Michael Giacchino's Le Festin from the 2007 Disney Pixar anmimation Ratatouille arranged for SSA choir by Alan Billingsley.

This accessible setting retains all the flavour of the original Manhattan Transfer hit. Available: SATB SAB SSA. Performance Time: Approx. 2:00.

William Schuman's setting of a poem by Genevieve Taggard takes as its theme the necessity of simple pleasures and the importance of each person. This version is for upper voices. The song is in a loose rondo form and the music alternates between the main jerky almost angry music and the smooth but still precise middle section with its growing self-belief.

Contemporary use of harmony within a well-loved folk tune creates a strong addition to literature for the women's chorus or youth choir. Simple but effective writing - excellent contest choice! Available: SSA. Performance Time: Approx. 2:10.

Written by Peter Allen and a hit for the band Pablo Cruise in 1979 this new arrangement for mixed and women's voices will heat up your concert with its hot Latin groove. Fast and furious with syncopation energy and horns there_x001A_s no turning back once you go to Rio!

Two beautiful poems by Sara Teasdale and Zoe Akins are lovingly woven together for the text of this lyrical and expressive setting for SSA voices. Rubato phrases ebb and flow over a romantic arpeggiated accompaniment for a superb concert showcase that is well-crafted for younger and developing choirs. Duration: ca. 4:05.

This 1970 pop hit by Dionne Warwick is a great feature for SSA groups. With easy parts and lots of choreography options this Hal David and Burt Bacharach classic will leave your audience with a smile. Available for SSA and ShowTrax CD. Performance Time: 2:35.

Arrangeur : Fischer, Wilfried / Folksongs around the world / mixed choir (SABar) a cappella

Edition no.: BA 5692-90 ISMN: 9790006535453 Volume / Series: Female Choir Editor: Bruno, Malcolm Arranger: Bruno, Malcolm Language(s) of work: Latin Language(s) of text: English, German Product format: Piano reduction Pergolesi’s famous “Stabat mater”, a work for two soloists, strings and continuo quickly became a success throughout Europe. However there are numerous indications that it was also performed by choirs from very early on. Particular movements were very probably sung by a two-part choir, whilst the arias were kept for the soloists. In this edition, the outer movements and no. 8 are now scored for three-part choir (SMA) in contrast to the solo aria movements. Three further movements are set as trios for three solo voices. The added parts are derived from the existing musical material. These lend this well-known work a completely new charm and provide a welcome addition to the repertoire for choral concerts. - Arrangement for female choir (SMA) based on the Bärenreiter Urtext edition of the original work - Clear, straightforward piano reduction The arranger Malcolm Bruno is the editor of the Urtext edition of the “Stabat mater” (BA 7679) and a renowned expert in 18th century Italian music.

Edition no.: BA 5690-90 ISMN: 9790006542819 Volume / Series: Female Choir Arranger: Breuer, Heribert / Focke, Martin Language(s) of work: Latin Language(s) of text: German, English Product format: Piano reduction Comments: For performance material please see BA 5342 Binding: Stapled Pages / Format: IV, 53 S. - 27,0 x 19,0 cm The choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works. The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K. 317 (BA 5691), a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality. - Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition” - Idiomatic piano reductions The arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.