Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Alfred's Kid's Guitar Course is the #1 best-selling guitar method for kids! This award-winning ('Best Product of the Year'---Disney's iParenting Media Award) method is the easiest guitar method ever for kids ages 5 and up. Using plain language that's easy for kids to understand, three irresistible guitar experts guide students along---a clever classical dog, one cool jazz cat, and a friendly alligator who loves the blues---they focus attention by pointing out what's important on each page and make learning music fun! Kids will learn to play chords and melodies, read music, and perform lots of fun songs. Parents can be effective guides to help you through this course, even if they've never had any musical training themselves. Book 3 starts where Book 2 and the Complete book leave off. You'll learn new rhythms, chords, chromatic notes, and how to play the song 'Over the Rainbow.' Plus, you can listen to every song on the enclosed CD. This book prepares students for Alfred's Basic Guitar Method, Book 2. / Guitare

Grammy Award winner, songwriter, composer, producer, recording artist and ?rst-call session and touring musician Massimo Varini is one of the world's most celebrated and versatile Guitarists and educators.As the only Italian Guitar tutor on Truefire.com Massimo Varini is a name that is causing ripples outside of his native Italy. With a huge YouTube following and bestselling Guitar tutorials at home Massimo Varini is bringing his Basic Guitar Course to English speakers for the first time.With a focus on learning to read music, and legions of happy students, Massimo Varini's Basic Guitar Course sets itself apart from other tutorial books on the market. Learn how to play scales, chords and arpeggios, how to accompany songs, and the CAGED system, to master the fretboard in this clear, concise and easy to follow volume. / Guitare

Make your practice time efficient and organized! Every guitarist has their own personal practice needs and goals, so it's important to have flexibility and options when you're trying to get better as a player. This customizable planner lets guitarists and guitar teachers decide what topics they should focus on. Use it to stay organized and make practice purposeful and fun. Helpful tips on the art of practicing are included to help you optimize your time to improve quickly. Also included are blank guitar TAB and standard music notation for new licks and musical ideas, as well as blank diagrams for writing chords and scales. This book is a must-have for every guitarist and guitar teacher. / Guitare

Description The only book to exclusively focus on the blues scales as it applies to jazz guitar. This book features a wealth of information, including many scale patterns, six complete solos, and diverse accompanying grooves that use a wide array of chords, tempos, and rhythmic feels.

Par GARCIA GERALD. This collection of classic guitar studies is intended for the intermediate guitarist. As a whole, these etudes emulate the content of Carcassi's famed 25 Etudes, yet in a more contemporary harmonic and rhythmic idiom. These pieces are also distinguished in that they are not only valuable as left and right-hand technical exercises- but also as valid, pleasurable concert repertoire. The first ten etudes 11-20 focus on the use of the a finger in combination with i and m. Etudes 4,7,11,13,15, and 17 also concentrate on left-hand slurs. The final five etudes were composed as - and intended to be performed- as a set with each piece dedicated to a particular Latin American composer. / Niveau : Intermédiaire / Classic - Solos / Etude / Guitare Classique

Unlock the secrets of playing Guitar to reveal how to become a successful guitarist.This level three book covers Grades 6, 7 and 8. It includes detailed explanations of the techniques required to master any music exam.Throughout the book, you will be encouraged to develop your creativity and individuality as well as enhance both your aural and visual skills in order to become the best musician you can be.Includes:Performance pieces, style focus, sight reading, improvisation, ear training and music theory.Specialist advice throughout from the author.Profiles of inspirational guitarists such as Steve Vai, Ynqwie Malmsteen, Alex Lifeson, John Petrucci, Guthrie Govan and more. / Guitare

Par BOLING MARK. Pianistes sont les principales sources d'inspiration pour de nouveaux développements dans la compilation de la guitare jazz. Pourtant les guitaristes ont été lents à développer un vocabulaire comping avec sophistication harmonique, voiceleading subtil et rythmique de la flexibilité au niveau des meilleurs pianistes contemporaines. Cet ouvrage vise à remédier à la situation en articulant un vocabulaire comping dans le contexte de six des airs plus souvent jouées dans le jazz : 12-bar blues, les changements de rythme, blues mineur, une mélodie modale et un couple de normes. Les comps sont écrites en notation et tablature et comprennent des rythmes avec mouvement avant, chords construits en quatrième intervalles voicings structure constante parallèle, polychords, barre oblique chords, etc.. Le focus est sur l'élaboration d'une approche contemporaine de la rythmique, phrasé, voicings chord, voiceleading, substitution de la corde et reharmonization. Un enregistrement de CD ainsi que de jouer de la guitare comps avec basse et batterie aide à obtenir les sons et les rythmes dans votre oreille. La théorie de la façon dont les concepts comping sont appliqués... / Niveau : Intermédiaire à Avancé / Jazz - Rhythm/Backup / Recueil / Guitare

Par WILLMOTT BRET. This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music. / Niveau : Intermédiaire à Avancé / All Styles - Theory and Harmony / Etude / Guitare

Par COCKER JERRY. An essential book for every jazz musician wishing to organize their practice time and priorities. Ever feel like you have a million things to practice, but you don't know where to start? Jerry condenses his decades in jazz education into a usable, practical book that highlights some of the best ways of dividing your practice time so that you can FOCUS on the essentials, instead of just running over the same scales and tunes with no real direction. Includes a list of most of the Jazz play-a-long recordings available (by track) and analysis of each. Paperback. / Librairie en anglais / Théorie / Livre

A Beginner's Guide with Step-by-Step Instruction for Acoustic and Electric G. Blues Guitar for Kids is a fun, easy course that teaches children to play guitar faster than ever before. It can also function as a great supplement for kids who already play guitar. Cool blues riffs, chords and solos keep students motivated, while the clean, simple page layouts ensure their attention remains focused on one concept at a time. The method is equally suitable for children using electric or acoustic guitars. It can be used in combination with a guitar teacher or parent. Lessons include: selecting your guitar - parts of the guitar - holding the guitar - hand position - easy tablature - strumming and picking - blues riffs and chords - basic blues soloing -and more. Demonstration and play-along audio tracks as well as a metronome and tuner are provided online. Blues Guitar for Kids is a fun, easy course that teaches children to play guitar faster than ever before. It can also function as a great supplement for kids who already play guitar. Cool blues riffs, chords and solos keep students motivated, while the clean, simple page layouts ensure their attention remains focused on one concept at a time. The method is equally suitable for children using electric or acoustic guitars. It can be used in combination with a guitar teacher or parent. Lessons include: selecting your guitar - parts of the guitar - holding the guitar - hand position - easy tablature - strumming and picking- blues riffs and chords - basic blues soloing - and more. Demonstration and play-along audio tracks as well as a metronome and tuner are provided online. / Pédagogie / Méthode / Guitare