Taught by Vern Juran. For Guitar (Flatpicking/Plectrum). method. Anyone Can Play Videos. Sacred. Level: Beginning. DVD. Size 5.25x7.5. 60 pages. Published by Mel Bay Publications, Inc.

(Piano/Vocal/Guitar). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Book; Personality Book; Piano/Vocal/Chords. Sheet Music Collection. Pop/Rock. 108 pages. Published by Alfred Music Publishing

645 Songs from 285 Shows. Composed by Various. Fake Book. Broadway, Musicals. Softcover. 696 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

Biography of Ray Charles (1930-2004), written by Mike Evans. Biographical book. 362 pages. Published by Omnibus Press.

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

SKU: BR.EB-9387

Composed by Christian Mason. Edition Breitkopf. New music (post-2000); Music post-1945. Set of parts. Composed 2019. Duration 20'. Breitkopf and Haertel #EB 9387. Published by Breitkopf and Haertel (BR.EB-9387).

ISBN 9790004188576. 0 x 0 inches.

Commissioned by the Kolner Philharmonie (KolnMusik) for the non bthvn projekt 2020 and the Cite de la musique / Philharmonie de Paris Dedicated to Arditti Quartet Each movement of this quartet explores a single state, its lights and its shadows. Each movement, you could say, is a moment . And these moments could last for more or less time without compromising their essential nature. The processes could be extended or compressed, repeated or reversed, but the core ideas - if they are ideas, but maybe they are simply experiences? - are what they are. Despite this, the precise sequence of movements matters a great deal. Heard together they do articulate some kind of linear narrative, maybe even a metaphorical journey (albeit a circular one where the arrival might, who knows, prove to be a new departure). One situation gives way to another and instrumental relationships within the quartet vary, but ultimately the imaginative impulse behind the piece preferences states of unity. Whether or not this unity is expressed texturally - sometimes literal unisons pervade, but not always - there is generally a sense that even seemingly diverse aspects relate to a fundamental condition of concord: a conscious limitation in the pitch structure to spectral emanations of the root notes E-flat and C. At the opening this is unambiguously audible in the perpetual alternation of these two notes in the low cello register. Later the two spectra are woven into a micro-tonal 'double-spectral-mode' (derived from the first 24 partials of the C and E-flat fundamentals), which defines the subtle melodic inflection of the second movement, and the never-quite-chromatic ascending scales of the third. For now this feels like a rich source of melodic possibility, so far only just glimpsed... And why the insistence on E-flat? Probably by way of historical anecdote. Apparently Karl Holz (a member of the Schuppanzigh Quartet) said to Beethoven: We performed your Quartet in E-flat Op. 127 in his [Weber's] honour; he found the Adagio too long; but I told him: Beethoven also has a longer feeling and a longer imagination than anyone standing or not standing today. - Since then, even Linke (another member of the quartet) can no longer stand him: we cannot forgive him for this. Listening again to Op. 127, in light of these comments, I was struck by the opening moment: the unfolding of an E-flat 7th chord over the course of a few bars. Every time I hear it I find myself wishing that Beethoven would have lingered longer there, without resolution or progression, just enjoying that sonority. And maybe - why not? - tune the 7th naturally. And what would it be to stretch that moment into an entire piece? What would Weber think of that?! In the end I was not so extreme in my self-limitation, and other concerns took over, but it was from these thoughts that the composition process began... Lastly, about the title: it comes from a book called 'The Clock of the Long Now' by Stewart Brand, published at the turn of the millennium. It's about the creation of a thousand-year clock to embody the aspiration to thinking in terms of longer time-spans than are presently habitual. If the music of Beethoven embodied a 'longer' feeling and imagination than some of his contemporaries were able to appreciate, what is our relation to time now? Longer or shorter? Maybe it depends who you ask... It's probably more extreme in both directions: attention spans might be diminishing in the digital world, but conversely there is an awareness of distant pasts and potential futures which would have been inconceivable at the time of Beethoven. In any case, the interesting thing is to ponder how societal conditions, assumptions and expectations might - whether consciously or unconsciously - influence the time of art, for listeners and creators alike. And what if time is running out? (Christian Mason)

World premiere: Paris, Cite de la musique, January 14, 2020.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pages. Published by Hal Leonard

SKU: HL.1236959

Mackie. Studio and Rehearsal Support. Hal Leonard #2053754-00. Published by Hal Leonard (HL.1236959).

UPC: 663961064049. 15.0x16.0x5.0 inches.

BETTER. FASTER. CREATOR. The DLZ Creator Adaptive Digital Mixer for Podcasting and Streaming enables you to get the results you want–faster than ever. Inspired in part by smartphone and DSLR cameras that make great results accessible to anyone, DLZ Creator transforms the on-screen controls to meet your creative style or skill level–without compromising processing power or sound quality. EASY For those who want to get great results without menu-diving. ENHANCED For those who want some customization without an overwhelming number of options. PRO For those who know what they want and how to get it. BUILT-IN SMARTS More than just an audio interface or podcast mixer, DLZ Creator is designed to help you be a better content producer. • Mix Agent is your virtual audio assistant, guiding you through setup and setting gain levels • AutoMix manages levels for up to four mics, so everyone can be heard • Using Mix Minus with your Bluetooth®-connected smartphone brings a caller into your mix with no audible echo THE INS AND OUTS OF PRODUCING From studio-grade Onyx80 preamps, to custom headphone mixes for each guest, DLZ Creator brings Mackie's legacy in pro mixing boards to creators everywhere. READY FOR WHAT'S NEXT DLZ supports the way you want to create. Record or stream to your computer via USB-C, or record full multitrack audo to an SD card or flash drive for a truly self-contained setup.

Piano - Intermediate

SKU: CZ.9798854439596

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798854439596. Published by Children's Music Workshop (CZ.9798854439596).

Are you ready to embark on a musical journey through the timeless classics? Thirty Classical Piano Solos is the perfect companion for pianists of all ages and skill levels. This delightful collection features simply arranged pieces of easy to intermediate classical music, offering a delightful challenge for beginners and a refreshing repertoire for more seasoned players. Experience the Joy of Playing: From the elegant simplicity of Minuet in G to the grandeur of Symphony No. 9, these thirty masterpieces will captivate your heart and invigorate your fingers. This book is not just a musical treasure trove; it's an invitation to explore the rich tapestry of classical music that has stood the test of time. Versatile and Dynamic: Thirty Classical Piano Solos is more than just a collection of sheet music – it's a versatile resource for a multitude of occasions. Whether you're preparing for a recital, competition, graduation, wedding, talent show, church service, celebration, family gathering, or simply looking for beautiful pieces to play, this book has you covered. A Range of Emotions: Let the expressive melodies of Ave Maria stir your soul or revel in the triumphant spirit of Pomp and Circumstance. Play the charming Barcarolle or immerse yourself in the enchanting Swan Lake. Each piece tells its unique story, allowing you to explore a vast spectrum of emotions through your playing. Ideal for Beginning and Intermediate Players: Designed with simplicity in mind, Thirty Classical Piano Solos includes accessible arrangements that retain the essence of the original compositions while providing an approachable challenge for those still honing their skills. With practice and dedication, you'll soon be performing these cherished classics with confidence and grace. A Beautiful Gift: Looking for the perfect gift for a piano enthusiast? Look no further! Thirty Classical Piano Solos is a thoughtful and cherished gift for children, adult beginners, or anyone who appreciates the beauty of classical music. Begin your musical odyssey today with this exceptional collection of classical piano solos. Let the melodies of the great composers resonate through your fingertips and transport you to a world of timeless beauty.