| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB satb (soli), SATB (choir), Orchestra Carus Verlag
Soli SATB, Coro SATB, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118657 ...(+)
Soli SATB, Coro SATB, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118657 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent. Study score. Composed 1723. BWV 186. 56 pages. Duration 40 minutes. Carus Verlag #CV 31.186/57. Published by Carus Verlag (CA.3118657). ISBN 9790007245023. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score available separately - see item CA.3118600. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| So Much Better (from Legally Blonde) Choral SATB SATB, Piano Hal Leonard
(from Legally Blonde). Arranged by Mac Huff. SATB. Broadway Choral. 16 pages. Pu...(+)
(from Legally Blonde). Arranged by Mac Huff. SATB. Broadway Choral. 16 pages. Published by Hal Leonard
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Everyone Sang Choral SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740). ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson. Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done. Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Antiphon Choral SATB SATB, Organ - Intermediate Boosey and Hawkes
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. S...(+)
SATB and Organ. By Benjamin Britten. (SATB). Boosey and Hawkes Sacred Choral. Size 7x10.5 inches. 14 pages. Published by Boosey and Hawkes.
$5.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Broadway Musical Magic Choral SATB [Octavo] Hal Leonard
Choral Medley. Arranged by Mac Huff. Broadway Choral. Octavo. 72 pages. P...(+)
Choral Medley. Arranged by Mac Huff. Broadway Choral. Octavo. 72 pages. Published by Hal Leonard (HL.154275).
$4.15 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB [Score and Parts] Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118659 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118659 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. 1x 31.186/71 oboe 1, 1x 31.186/72 oboe 2, 1x 31.186/73 taille, 1x 31.186/74 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1723. BWV 186. Duration 40 minutes. Carus Verlag #CV 31.186/59. Published by Carus Verlag (CA.3118659). ISBN 9790007209896. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and parts available separately - see item CA.3118600. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118655 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118655 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1723. BWV 186. 8 pages. Duration 40 minutes. Carus Verlag #CV 31.186/55. Published by Carus Verlag (CA.3118655). ISBN 9790007186562. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score available separately - see item CA.3118600. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB [Score and Parts] Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118669 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118669 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Advent. Set of Orchestra Parts. Composed 1723. BWV 186. Duration 40 minutes. Carus Verlag #CV 31.186/69. Published by Carus Verlag (CA.3118669). ISBN 9790007187262. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and parts available separately - see item CA.3118600. $114.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118653 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118653 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent. Vocal score. Composed 1723. BWV 186. 48 pages. Duration 40 minutes. Carus Verlag #CV 31.186/53. Published by Carus Verlag (CA.3118653). ISBN 9790007186517. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score available separately - see item CA.3118600. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB [Score] Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118650 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118650 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Advent. Full score. Composed 1723. BWV 186. 56 pages. Duration 40 minutes. Carus Verlag #CV 31.186/50. Published by Carus Verlag (CA.3118650). ISBN 9790007181550. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score available separately - see item CA.3118600. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fret thee not, thou mortal soul (Argre dich, o Seele, nicht) Choral SATB Carus Verlag
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118699 (+)
Soli SATB, SATB Choir, 2 Ob, Tl (Eh), Fg, 2 Vl, Va, Bc SKU: CA.3118699 Cantata for the 7th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Advent. Single Part, Organ. Composed 1723. BWV 186. 28 pages. Duration 40 minutes. Carus Verlag #CV 31.186/99. Published by Carus Verlag (CA.3118699). ISBN 9790007209940. Key: G minor / c dorian. Language: German/English. The cantata Argre dich, o Seele, nicht BWV 186 is in a sense the companion work to the much better-known cantata Herz und Mund und Tat und Leben BWV 147. Both were composed in Advent 1716 as Bach's last two cantatas for the Weimar court, and both were arranged for another Sunday in Bach's first Leipzig cantata cycle by the addition of recitatives and a large-scale chorale movement, heard at the end of both parts. The sound of the Cantata BWV 186 is characterized by the four-part woodwind ensemble writing. The final chorale, heard twice, anticipates the opening choruses of the chorale cantatas from Bach's second cycle. Cantata BWV 186 for the 7th Sunday after Trinity is a considerably expanded reworking of a Weimar Advent cantata of 1716. Only the text survives of the Advent cantata, but Diethard Hellmann has been able to reconstruct the work from the later version (Carus 31.186). Score and part available separately - see item CA.3118600. $24.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Waiting for Christmas - Choral Book Choral SATB Word Music
SATB choir - Moderately Easy SKU: WD.080689630170 Composed by Marty Parks...(+)
SATB choir - Moderately Easy SKU: WD.080689630170 Composed by Marty Parks. Choral, cantatas. Christmas. Book. Word Music #080689630170. Published by Word Music (WD.080689630170). UPC: 080689630170. We’re counting down the days to Christmas…that most wonderful time of the year! And somehow, it always feels so much longer than the actual 364 days it takes for that special day to arrive…that one day each year when family and friends come together to celebrate the joy, peace, hope, and love that came into our world through the birth of our Savior!
What better way to bring all that anticipation into focus and usher in the season than with the new Christmas musical from Marty Parks and Word Music & Church Resources, Waiting for Christmas! This delightful, nostalgic, and heartfelt musical comes to you wrapped in Marty Park’s signature format… Large-Print-No-Repeats-Perfect-For-Any-Choir! More specifically, these specially designed musicals from Marty come your way perfect for Senior Adult Choirs, yet perfectly appropriate for every choir!
Featuring a heartwarming story of a letter found in an old family Bible, this musical introduces a young girl named Sarah writing to her “Nanaâ€, expressing her joy and delight as she anticipates the holiday and, once again, getting the family together at Christmastime. The memories of past Christmases combined with the expectation of precious new memories yet to be made create a vivid backdrop for sharing the real reason for the season…Jesus! $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs of Three, Four, Five and Six Parts (1622) Choral SATB Stainer and Bell
SATB choir SKU: ST.EM18 Composed by Thomas Tomkins. Edited by Edmund H Fe...(+)
SATB choir SKU: ST.EM18 Composed by Thomas Tomkins. Edited by Edmund H Fellowes. Library Volumes. Edited Edmund Fellowes. Revised Thurston Dart. Paperback. Madrigals. Collection. Stainer & Bell Ltd. #EM18. Published by Stainer & Bell Ltd. (ST.EM18). ISBN 9790220216930. Though better known as a composer of church and keyboard music, Tomkins wrote secular vocal music that offers a compendium of all the various styles: canzonets, balletts, madrigals and 'sacred songs'. Each was dedicated to one of his relatives, a friend or a colleague. The names of these 28 dedicatees form a fascinating list at the end of the book.
CONTENTS Adieu, ye city-poisoning towers (SSATB) Cloris, whenas I woo (SSATB) Come, shepherds sing with me (SSATB) Fond men, that do so highly prize (SST (or A)) Fusca, in thy starry eyes (SSATB) How great delight (SST) It is my well-beloved's voice (SSATTB) Love, cease tormenting (SSA (or T)) Music divine (SSATTB) No more I will thy love (SATB) O let me die for true love (SATB) O let me live for true love (SATB) Oft did I marle (SSAATB) Our hasty life away dost post (SST) Oyez! Has any found a lad? (SATB) Phyllis, now cease to move me (SSATB) Phyllis, yet see him dying (SSATB) See, see the shepherds' Queen (SSATB) Sure there is no god of love (SSA) The fauns and satyrs tripping (SSATB) To the shady woods (SSATB) Too much I once lamented (SSATB) Turn unto the Lord (SSATTB) Was ever wretch tormented? (ST (or A) TB) Weep no more, thou sorry Boy (SATB) When David heard (SAATB) When I observe (SSAATB) Woe is me (SSATBB) Yet again, as soon revived (SAT (or A) B). $110.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| My Heavy Load Choral SATB SATB A Cappella Alliance Music Publications
Edited by Simon Carrington. Arranged by Ian David Coleman. Octavo. Alliance M...(+)
Edited by Simon Carrington.
Arranged by Ian David
Coleman. Octavo. Alliance
Music Publications #AMP 1107.
Published by Alliance Music
Publications
$2.30 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sing It To Me! Choral SATB SATB, Piano Heritage Music Press
SATB choir, piano SKU: LO.15-3687H Composed by Kirby Shaw. Choral. Octavo...(+)
SATB choir, piano SKU: LO.15-3687H Composed by Kirby Shaw. Choral. Octavo. Heritage Music Press #15/3687H. Published by Heritage Music Press (LO.15-3687H). ISBN 9780787768140. Now you've got good news to share. Take my hand and take us there. Sing out now and soon you'll see how much better life can be. Just sing it!...Sing it to me! Kirby Shaw's feel-good lyrics are set in a fast-paced, light Calypso style that is perfect for a concert opener. An orchestrated track is also available as an alternate accompaniment. $2.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104605 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Choral Score. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/05. Published by Carus Verlag (CA.3104605). ISBN 9790007042950. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104612 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/12. Published by Carus Verlag (CA.3104612). ISBN 9790007042981. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104649 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Organ. Composed 1723. BWV 46. 16 pages. Duration 20 minutes. Carus Verlag #CV 31.046/49. Published by Carus Verlag (CA.3104649). ISBN 9790007043018. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB [Score and Parts] Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104609 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. 1x 31.046/21 recorder 1, 1x 31.046/22 recorder 2, 1x 31.046/23 oboe 1, 1x 31.046/24 oboe 2, 1x 31.046/31 trumpet. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 46. 40 pages. Duration 20 minutes. Carus Verlag #CV 31.046/09. Published by Carus Verlag (CA.3104609). ISBN 9790007042967. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB [Score and Parts] Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104619 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 46. Duration 20 minutes. Carus Verlag #CV 31.046/19. Published by Carus Verlag (CA.3104619). ISBN 9790007136154. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and parts available separately - see item CA.3104600. $94.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104613 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1723. BWV 46. 8 pages. Duration 20 minutes. Carus Verlag #CV 31.046/13. Published by Carus Verlag (CA.3104613). ISBN 9790007042998. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score and part available separately - see item CA.3104600. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104603 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Vocal score. Composed 1723. BWV 46. 32 pages. Duration 20 minutes. Carus Verlag #CV 31.046/03. Published by Carus Verlag (CA.3104603). ISBN 9790007042943. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. Score available separately - see item CA.3104600. $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Look ye then and see now (Schauet doch und sehet, ob irgend ein Schmerz sei) Choral SATB [Score] Carus Verlag
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or ...(+)
ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'caccia, trumpet (tromba or horn da tirarsi), 2 violins, viola, basso continuo SKU: CA.3104600 Cantata for the 10th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Paul Horn and Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Schauet Doch Und Sehet, Ob Irgend Ein. Sacred vocal music, Cantatas. Full score. Composed 1723. BWV 46. 60 pages. Duration 20 minutes. Carus Verlag #CV 31.046/00. Published by Carus Verlag (CA.3104600). ISBN 9790007042936. Key: D minor. Language: German/English. The opening chorus of the cantata Schauet doch und sehet (Look ye then and see now) is one of those movements by Bach which are much better known in their later guise: the first part of it became the Qui tollis of the Mass in B minor. But this movement is not the only high point of the cantata from Bach's earliest Leipzig period. Both the arias are also unusual: a bass aria depicting God's anger dramatically as a thundering storm, with strings and slide trumpet, which gives the movement a very special colour through its unexpected notes beyond the instrument's natural series, and an alto aria with two recorders, accompanied by just two oboi da caccia in unison, which take the role of the continuo as little basset instruments. Music almost not of this world! New revised edition. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| High Flight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. Composed by Stacy Garrop. Sws. Performance Score. 12 pages. Duration 3:15. Theodore Presser Company #312-41902. Published by Theodore Presser Company (PR.312419020). ISBN 9781491131862. UPC: 680160680474. 6.875 x 10.5 inches. English. Commissioned by the San Francisco Choral Society and the Piedmont East Bay Children’s Choir, Terra Nostra is a 70-minute oratorio on the relationship between our planet and humankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. Part I: Creation of the World explores various creation myths from different cultures, culminating in a joyous celebration of the beauty of our planet. Part II: The Rise of Humanity examines human achievements, particularly since the dawn of our Industrial Age, and how these achievements have impacted the planet. Part III: Searching for Balance questions how to create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. In addition to the complete oratorio, stand-alone movements for mixed chorus, and for solo voice with piano, are also available separately. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World†by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child†praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!†Part I ends with “A Blade of Grass†in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall†sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,†William Ernest Henley’s “A Song of Speed,†and John Gillespie Magee, Jr.’s “High Flight,†each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,†Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge†concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness†speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming†gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us†warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace†speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?†and “There was a child went forth every dayâ€) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass†from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…â€My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Want of Peace Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280). ISBN 9781491137925. UPC: 680160692613. Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her? $2.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| In God Rejoice! Hymns & Psalms 2009-12 Choral SATB Stainer and Bell
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. ...(+)
Mixed choir SKU: ST.B934 Composed by Brian Wren. Hymns & Relgious Drama. Hymns & Psalms 2009-2012. . If ordering from USA, Canada, Australia or New Zealand please contact. Collection. Stainer & Bell Ltd. #B934. Published by Stainer & Bell Ltd. (ST.B934). ISBN 9780852499344. This, the ninth of a series of books begun in 1983, contains Brian Wren's 36 most recent hymns (2009 to 2012). It is nicely presented and laid out in a user-friendly way. The hymns are divided into five thematic sections: Jesus from Cradle to Cross; Easter Hymns; Church and Mission; Praise; and Metrical Psalms. This last section, rooted in (though not bound by) the Old Testament, is often influenced by Isaac Watts and will be of more use to some than others; it concludes with a tremendous rendering of Psalm 8; a paean of praise which all will love, set to a stirring tune. Each section is prefaced with a single page introduction listing the contents and, in some instances, giving an interesting insight into Brian Wren's theology and thinking which provides food for contemplation. Each hymn is printed in words format with all the necessary information for inclusion in an order of worship. Every hymn is also printed with full score music for accompaniment interlined with the words. The book is slightly larger than A5, and there are various useful indexes. The tunes range from ancient to modern, some very familiar, including Candler (better known as Ye Banks and Braes). A number are of a metre where alternative tunes are available. Those tunes which are new vary in ease of use; some will be readily picked up, others would prove challenging for occasional use in a small congregation but could be used as music group items. These are hymns which need to be read as a whole and require thought. The words are chosen with care and notable as much for those not used as those included e.g.: 'Christ, untameably alive,/ breathe your life upon us - / Compass, Governor and Guide, / with us and beyond us,/ Sky and Sunlight, / spreading Vine./ Spring of Living Water,/ Truth and Wisdom, Way and Word,/ here, and then hereafter.' These hymns will be useful in worship as either sung or read pieces, and will also prove an invaluable resource for private devotion. Robert Canham, Reform $15.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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