Par DAMARE EUGENE. / Date parution : 2022-11-29/ Répertoire / Concert Band et Piccolo

Par KIDD BRYAN. This is one to get excited about! In the style of a “patrol” march, THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history, the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee’s most brilliant victory, but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later. Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE. / Niveau : 2 / Marche de concert / Répertoire / Concert Band

for Concert Band-If you have a large percussion section Credo might be a perfect piece for your young band. It is very carefully scored and cross-cued so that almost any size band can perform it. Composed in sonatina form it is highly energetic and tuneful and the bass instruments have lots of fun easy things to play. Like Prairie Winds Festival Credo is very safely scored with Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts optional. Ranges are very reasonable the only sixteenth notes in the piece are in the snare drum.

This is one to get excited about! In the style of a ?patrol? march THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee?s most brilliant victory but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later.Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE.

This is one to get excited about! In the style of a ?patrol? march THE ROAD TO CHANCELLORSVILLE takes us back to that pivotal point in history the American Civil War. The Battle of Chancellorsville is regarded as Confederate General Robert E. Lee?s most brilliant victory but the cost was so high that the Secessionist forces never really recovered. They were forced to surrender less than two years later.Opening with light percussion and just two piccolos (substitute two flutes if necessary) this bright and easy march builds relentlessly from beginning to end. March into history with THE ROAD TO CHANCELLORSVILLE.

for Concert Band-Prairie Winds Festival is a fast happy-go-lucky opener. It is very carefully scored and cross-cued so that almost any size band can perform it. The Piccolo 2nd Oboe 2nd Bassoon Contra-Alto Clarinet 3rd Trombone and Double Bass parts are all optional but if you have these instruments it will sound more full.

Written in 1943-44 as a ballet for Martha Graham Appalachian Spring is one of Aaron Copland's most celebrated compositions and winner of the Pulitzer Prize in 1945. In this edition for concert band Robert Longfield has skillfully adapted the most striking and beautiful sections from the orchestral suite. The work ranges in scope from delicate and soloistic to the overpowering force of the full ensemble culminating with Copland's signature setting of ?Simple Gifts?.A wonderful opportunity for band members and their audiences to enjoy this beloved music from one of America's pre-eminent composers.Instrumentation:Piccolo 4 x Flute I 4 x Flute II 2 x Oboe 2 x Bassoon 4 x Clarinet I 4 x Clarinet II 4 x Clarinet III 2 x Bass Clarinet 2 x Alto Saxophone I 2 x Alto Saxophone II 2 x Tenor Saxophone Baritone Saxophone 3 x Trumpet I 3 x Trumpet II 3 x Trumpet III Horn I Horn II Trombone Trombone II Baritone.

from Hymn of the Highlands - for Bb Piccolo Trumpet (or Eb Cornet/Trumpet) Solo-La suite de sept mouvements Hymn of the Highlands a été commandée par David King et la Yorkshire Building Society Band et pourvoit des mouvements thématiques qui peuvent constituer un demi-concert mettant en vedette les solistes del?orchestre. Flowerdale est l?un des mouvements solos. Ce solo est aussi disponible avec accompagnement piano édition no. AMP 285-401.

The Mission: Impossible Theme arranged by Johnnie Vinson for Concert Band. Score and Parts. instrumentation number of parts pages per part full score 1 16 piccolo 1 1 flute 8 1 oboe 2 1 bassoon 2 1 bb clarinet 1

Concert March. Par SAKAI ITARU. Cette marche du jeune compositeur japonais Itaru Sakai débute avec fougue. La musique s’apaise et le ton devient plus léger. Le solo de clarinette basse à la fin du trio reprend le matériel thématique exposé précédemment par les euphoniums. Après ce passage fluide et calme, la mélodie se développe et s’intensifie pour aboutir à un vif tutti, qui trouve son aboutissement dans un court solo de piccolo menant à un finale majestueux. / Niveau : 4 / Marche / Répertoire / Concert Band

Concert March - Wheaton Kiwanis Salute-A bright technical flourish in the introduction a toe-tapping theme following in the Woodwinds fanfare-like syncopation from the Brass and even a Piccolo solo in the Trio section make Stephan Bulla’s KIWANISCA a sure winner. The fresh timbres and exhilarating melodies will add zest to your next concert whether you choose to program it as your closer or at any other time in the concert. The vitality is contagious! Don’t miss it!

Be immersed in a sea of swirling colors with this bold and exciting new scherzo for band. The furious 3-beat pulse evokes images of spiraling colors and dark passionate and intense moods. Animated rhythms give way to a poignant hymn introduced and concluded by a piccolo solo in a contrasting lyrical section. Spiraling once again into a juxtaposition of themes the work combines excellent percussion writing soaring melodies and great counterpoint to drive the piece to a furious and spectacular finish! (5:34)

Concert March-Cette marche du jeune compositeur japonais Itaru Sakai débute avec fougue. La musique s?apaise et le ton devient plus léger. Le solo de clarinette basse à la fin du trio reprend le matériel thématique exposé précédemment par les euphoniums. Après ce passage fluide et calme la mélodie se développe et s?intensifie pour aboutir à un vif tutti qui trouve son aboutissement dans un court solo de piccolo menant à un finale majestueux.