Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no 'Tick Tick' before the pieces instead there are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of thebook there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Often when I play the lute they ask me if it's a mandolin. I play lute guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense but these are great pieces. Many have variations to make them longer.

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline

With Online Audio-This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner this book also contains a mine of information useful tips and ideas for theexperienced player. The book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations emphasis improvisation playing with other musicians practicing effectively andmuch more. All the tunes and key exercises in the book are included on the accompanying 63 track audio download available online. There is no need to read conventional music notation as all the music is written in easy-to-readmandolin tablature. However for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes.

Arranged For Mandolin-This book contains the first three of J.S. Bach's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result Bach's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin.Also as solo works theyare a useful addition to anyone's performing repertoire. Lastly even if never performed learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists.

This encyclopedia is designed to provide mandolin players with a wide variety of chords in different voicings. This book is intended as both a starting point of learning chord voicings and patterns as well as a dictionary ofcommon mandolin chords. Each key section includes the first position scale for that key as well as the chord formula and notes for each chord. If you want to learn to be a bluegrass rhythm player it helps to have a guide or 'map'to take you through the initial learning stage. This book provides a small but powerful set of starter chords used in this style of music. Once these chords are learned you'll be able to jam with other musicians in no time. Theseare the same chords used by greats like Bill Monroe Doyle Lawson David Grisman and hundreds of other bluegrass players in this genre. While there are only a few chords presented in the 'map' section they form the foundation ofbluegrass mandolin and with them you can play literally thousands of songs in every key. Chords are presented by key.

50 Celtic Reels A-L For Mandolin-Steve Kaufman Three Time National Flatpicking Champion does it again. This first installment of a four part series brings us Kaufman's's favorite Celtic Reels transcribed for the Mandolin (and Fiddletoo). Though the title says 'Fifty' reels there are actually quite a few more. This is a large collection of reels will build your repertoire as well as help you develop more ideas licks and runs for arranging your ownmelodies. All the songs in the book are played note for note on the accompanying audio at about - speed. Your goal is to learn the song memorise it and then race with the Champ. Includes access to online audio.

This book and two CD combo is like having a friend show you all your favorite bluegrass songs. Bluegrass virtuoso Dennis Caplinger teaches you the techniques and concepts you need to start playing some smokin' mandolin right away---all in the context of 16 bluegrass standards. The included CDs feature full explanations of all techniques and songs, and demonstrations of all the music examples. For each song there is a slow tempo demonstration, a complete demo track featuring a world-class bluegrass band, and a complete band track without mandolin for you to play along with. Plus, with the included TNT software, you can slow tracks down, loop sections, and even change keys for ultimate usability. We've even included a short refresher course on music theory, and a mandolin chord dictionary in the back of the book. / Mandoline

An exciting and varied collection of 35 traditional tunes from around the world arranged for easy mandolin. All tunes are written clearly in standard notation as well as mandolin tablature. An accompanying CD contains all the tunes played at a manageable speed accompanied by a backing band of guitars bass fiddle and percussion.The tunes come from Africa North and South America Europe The Middle East Asia and Australia and are specially arranged by the author with the beginning/intermediate mandolinist in mind. On the CD the tunes are played 2 or 3 times so you can really get into the feel of the tune when playing along. The speed of the tunes is quite slow but not so slow as to take away from the essential feel of the music.There is a mine of great music to be discovered from around the world a sample of which can be found in this unusual and stimulating selection which may well prove to be a springboard to further studies of traditional styles.

This book is for beginning and early intermediate mandolin players and no prior playing experience or note reading ability is required. The solos are written in both standard notation and tablature and whilst writing thearrangements the author considered the small hands of children. Each tune is in the first position and there are no stretches that present inordinate technical difficulties. Every song in the book is included on thecompanion CD. The tunes are recorded at a moderate speed and include count-off notes and rhythm guitar accompaniment.

Just for Fun: Christmas Mandolin contains over 40 classic Christmas songs. Most of the songs in the book feature three arrangements: the melody in notation and TAB, an easy rhythm option with a simple strum pattern and chords, and an intermediate-level rhythm option written in full notation and TAB. The intermediate rhythm option often combines full melody and chords, making it perfect not only for accompanying a singer and but also for solo performances for friends, family, and recitals. There's even a mandolin chord dictionary in the back of the book. Plus, this book correlates to the matching guitar, ukulele, and banjo editions, so you can have family Christmas jams and sing-alongs.TITLE COMPOSERDance of the Sugar Plum Fairy [Op. 71a, #3] Peter Ilyich Tchaikovsky (composer)The Twelve Days of Christmas Traditional (source)We Three Kings of Orient Are Christmas Traditional (source)God Rest Ye Merry, Gentlemen Traditional (source)Away in a Manger John R. Murray (contributor)O Christmas Tree Traditional (source)Up on the Housetop Christmas Traditional (source)It Came Upon the Midnight Clear Richard S. Willis (contributor) - Edmund H. Sears (lyricist)Jingle Bells James Pierpont (contributor)Silent Night Franz Grüber (contributor)Joy to the World George Frederic Handel (composer) - Isaac Watts (lyricist)What Child Is This? William Chatterton Dix (lyricist) - Traditional (source)I Heard the Bells on Christmas Day J. Baptiste Calkin (contributor) - Henry Wadsworth Longfellow (lyricist)We Wish You a Merry Christmas Traditional (source)O Come, All Ye Faithful Traditional (source)I Saw Three Ships Traditional (source)A Child This Day Is Born Traditional (source)Have Yourself a Merry Little Christmas Ralph Blane (composer) - Hugh Martin (lyricist)Deck the Halls Traditional (source)The Holly and the Ivy Auld Lang Syne Carol of the Birds Simple Gifts The First Noel Holy Night, Peaceful Night O Little Town of Bethlehem Hark! The Herald Angels Sing In the Bleak Midwinter Carol of the Bells Good King Wenceslaus Angels We Have Heard on High Jesu, Joy of Man's Desiring March of the Toys (from 'Babes in Toyland') Go Tell It on the Mountain Bring a Torch, Jeanette, Isabella O Come, O Come, Emmanuel Pat-A-Pan (Burgundian) O Holy Night Here We Come A-Caroling (The Wassail Song) Coventry Carol / Mandoline

The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune Cripple Creek and wanted the trombone totake a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart Dick realized that - in addition to the many musicians who do not improvise - there are even jazzmusicians who don't know how to improvise outside the limits of their own stylistic backgrounds. The non-jazz improvisation series mostly includes new original tunes that are intended to show how to improvise in manymusical styles including; Blues Country American folk Latin-American World music including South American Eastern European and Asian Odd meters (playing in a variety of time signatures) New Age Classical Folk-Rock In short the books are an encyclopedia of virtually every musical style excluding jazz.

Transcriptions of 23 great old time classic vocals and fiddle tunes as played and recorded by the Highwoods String Band one of the pre-eminent old time revival bands of the 1970s. Transcriptions include melodies lyrics chords and solos with standard musical notation and tablature. Many of the selections like 'There's More Pretty Girls than One ' 'Fire on the Mountain ' 'Wild Bill Jones ' 'My Dixie Darling ' and 'Free Little Bird' have become standardsamong old time and bluegrass musicians and are played all over the world. Share the energy life humor and joy of this historic and seminal musical style. Companion CD included.