Composed by Armando Ghidoni Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the Flute and Piano reduction edition. / Date parution : 2022-11-29/ Répertoire / Flûte et Piano

Flute Et Piano - Debutant 1-French composer pianist and musicologist Jean Sichler (b. 1933) is also a prolific teacher in many regional conservatoires. His Flûte En Tête is suitable for beginner flautists technical progression. As a devout Catholic Sichler's career has seen him dealing with the delicate relationship between music and faith. His didactic works remain popular and Flûte En Tête ensures a high standard of focus on articulation sequences and intervals amongst other aspects for beginner flautists. With a typical performance lasting around one and a half minutes Sichler's Flûte En Tête is essential to beginner flautists.

In Fa Op.X N.5 - Rv 442 F.Vi-1 - Tomo 46 --Vivaldi's Concerto in F RV 433 for Flute Strings and Basso Continuo. Called in both cases 'La tempesta di mare ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally above the ripieno in the central episodes. The opening closes on a big half cadence and then moves into the quiet central Largo with the flute soloist becalmed in the eye of the storm and haunted by memories and ghosts. The closing Presto opens with a powerful unison theme with the flute soloist performing the first long lyrical lines of the workagainst the thrusting violins and basso continuo.

From Fancies Pour Piano-This Sérénade is the first of 7 pieces collectively called 'Fancies' originally written for piano in 1915.Gabriel Marie Grovlez (1879-1944) was born in Lille Northern France in 1879 and died in war-torn Paris in 1944. From among his teachers who include Gédalge and Lavignac Fauré must surely rank as his strongest influence and this is readily heard in his small but significant oeuvre of solo piano pieces as well as his music for stage and chamber ensembles. Interestingly most of the piano music was published over a period of around a dozen years (1907-1919) and in the lull between these works and his Impressions (two pieces) of 1934 Grovlez wascompositionally preoccupied with songs and chamber pieces many of which languish patiently on the shelf awaiting a wholehearted appraisal. There is as well as his notable penchant for elegance and poetical lyricism a considerable wit to enjoy too (take Les nes The Donkeys from L'Almanach aux images for example) and indeed the fact that Grovlez's middle years were spent fulfilling the duties of assistant conductor and choir leader of the Opéra-Comique seems especially revealing of the man's musical personality and capacity for successfully intertwining serious and less serious genres.Grovlez was quite a cosmopolitan character; besides making a notable mark in his native country (he was latterly a professor of chamber music at the Paris Conservatoire) he travelled to the United States and Africa as well as across Europe. Although we tend to remember Grovlez today for his influence primarily as a composer in the mould of Fauré or Debussy bringing a quirky quality to some of his writing more than occasionally reminiscent of Poulenc it was as a conductor that Grovlez initially made an impact. Moreover we should not overlook the fact that he gave the inaugural performances of some highly treasured works by the likes of Ravel (Ma Mère l'Oye) and Fauré (Dolly Suite) a piano duet which has earned an especially important

Play all your favourite film tunes with this beginner's flute songbook with piano accompaniment. This great selection of ten film tunes has been specially graded arranged and transposed into suitable keys for the flute and willincrease the enjoyment of playing from an early stage of learning. The piano accompaniments are suitable for intermediate players and there are superb demonstration and play-along tracks on the CD included.