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ORGAN
Choral SSAATTBB
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Peace on Earth (SCHOENBERG ARNOLD)
Choral SSAATTBB
SSAATTBB A Cappella
Carus Verlag
Par SCHOENBERG ARNOLD. ?Friede auf Erden? op. 13 is regarded as Arnold Schoenber...
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Par SCHOENBERG ARNOLD. ?Friede auf Erden? op. 13 is regarded as Arnold Schoenberg?s last tonal composition and is one of the few choral works of the Second Viennese School. On the same day that he completed his op. 13, Schoenberg made the first sketches for his 2nd String Quartet, a key work in atonal music. Although Schoenberg later orchestrated ?Friede auf Erden?, he intended the piece to be performed unaccompanied.To help rehearsing the work, this choral score contains the piano transcription made by Anton Webern for use in rehearsals for the planned first performance. The text for op. 13 is a secular Christmas poem by Conrad Ferdinand Meyer. At the time of its composition (1907), Schoenberg thought the vision of a ?reine Harmonie unter Menschen? (pure harmony amongst people) described in the poem was conceivable, but he later distanced himself from this idea. What remained is a composition of great artistic power and depth ? a real showpiece for ambitious choirs! / Date parution : 2022-07-20/ Répertoire / SSAATTBB A Cappella
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Karl Jenkins: Laudamus te: SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
A cappella motet from Gloria-Motets is a set of intimate and spiritually uplifti...
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A cappella motet from Gloria-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
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Karl Jenkins: Nunc dimittis: SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
A cappella motet from The Healer: A Cantata For St Luke-Motets is a set of intim...
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A cappella motet from The Healer: A Cantata For St Luke-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
2.75 GBP - Sold by Musicroom UK
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Karl Jenkins: Benedictus: SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
A cappella motet from The Armed Man: A Mass For Peace-Motets is a set of intimat...
(+)
A cappella motet from The Armed Man: A Mass For Peace-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers. Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
2.75 GBP - Sold by Musicroom UK
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Karl Jenkins: Dona nobis pacem: Soprano & SATB: Vocal Score
Choral SSAATTBB
SSAATTBB A Cappella
Boosey and Hawkes
A cappella motet from The Peacemakers-Motets is a set of intimate and spirituall...
(+)
A cappella motet from The Peacemakers-Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins featuring new pieces and arrangements of a selection of movements from his most popular works including The Armed Man Requiem Adiemus and The Peacemakers.Although scored for mixed choir a cappella most pieces include an optional accompaniment for piano or organ. Next to the complete vocal score (BH 12937) all 19 separate motets are also available as single pieces.Motets was recorded on Deutsche Grammophon 0289 479 3232 by Stephen Layton and Polyphony.
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Musu Masu Vardi (VASKS PETERIS)
Choral SSAATTBB
Schott
Our Mothers' Names. Par VASKS PETERIS. Prenant comme son thème de l'utilisation...
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Our Mothers' Names. Par VASKS PETERIS. Prenant comme son thème de l'utilisation des noms des oiseaux traditionnels comme noms de pet pour les femmes, Vasks a créé une pièce très poétique musicale basée sur un texte en langue lettone. Traductions allemandes et anglaises sont incluses pour aider à la compréhension, avec des conseils sur la prononciation des mots lettons./ Répertoire / Choeur Mixte (SSAATTBB)
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Felix Mendelssohn Bartholdy: Mein Gott warum hast du mich verlassen (Ps 22):
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belon...
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Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Felix Mendelssohn Bartholdy: Psalm 2 Why Rage Fiercely The Heathen Op.78: Vocal:
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn&r...
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Psalm No.2 Why rage fiercely the Heathen Op.78 (1st & 2nd versions)Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.We also offer a separate edition of Psalm 91 “For He shall give His angels charge” in its original setting for eight-part a cappella chorus. (Mendelssohn later incorporated it into “Elijah” with an orchestral accompaniment).Eachedition contains the original German text and the English translation authorized by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefront of musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
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Felix Mendelssohn Bartholdy: Judge Me O God Op.78 Psalm No. 43: Vocal: Vocal
Choral SSAATTBB
SSAATTBB A Cappella
Barenreiter
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belon...
(+)
Mendelssohn’s Three Motets Op.69 and Three Psalm Settings Op.78 belong to the standard repertoire of many choruses and vocal ensembles. Our editions the work of two leading Mendelssohn specialists Hiromi Hoshino and Michael Cooper present these pieces in separate volumes reflecting the latest state of scholarly research.Each edition contains the original German text and the English translation authorised by the composer himself.A two-stave reduction of the vocal parts has been added as an aid in rehearsal. Complete editions are available with critical reports and introductions in German and English.- Urtext at the forefrontof musical scholarship- Complete editions with critical reports and introductions in German and English- With piano reductions for rehearsal purposes
4.50 GBP - Sold by Musicroom UK
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David Bednall: Hail Gladdening Light.: Double Choir: Vocal Score
Choral SSAATTBB
Faber Music Limited
Hail Gladdening Light was written at the request of Matthew Owens for the choi...
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Hail Gladdening Light was written at the request of Matthew Owens for the choir of Wells Cathedral and was first performed at Candlemas 2006. The composer has long been an admirer of the setting by Charles Wood and so wanted to create a work with a completely different atmosphere particularly focusing on mystical light. The opening and closing sections make use of the Gregorian Chant for Candlemas – a troped setting of the Nunc dimittis. Where these chanted sections occur they should be unconducted and sung with the freedom and tempo of plainsong. The emphasis throughout the whole piece should be on luminosity. This piece isfrom Faber's Choral Signature Series which introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. the series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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Thomas Hewitt Jones: Excellence: Double Choir: Vocal Score
Choral SSAATTBB
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Intermediate
Boosey and Hawkes
Nr. 5 aus The Same Flame-Commissioned by the Somerset England based charity Ch...
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Nr. 5 aus The Same Flame-Commissioned by the Somerset England based charity Churchill Music! The Same Flame was inspired by Pierre de Coubertin’s ideals of Olympism which gave rise to the modern Olympic and Paralympic values: Respect Excellence Friendship Courage Equality Determination and Inspiration. These seven values are celebrated in five movements so four of them had to double up – Friendship with Equality and Courage with Determination. Each movement is scored for slightly different choral forces so the work is varied. Also individual movements may suit different choirs giving the opportunity for individual performance or collaboration between choirs. All fivemovements of The Same Flame are published as individual octavos. A complete vocal score is available on request from the publishers.“Excellence” makes the not always popular point that excellence is not achieved overnight nor by accident. While spelling out the ‘doggedness diligence discipline [and] drudgery’ that go into achieving ‘poetry in motion’ the song also celebrates the attainment of those who achieve excellence and comes to the inescapable conclusion that the ‘unbegrudged drudgery’ is worth it! The (sometime tongue-twisting) language is very colourful and engaging and as the final movement of “The Same Flame” the music is equally exciting and explosive.
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Thomas Hewitt Jones: Shenandoah: Double Choir: Vocal Score
Choral SSAATTBB
[Sheet music]
Peters
American Traditional-The ?VOCES8 singles? series includes songs for which the gr...
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American Traditional-The ?VOCES8 singles? series includes songs for which the group is particularly well known in choral arrangements produced specifically for VOCES8. This beautiful folk song was commissioned as part of our fifth anniversary celebrations in 2012 and was included in our EP ?In the Beginning? and on our US concert tour. It has always been a fun challenge to perform with gorgeous flowing lines and a great opening solo for the bass. Our annual visit to sing for friends in the Shenandoah Valley is never complete without a rendition of this arrangement; performing it at Abbey Road Studios (the film can be found on YouTube) was also an unforgettableexperience.
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Owain Park: Upheld By Stillness: Mixed Choir: Vocal Score
Choral SSAATTBB
[Sheet music]
Novello & Co Ltd.
POD-Upheld By Stillness is a work for Unaccompanied SSSAATTBB Choir by composer ...
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POD-Upheld By Stillness is a work for Unaccompanied SSSAATTBB Choir by composer Owain Park. A setting of the poem 'The World' by Kathleen Raine the piece lasts around 6 and a half minutes. Park describes the work as 'A reflection on the Sanctus and Benedictus from the Mass for five voices by William Byrd ' ...Some echoes of Byrd's music are incorporated in the piece including two sections marked 'quasi Hosanna' but the composer focuses mainly on creating various effective bi-tonal chord clashes to generate an appropriate atmosphere for the cosmic theme of the poem complete with star-like 'flickering'. - Geoffrey Webber Choir& Organ Magazine
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Paul Smith: Let's Walk Together: Mixed Choir: Vocal Score
Choral SSAATTBB
Peters
VOCES8 Singles Series
2.95 GBP - Sold by Musicroom UK
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