for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

for String Orchestra-Stuart Carlson's Carols of Christmas album for string quartet features seven creative intermediate to advanced arrangements that sparkle with the holiday season. This new series for string orchestra captures the same Yuletide magic with settings geared toward the abilities of middle and high school ensembles. Most passages throughout are playable in first position and bowings are generously placed with an emphasis on musical phrasing and ensemble sound. Among the highlights in this series is Carlson's original composition Christmas Sinfonietta inspired by the festive spirit of Christmas Day itself.

Bryce Dessner's Réponse Lutos awski was c o-commissioned by the National Audiovisual Institute of Poland and the Mexico National Orchestraand first performed by the Polish National Radio Symphony Orchestra at Teatr Wielki-Polish National Opera in Warsaw Poland on November 29 2014. Composer's Note: Réponse Lutos awski was written as an homage to Witold Lutos awski’s amazing composition for string orchestra Musique funèbre. I spent months studying the score and recordings of the work as well as many of his other pieces. This was an amazingprocess of discovering one of the 20th-centuries great musical minds and allowing his adventurous spirit to influence my own musical decisions. My Réponse Lutos awski is written in five movements each of which isinspired either directly or indirectly by the Lutos awski score. I like to think that his music opened a window in a certain direction for me or pushed open a door through which I could then pass and take my journey with themusic. Duration: Approximately 20 minutes

Finally an accessible piece for young string students with options to teach improvisation! Written by jazz composer and violinist Martin Norgaard Calypso is based on rhythms and singable melodies inspired by music of the Caribbean. An optional solo section can be opened up to feature as many of your students as desired and solo sheets are provided for all instruments to help teach basic elements of improvisation along with an included sample solo. Optional drum set really adds to the Caribbean fun!

Par RESPIGHI OTTORINO. All the shrouded mystery and resplendent grandeur of the fourth movement of Respighi's masterpiece, Pines of Rome, has been effectively captured in this brilliant arrangement by Douglas E. Wagner for string orchestra and timpani (required). The symphonic poem, 'The Pines of the Appian Way' is one of Respighi's most frequently performed and recorded works and stands as the most popular of all three of his Rome-inspired suites. (4:50) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes

String Quartet No.1 - 'Quartetto Breve' (1952) by Per NørgÃ¥rd.Programme note:  The spectrum of sound the gesticulation – in short the very nature of the strings – has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings andfive fingers..  My first string quartet – Quartetto Breve – has a firm root in the Nordic tradition and is strongly inspired by Jean Sibelius (1865-1957) and my teacher Vagn Holmboe (1909-96).  Per NørgÃ¥rd (1998) 

String Quartet Version - Parts)-The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'. The composer writes: 'The backdrop for this commission was to complement music by the great Ludwig van Beethoven. Beethoven’s scores for string quartet are cornucopias of techniques and musicality. They were certainly not meant for pure entertainment. Ending up with Beethoven’s quartet Op. 59 No. 1 as a reference for this piece I even used elements from this quartet in my own composition. Beethoven’s position as a free artist has been of great importance to all following composers. This is of equal inspiration as his music. As a free artist one has to reflect upon our own time and not be afraid of allowing reality affect our work. When I was in the middle of writingthis piece something horrible happened in my neighbourhood. A bomb exploded in Oslo and a killer shot teenagers on an island summer camp. My nation’s reputation as a peaceful country to live in was drastically and forever changed. It was hard to compose. Papers and online media were soon filled with horrible pictures from the events. The lead-coloured skies being a recurring sight. The ambiguity in the title reflects both hope and dread. Beethoven’s light shines through strong and full of life! The piece was commissioned by the Engegård Quartet in 2011 and appears the recording String Quartets vol IV: Schubert-Ratkje-Britten-Haydn. A later piece was composed for string orchestra: 'Tale of Lead and Frozen Light' (2014)'.

Inspired by folklore of the Samodivi (Woodland Fairies) in Slavic myths Soon Hee Newbold has written a piece reminiscent of traditional folk dances with a fantasy flair. A perfect change of pace for any concert Dance of the Samodivi will remind listeners of enchanted forests and favorite fairytales. Like many Newbold pieces each instrument has vital roles in this mythical adventure!

Inspired by myths legends and fairy tales Soon Hee Newbold has written this masterpiece which is infused with unique harmonies and driving melodies. The different sections performed without pause include Once Upon a Time Fantasy and Final Victory. It is sure to spark the imagination of your students as they relive some of the most epic tales ever told!

Stringpack-FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST is based on the hymn-tune ?St. Anne ? which was used by G.F.Handel in the Chandos anthem ?O Praise the Lord ? and by J.S.Bach in his triple fugue in E-flat ?The St. Anne Fugue.? James Curnow?s FANFARE PRELUDE: O GOD OUR HELP IN AGES PAST captures the thoughts of this magnificent hymn which speaks of our country?s reliance upon God. The unusual 4/4 meter setting with artfully crafted re-harmonizations and lush counterpoint gives each listener cause to reflect on the importance and meaning of this melody to patriotic Americans everywhere.Inspired!

The melodic excitement verve and stimulating rhythms in Praetorius's music portray the 'Spirit of The Dance' during the 16th and 17th Centuries. It inspired rejoicing jollity and energy. Michael Praetorius was one of a number of 16th and 17th century German musicians to use the latinised form of his name; his real name was Michael Schultz. He was a prolific composer and was much in demand by the nobility of the period to compose for dancing at the courts of Dukes. Terpsichore is the name of the Greek Muse of Dancing and Praetorius used this name as the title of his French Dances commissioned by the Duke of Brunswick and Lueneburg. Some of the tunes were obtained from theFrench Dance Masters and musicians who were in service at the court of the Duke to instruct students in the art of dancing. Other tunes he composed.

Score and Parts for Strings. Inspired by the dance music of Ireland Keith Sharp's energetic and enthralling piece explores the particular articulations dynamics and timbres synonomous with this style of music.