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Inspired
OCARINA
Violin and Piano
NARROW BY INSTRUMENTATION
NARROW BY INSTRUMENTATION
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Maurice Ravel: Violin Sonata In G Major: Violin: Score
Violin and Piano
G. Henle
Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel...
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Violin Sonata in G major-Inspired by Béla Bartók’s Violin sonatas Ravel planned his own sonata for Violin and Piano in 1922 but at first did not get beyond sketches. Many interruptions ensued and the work was onlyfinished in 1927. He dedicated it to his violinist friend Hélène Jourdan-Morhange. Regarding the sonata’s sparse thinned out compositional structure and instrumentation Ravel later emphasized thatthe sonata proved the tonal incompatibility of the Violin and Piano. Yet it still succeeded in winning a permanent place in Violin repertoire – not least because of its middle movement inspired by jazz elements and the“blues”. The fingerings in this Henle Urtext edition have been provided by two masters of their instruments: Christian Tetzlaff and Pascal Rogé.
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A.C. MacKenzie: Benedictus for Violin and Piano: Violin: Score and Parts
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars ...
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Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Hallé. During hislifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Hallé. During his lifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.
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Sonate Nr. 1 in d-Moll op. 75 (SAINT-SAENS CAMILLE)
Violin and Piano
[Sheet music]
Barenreiter
Par SAINT-SAENS CAMILLE. The second half of the 19th century represented somethi...
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Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano
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Johannes Brahms: Sonatas In F Minor And E-Flat For Violin: Violin: Instrumental
Violin and Piano
Barenreiter
for Violin and Piano-Brahms had already announced his ?retirement? from composit...
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for Violin and Piano-Brahms had already announced his ?retirement? from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year.Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions havedeveloped a rich performance tradition the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players? hands.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Horoscope Preludes (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Par IGUDESMAN ALEKSEY. Aleksey Igudesman's richly varied pieces for violin and p...
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Par IGUDESMAN ALEKSEY. Aleksey Igudesman's richly varied pieces for violin and piano were inspired by the twelve signs of the zodiac and he has successfully captured their individual characters in music. These easy to intermediate-level pieces are suitable for competitions as well as for concerts and as teaching material. The book is beautifully illustrated by Sabina Hasanova. • Twelve contrasting pieces – each inspired by the signs of the zodiac • All pieces are suitable for teaching, competitions and for the concert platform • Easy to middle-grade pieces with illustrations by Sabina Hasanova/ Répertoire / Violon et Piano
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Georges Catherine: Famous Pieces for Violin and Piano: Violin: Instrumental
Violin and Piano
Leduc, Alphonse
Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition t...
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Parisian violinist Georges Catherine (1872-1958) compiles an exciting addition to the Violin repertoire. Including pieces by Schumann Rameau Lully Handel Couperin Byrd Beethoven and Bach Catherine ensures that the best Violin works of the Baroque genre are compiled in one essential volume. In the first volume of his compilation Famous Pieces for Violin and Piano Catherine transcribes and arranges famous works by the great composers of all eras for the Violin ensuring that necessary additions and edits are made. Pieces include Lully's Menuet from Les Bourgeois Gentilhomme and a J. S.Bach Menuet and Gigue. The changes by Catherine include articulation phrasing tempo marks dynamics and other performance directions. Famous Pieces for Violin and Piano compiled by Georges Catherine provides excellent expansion to the repertoire of Violin beginners ensuring that students are inspired by the works of the great composers from the start of their instrumental study.
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Einstein's Light: Violin and Accomp.: Score
Violin and Piano
Lauren Keiser Music Publishing
Violin and Piano-Einstein was a violinist all his life. In the motion picture Ei...
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Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)
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In the Zoo Band 1 (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
10 easy pieces inspired by animals in the zoo. Par IGUDESMAN ALEKSEY. Inspired b...
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10 easy pieces inspired by animals in the zoo. Par IGUDESMAN ALEKSEY. Inspired by animals in the zoo, Aleksey Igudesman has written these ten pieces for elementary to intermediate-level violinists. A fun poem is also provided with drawings from penguins to pandas by Felicia Gulda. Ten animal-themed pieces for violin and piano Easy concert and teaching material The piano part is also suitable for moderately advanced players/ Recueil / Violon et Piano
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Claude Debussy: Oeuvres Pour Violon et Piano: Violin: Instrumental Album
Violin and Piano
Barenreiter
Claude Debussy had difficulties finishing his last major work the Sonata for Vi...
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Claude Debussy had difficulties finishing his last major work the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy’s progressing illness as well as the First World War.The first edition published during the final year of Debussy’s life contains many rhythmic errors. The non-autograph metronome marks as well as the discrepancies between the separate violin part and the violin part in small print in the piano score are two problems that have affected the work’s later reception.Both are examined here in a fresh light.In addition to the Sonata this edition contains arrangements of La fille aux cheveux de lin and Il pleure dans mon coeur by the American violinist Arthur Hartmann. It was Hartmann who inspired Debussy to make an arrangement of his well-known piano piece Minstrels also included in our edition.- Debussy’s complete works for violin and piano- With arrangements by Debussy’s acquaintance Hartmann- Informative Foreword (Eng/Fr/Ger)- Critical Commentary (Eng)
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RAVEL MAURICE - SONATE / BERCEUSE SUR LE NOM DE GABRIEL FAURE - VIOLON and PIANO
Français
Violin and Piano
Barenreiter
Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano<...
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Ravel, Maurice
Sonata / Berceuse sur le nom de Fauré for Violin and Piano
- New scholarly-critical edition of Ravel?s famous sonata
- First scholarly-critical edition of the ?Berceuse sur le nom de Fauré?
- Foreword on the historical context and performance practice issues (Eng/Ger) as well as a Critical Commentary (Eng)
Ravel worked on his Sonata for Violin and Piano for four years (1923?1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the ?fundamental incompatibility? of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a ?perpetuum mobile? finale.
This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the ?Berceuse sur le nom de Fauré? which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Fauré?s name. / Partitions classique / Cordes / Violon / BARENREITER
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Benjamin Frankel: Concerto For Violin And Orchestra Op.24: Violin: Instrumental
Violin and Piano
-
Advanced
Novello & Co Ltd.
Benjamin Frankel's reputation is based on the cycle of five string quartets and ...
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Benjamin Frankel's reputation is based on the cycle of five string quartets and eight symphonies which together with the powerfully beautiful concertos for violin and for viola rather overshadow many of his other fine pieces. The Violin Concerto grew from the composer's long and close association with Max Rostal a friendship which also inspired one of Frankel's perhaps best known compositions the First Sonata for Solo Violin.Frankel's exciting Concerto For Violin And Orchestra Op.24 has been beautifully arranged for Violin with Piano Reduction by Philip G. Jones. The solo violin part is also included on a separate insert.
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Wolfgang Amadeus Mozart: Violin Concerto No.3 In G K.216: Violin: Instrumental
Violin and Piano
[Sheet music]
-
Easy
Barenreiter
Mozart composed the majority of his works for solo String Instruments and Orches...
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Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The Piano reduction of Mozart?s G Major Violin Concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section.A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas ?Eingänge? and fermata embellishments by Eugène Ysaÿe Leopold Auer Sam Franko and Martin Wulfhorst.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4865) Violin and Piano reduction (BA4865-90) and study score format 22.5 x 16.5cm (TP272) available for sale.
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Maurice Ravel: Tzigane For Violin And Piano: Violin: Score
Violin and Piano
G. Henle
Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtex...
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Tzigane for Violin and Piano-Maurice Ravel's Tzigane for Violin and Piano. Urtext edition full score.Composed in 1924 there are three versions of this work: with Piano with Orchestra and with Luthéal a device forKeyboard instruments to extend the timbre.?Virtuoso piece in the style of a Hungarian rhapsody? thus reads Ravel?s entry on Tzigane in the so-called 'Autobiographical Sketch'.Tzigane was inspired by the Hungarian-English violinist Jelly d?Aranyi to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt?s ?Hungarian Rhapsodies?. Work progressed slowlyand d?Aranyi only received the music four days before the première but she still gave a brilliant performance.
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Camille Saint-Saëns: Havanaise Op.83: Violin: Instrumental Work
Violin and Piano
G. Henle
Havanaise op. 83 for Violin and Piano-Camille Saint-Saëns' Havanaise Op.83 fo...
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Havanaise op. 83 for Violin and Piano-Camille Saint-Saëns' Havanaise Op.83 for Violin and Piano. Urtext edition.It is said that Camille Saint-Saëns' was inspired to write Havanaise Op.83 after observing acrackling open fire at one of the hotels where he stayed whilst on tour with the violinist Rafael Diaz Albertini in 1885.We do not know whether when writing the composition two years later the Habanera (French Havanaise)with its typical two beat dance rhythms was an allusion to the Cuban origin of his friend Albertini to whom this work is dedicated.At any rate the composition was extremely well received from the very beginning both in its original form and in the Orchestral version. Ingolf Turban kindly provided the bowings for the virtuoso Violin part.
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Alfred Mistowski: Hornpipe for Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Chester
Alfred Mistowski was a pianist Violinist violist and composer who as a former ...
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Alfred Mistowski was a pianist Violinist violist and composer who as a former student of Trinity College of Music in London became after studying at Oxford a professor at Trinity who appears to have been a champion of theTrinity Examination system. Mistowski composed many dramatic cantatas String quartets symphonies and concertos as well as a series of pieces to prepare Violin students for their exams. He travelled the world as a Trinityexaminer covering India South Africa Tasmania New Zealand Singapore and the Straits Islands. In addition he was music tutor to the Maharaja of Mysore and conductor of the Mysore Palace Orchestra. Perhaps his many seajourneys inspired this sprightly Hornpipe for Violin and Piano a perennial of the Trinity exam list.
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César Franck: Violin Sonata In A: Violin: Score and Parts
Violin and Piano
G. Henle
revised edition of HN 293-Whilst some late works by César Franck have received ...
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revised edition of HN 293-Whilst some late works by César Franck have received criticism the Sonata For Piano and Violin In A Major of 1886 found a friendly reception among critics and public from the outset. This work isdedicated to Eugène Ysaÿe who was attracting much attention at the time with his flawless Violin technique. Ysaÿe was so inspired by the Sonata that he promised 'I will play this masterpiece wherever I can find anartistically-minded pianist'.Nothing has changed to the present day regarding the work's continuing popularity but it was time to revise Henle's previous edition to reflect the latest research. In the intervening period ithas been shown that Franck was actively involved in reading the proofs for the printed edition meaning that the first edition which contains many differences from the autograph has become the basis for this new one.The markings of the Violin part of Henle's edition are by Yehudi Menuhin; Daniel Hope has undertaken the changes required by the revised musical text.
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Four Evenings in Venice (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Par IGUDESMAN ALEKSEY. Aleksey Igudesman has again been on his travels – this ...
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Par IGUDESMAN ALEKSEY. Aleksey Igudesman has again been on his travels – this time he takes the developing violinist to wonderful Venice. For Igudesman, Venice is clearly a source of inspiration and he takes us from central Venice to the island of Guidecca and to San Marco. These four pieces, each inspired by the beauty of Venice will make an excellent choice for the concert platform. Four atmospheric compositions by Aleksey Igudesman Easy to intermediate-level pieces for violin and piano Suitable as teaching material, for competitions and for the concert platform/ Recueil / Violon et Piano
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Avner Dorman: Nigunim (Violin Sonata No. 3): Violin: Score and Parts
Violin and Piano
[Sheet music]
Schirmer
Avner Dorman's Nigunim (Violin Sonata No. 3) for Violin and Piano. Score and sol...
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Avner Dorman's Nigunim (Violin Sonata No. 3) for Violin and Piano. Score and solo part. Inspired by Nigun a fundamental musical concept in traditional Jewish music.
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The Piano Guys - Uncharted: Piano and Accomp.: Instrumental Album
Violin and Piano
Hal Leonard
Piano Solo/Optional Violin Part-The Piano Guys\' sixth studio album Uncharted ...
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Piano Solo/Optional Violin Part-The Piano Guys\' sixth studio album Uncharted reached number 1 in the US classical charts following its release in 2016. The album contains Themes from Pirates Of The Caribbean Can\'t Stop The Feeling from the DreamWorks Animation film Trolls and an inspired blend of Adele\'s Hello and Mozart\'s Lacrimosa amongst eight other beautiful melodies. This matching folio contains all 11 songs from the album in arrangements for solo Piano with optional Violin.
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Lullaby for Leo (HYUNG-KI JOO RICHARD)
Violin and Piano
Universal Edition
Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen...
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Par HYUNG-KI JOO RICHARD. Hyung-ki Joo, a phenomenal piano talent, is often seen touring with violinist Alexsey Igudesman, while composing, arranging, recording, and generally promoting the performance and enjoyment of classical music. Surprisingly, Lullaby for Leo represents his first published piece, 'one of the most personal pieces I've ever written,' according to the composer. A sleepless baby inspired Hyung-ki Joo to write this very personal piece. Whether the calming music for violin and piano was able to get Leo to sleep is unknown, but he loves the piece. This memorable gem takes young and old alike into the land of dreams and is suitable for concerts and competitions. An enchanting lullaby which cleverly suggests another and makes you smile – from one who, with his comedy duo partner Aleksey Igudesman, is world famous!/ Répertoire / Violon et Piano
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Richard Rodney Bennett: Six Country Dances (Violin/Piano): Violin: Instrumental
Violin and Piano
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Six Country Dances is an anthology of tunes from Playford’s ‘The Eng...
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Six Country Dances is an anthology of tunes from Playford’s ‘The English Dancing Master’ selected and arranged by Richard Rodney Bennett. Playford’s collection was first published in 1651 and contained 535 popular tunes for country dancing. Richard Rodney Bennett’s skilful and inspired arrangements are perfect for intermediate standard players adding as they do a contemporary slant to these classics of the English folk repertoire. This edition is for Violin and Piano.
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