruckner's Te Deum is also available in carus music, the choir app. The app contains the music and a recording, as well as a coach to help with learning each choral part. In preparation: arrangement of the Te Deum for soli, choir, brass quintet and organ./ Répertoire / Choeur Mixte (SATB) et Piano
17.70 EUR - Sold by LMI-partitions
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O Wie Selig Seid Ihr Doch, Ihr Frommen (REGER MAX)
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Carus Verlag
Choralkantate. Par REGER MAX. The choral cantatas are Reger's most personal and ...
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Choralkantate. Par REGER MAX. The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of 'O wie selig', or indeed of any performance of it during the composer's lifetime./ Répertoire / Solistes SATB, Choeur SATB, Paroisse, 2 Violons, A
5.80 EUR - Sold by LMI-partitions
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Henry Purcell: Ye Tuneful Muses Raise Your Heads: SATB: Score
Soli, Mixted choir and accompaniment
[Sheet music]
Novello & Co Ltd.
Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSC...
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Full Score-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.
20.99 GBP - Sold by Musicroom UK
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Georg Friedrich Händel: Ode For The Birthday Of Queen Anne: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Barenreiter
Friedensode-Although presumably written to celebrate the Queen's birthday on 6 F...
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Friedensode-Although presumably written to celebrate the Queen's birthday on 6 February most probably in 1713 there is no record of the first performance of Handel's Ode. The nine movements contain much variety but it is the first movement 'Eternal source of light divine' where Handel prodces some of his most inspired writing. - Urtext of the Halle Handel Edition - Full score (BA4007) and vocal score (BA400790) available for sale - Performance material (BA400772) available for hire
105.50 GBP - Sold by Musicroom UK
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