SKU: CL.084-3586-28
This collection of twelve beautiful, lyrical works from master composers of the late classical & romantic eras are have been magnificently transcribed for horn and piano by Brian Kilp. Includes works by Rachmaninov, Brahms, Tchaikovsky, and Mahler, these solos are marvelous recital and contest works for the serious horn player. Book includes F horn solo parts, piano accompaniment, and a full-performance CD performed by arranger Kilp. A perfect collection of solos for the hornist to SING with! For advanced players . CONTENTS: Romance, Opus 6, No. 1 - Sergei Rachmaninov Elergy, Opus 3, No. 1 - Sergei Rachmaninov Serenade, Opus 3, No. 5 - Sergei Rachmaninov Don't Sing In My Presence, Beauty - Sergei Rachmaninov Prelude, Opus 23, No. 10 - Sergei Rachmaninov Cello Sonata in G Minor, Mvt. 3 Andante - Sergei Rachmaninov Meine Liebe Ist Grun, Opus 63, No.5 - Johannes Brahms But The Lonely Heart, Opus 6, No. 6 - Pyotr Ilich Tchaikovsky Von Ewiger Liebe, Opus 43, No. 1 - Johannes Brahms De Zwei Blauen Augen - Gustav Mahler Wie Melodien Zieht Es Mir, Opus 105, No. 1 - Johannes Brahms An additional sound sample is available here: www.barnhouse.com/samples/mp3/084-3586-28X.mp3.
SKU: PR.416416190
UPC: 680160642823. 9 x 12 inches.
Pittsburgh Symphony Orchestra violist Randolph Kelly had premiered Adler's Viola Concerto in 2000, but the orchestra's artistic management preferred that he not perform a contemporary work for his next solo appearance. With that guideline, Kelly contacted Adler, the master of orchestration, to arrange the Brahms Sonata in F minor, Opus 120 for viola and orchestra. In this new setting, The piece promises to bring the lush romantic strains of the famous sonata to a larger audience without upsetting the purists. (Andrew Druckenbrod, Pittsburgh Post-Gazette Classical Music Critic).
SKU: CF.CAS42
ISBN 9780825867071. UPC: 798408067076. 8.5 X 11 inches. Key: D major.
This popular piece for solo violin and piano has been skillfully arranged by string pedagogue Doris Gazda. A standard piece in the repertoire, it adapts quite well to the string orchestra. This is an excellent piece for an advancing group.A rondo is a musical form that was commonly used by composers from the classical through the romantic music periods. It was often the form used for the last movement of a sonata, a symphony, a concerto or a piece of chamber music.The rondo form consists of a main theme (part A) that recurs with contrasting sections (parts B, C, D and so on) in between. The contrasting sections can change key and can change from major to minor tonality. A typical form of a rondo might be ABACADABA. It is usually written in triple meter, and is lively and joyful in character. Beethoven used the rondo form quite often, and Fritz Kreisler, the famous violinist and composer, found a Beethoven melody and turned it into this “little rondo,†or rondino, written originally for violin and piano.This arrangement for string orchestra can also be played by a small string ensemble. It should be played with a light style of bowing so as to give it a happy, lilting quality.
SKU: HL.48022520
9.0x12.0x0.08 inches.
In 'Metamorphosen' - performed for the first time in March 2008 by Viviane Hagner at a Berlin gala concert marking the 80th birthdayof the composer, only a few weeks before his death - Frank Michael Beyer refers to Scriabin's Piano Sonata No. 6 from 1911, a work the motivic and thematic penetration of which ahead of the serial technique had fascinated Beyer since his student days. Based on a scale found in Scriabin's works, Metamorphosen contrasts the frequently ecstatic nature of the piano setting with the linearity of the solo violin. The strict structure is contrasted by the music's free character which Scriabin himself described as 'volando - flying'.
SKU: FH.FLR05
ISBN 978-1-55440-293-9.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Sonata in F Major, op. 1, no. 11, HWV 369, First movement and Second movement George Frideric Handel, arr. Kathleen Wood Sonata in D Major, op. 21, no. 1, Second movement Franz Anton Hoffmeister, arr. Kathleen Wood Sonata in F Major, op. 1, no. 4, First movement and Second movement Jean-Baptiste Loeillet (de Gant), arr. Kathleen Wood Sonata in F Major, TWV41:F2, First movement and Second movement Georg Philipp Telemann, arr. Kathleen Wood Sicilienne, op. 78 Gabriel Faure Sonatina, First movement and Second movement Endre Szervanszky I conversed with you in a dream, Fourth movement Jocelyn MorlockSeguidilla, from Carmen Georges Bizet, arr. Stephen Chatman Lawn Tennis Wilhelm Peterson-Berger, arr. Goeran MarcussonCapriccio-Sonata in A Major, Second movement Anton Johann Stamitz Echoes for Solo Flute, Second movement: Espressivo Maya BadianPetite suite pour flute, First movement and Second movement Srul Irving Glick.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.
SKU: SU.90110060
Text: Leo Lionni.
This CD Sheet Music™ collection brings together over 570 works for solo and duo piano (including concerto reductions) by both familiar and lesser-known 19th century Russian and Eastern European composers. Works include: Balakirev (Islamey, Rèverie), Borodin (Petite Suite), Dussek (Six Sonatinas, Partant pour la Syrie), Dvorák (Silhouettes, Slavonic Dances, Legends, Mazurkas, Poetic Tone Pictures, Humoresques), Janácek (On the Overgrown Path, Zdenka Variations, Collected Moravian Dances), Moszkowski (Spanish Dances, Fifteen Études de Virtuosité), Mussorgsky (over 20 works including: Pictures at an Exhibition, Duma, Intermezzo in Modo Classico), Rimsky-Korsakov (Six Variations on B-A-C-H, Capriccio Espagnole, Sheherezade), Rubinstein (Ondine, Kamennïy-ostrov, Lezghinka), Scharwenka (Polish National Dances, Scriabin (over 50 works including: Piano Sonata Nos. 1-10), Poème-Nocturne, Preludes, Impromptus, Mazurkas), Smetana (over 30 works including: Louisiana Polka, Album Leaves, Wedding Scenes, Czech Dances Books I&II), Tchaikovsky (over 30 works for solo piano & piano four hands including: Album for the Young, The Seasons, Grand Sonata in G, Dumka, Scherzo à la Russe, Swan Lake, Sleeping BeautyThe Nutcracker, The Nutcracker Suite, Piano Concerto Nos. 1&2), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 4000+ pages [2 CDR Set]
Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.
SKU: SU.80101495
Suite in Three Movements (2021) for harpsichord was commissioned by Scott Hyslop. The three movements take their inspiration and forms from early models. They combine allusions to common practice harmony with later harmonic and rhythmic elements. The first movement, Concerto, is in a bright, Italianate manner (not without a bit of humor). The animating contrast is between ripieno (ritornello) sections and filigree-driven solo episodes. The second movement, Arioso, is a lyric aria in which the baroque-like principal material is integrated with more varied harmonic excursions. The third movement, Sonata, is a vibrant binary movement in the manner of Domenico Scarlatti.Harpsichord Duration: 13’ Composed: 2021 Published by: Zimbel Press.
SKU: FH.WC6
ISBN 978-1-55440-582-4.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:A Canticle for Ryan, op. 127 - Michael Conway BakerCanzonetta in E flat Major, op. 19 - Gabriel PierneClarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly HajduGrande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier GleichaufConcertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille RoseLyrical Repertoire:Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl BaermannSonatina for Clarinet: Second Movement - Joseph HorovitzSonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-SaensClair matin (Idylle pour clarinette et piano) - Paul JeanjeanConcertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond MeylanLied - Luciano BerioBee Navigation - Libby Larsen.
SKU: FH.FLR07
ISBN 978-1-55440-295-3.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.Sonata in G Major, op. 1, no. 5, HWV 363b (complete) George Frideric Handel, arr. Stephen Chatman Sonata in A Minor, op. 2, no. 6 (La Bouget) (complete) Michel Blavet Andante in C Major, K 315 (285e) Wolfgang Amadeus Mozart, arr. Stephen Chatman Menuet and Dance of the Blessed Spirits Christoph Willibald Gluck, arr. Stephen Chatman Suite Antique, Second Movement: Ostinato, Third Movement: Aria John Rutter Sonatina for Flute and Harpsichord (or Piano), First Movement and Third Movement R. Murray Schafer Deux Morceaux, op. 41, 2. Intermezzo Victor Alphonse Duvernoy Six Pieces for Flute and Piano Fikret Amirov 1. Song of the Ashug 3. Dance 6. Nocturne Partita in A Minor for Solo Flute, BWV 1013 Third Movement: Sarabande Johann Sebastian Bach Fantasia No. 6 in D Minor, TWV 40:7 Georg Philipp Telemann Thoronet Robert Evans Trois pieces, 2. Jade Pierre-Octave Ferroud.
SKU: BR.EB-32090
ISBN 9790004186688. 7.5 x 10.5 inches.
The cantata Daran erkennen wir, dass wir in Ihm bleiben is intended for the first Whitsun holiday. It is based on a text by Johann Christoph Wentzel (1659-1723), the yearly volume in which it appears dates to August 4, 1703 and is dedicated to, among others, Hn. Joh. Kuhnau / | Chori Musici bey der | Stadt Leipzig Directori [Herr Joh. Kuhnau / Director of Choral Music at the City of Leipzig]. It can be assumed that Kuhnau's composition originated near the time of the text, thus within his first years in office as the Leipzig St. Thomas cantor. Kuhnau follows the structure of Wentzel's poem in a Dictum and four verses with introductory sonata, although some details are varied. In comparison to other works by Kuhnau, the scoring is fairly large with five vocal parts, trumpets, timpani, oboes, and bassoon as well as two violins and violas each. The short performing time, on the other hand, makes the cantata suitable for liturgical use, too.Audio samples: Opella Musica, camerata lipsiensis, cond. Gregor Meyer (cpo, 2013).
SKU: HL.48188488
UPC: 888680866952. 8.5x11.75x0.543 inches.
“Composed in 1978 by Henri Dutilleux, Timbres, Space, Movement is a work for Orchestra, also named ?The starry night? after a painting by Van Gogh. It was commisioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This great orchestral work lasts approximately 20 minutes and depicts the content of the painting. It is written for a full orchestra without Violins or Violas. A sketch of the placement of the instruments is given in the book as its disposition differs from a full orchestra: The Cellos placed in a half-circle in front of the conductor. The Cellos represents the space with twirling solos and more stagnant sections while the lack of Violins and Violas is for the quiet and motionless part of the painting. The solo of the Winds and Drums characterizes the clouds and the light of the moon and the stars. It is divided in two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).â€.
SKU: HL.49016064
UPC: 073999308303. 305 X 229 inches.
Contents: Bourré (Bach) • Grave (Abaco) • Concerto (Vivaldi) • Prelude and Allegro (d'Andrieu) • Sonata in C Minor (Handel) • Sonatina and Minuet (Beethoven) • Elegy and Andante (Bottesini)• Aria from Rigoletto (Verdi) • Adagio (Geissel) • Vocalise (Rachmaninoff) • Romance (Prokofiev) • Introduction and Tarentelle (Franchi) • Serenade (Beveridge) • Chaconne (Russell).
A range of solos specially selected and arranged for double bass with piano accompaniment by Oscar Zimmerman. Includes works by Beethoven, Bottesini, Verdi, Vivaldi and Rachmaninov.
SKU: HL.14025475
ISBN 9780853601395. Eleanor Bailie - Author.
The Pianists's Repertoire, a new series of comprehensive practical guides to the solo piano repertoire, is designed for players of all kinds: amateurs and professionals, students and teachers. This first volume in the series provides a detailed survey of Haydn's keyboard music. It aims to help pianists find works which lie within their own capabilities and identify the pieces which are most likely to appeal to them. Eleanor Balie gives constructive suggestions and guidelines for both study and performance, drawing attention to the most rewarding areas of Haydn's keyboard sonatas and miscellaneous pieces. This informative book also includes a graded list of his keyboard music, and a comparative table of editions of the sonatas.
SKU: BR.PB-32108
ISBN 9790004215814. 10 x 12.5 inches.
Kuhnau's Magnificat in C major is - apart from his Biblical Sonatas - considered to be his most ambitious and best known work. However, as recent research has revealed, there are indeed many other large-scale works among his oeuvre which are largely presumed lost today, apart from those that were published as first editions. Until now, only insufficient or erroneous editions of the Magnificat have been available, a piano reduction has not been available at all. Beyond that, editor David Erler has succeeded in tracking down new evidence on the authorship of four Laudes (insertion movements for performances over Christmas) and to carry out their altogether new placement in the main work. He was able to prove that Bach's Magnificat directly succeeded Kuhnaus's work and that the use of such Laudes was common in Leipzig's parish churches and beyond.
SKU: AP.12-057153970X
ISBN 9780571539703. English.
In his Kongsgaard Variations (2006), Swedish composer Anders Hillborg takes the Arietta theme from Beethoven's last piano-sonata, No. 32 in C Minor, Op. 111 as the basis for an evocative 16-minute string quartet. Beethoven's sublime music drifts strangely through the centuries and is warped, vaporised, and refashioned as if, in the words of Hillborg, the Arietta is dreaming yet another variation on itself.
SKU: GH.CG-7210
ISBN 979-0-070-04393-9. A4 inches.
Romanza fran Piano Sonata in g minor arranged for flute and guitar by Mats Bergstrom.
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