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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Il Trovatore
Opera
Ricordi
The Works of Giuseppe Verdi is the first critical edition of the composer's oeuv...
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The Works of Giuseppe Verdi is the first critical edition of the composer's oeuvre. Together with his operas, the series presents his songs, his choral music and sacred pieces, and his string quartet and other instrumental works. Based on Verdi's autograph score and an examination of important secondary sources, including contemporary manuscript copies and performing parts, this edition of Il trovatore identifies and resolves numerous ambiguities of harmony, melodic detail, text, and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. _ e introduction to the score outlines the work's genesis, sources, and performance history, while the critical commentary discusses all editorial decisions. / Orchestre Et Voix
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The Tempest - Limited Edition (ADES THOMAS)
Opera
[Score]
Faber Music Limited
Full Score. Par ADES THOMAS. Thomas Adès' The Tempest, one of the most striking...
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Full Score. Par ADES THOMAS. Thomas Adès' The Tempest, one of the most striking and successful operas of recent years, is available for the first time as a beautifully produced, limited-edition full score. Featuring the stunning image 'Octopus' by artist Claire Burbridge, this unique cased edition includes colour plates of exclusive images from Ades' original handwritten score and sketches. Each copy is signed and numbered by the composer. Limited to 250 copies, with signed and numbered limitation page. Cased, square back and sewn. Endpapers feature original artwork 'The Firmament' by Claire Burbridge. Case features original artwork 'Octopus' by Claire Burbridge, printed in neon Pantone 809, with scratch-proof matt lamination and high gloss uv. Black book-block edges, ribbon and head and tail bands. From the turbulent orchestral prelude with which it begins to Ariel's stratospheric yet ethereal 'Five fathoms deep' and the radiant quintet of reconciliation in its final act, Thomas Adès conjures up a wholly compelling musical world in The Tempest. Responding to librettist Meredith Oakes' clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary. / Opéra-opérette / Répertoire / Opéra
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The Tempest (ADES THOMAS)
Opera
[Sheet music]
Faber Music Limited
Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the ...
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Full Score. Par ADES THOMAS. With The Tempest, Thomas Adès composed one of the most striking and successful operas of recent years. From the turbulent orchestral prelude with which it begins to Ariel's stratospheric yet ethereal 'Five fathoms deep' and the radiant quintet of reconciliation in its final act, its composer conjures up a wholly compelling musical world. Responding to librettist Meredith Oakes' clear, unfussy refashioning of Shakespeare into formalised rhyme schemes, Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary./ Répertoire / Opéra
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MENDELSSOHN F. - LOBGESANG OP.52 -VOCAL SCORE
Opera
Barenreiter
Mendelssohn Bartholdy, Felix
Lobgesang / Hymn of Praise op. 52 MWV A 18
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Mendelssohn Bartholdy, Felix
Lobgesang / Hymn of Praise op. 52 MWV A 18
A Symphony-Cantata after Texts from the Holy Scriptures
- Urtext edition taking all sources into account
- Piano reduction by the composer including his piano version of the ?Sinfonia?
- Extensive Foreword (Ger/Eng) and detailed Critical Commentary (Eng)
Mendelssohn?s contemporaries frequently mentioned his ?Hymn of Praise? in the same breath as Beethoven?s Ninth ? and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name ?symphony-cantata?. Later he added a secular counterpart with ?Die Erste Walpurgisnacht?.
Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work?s performance, e.g. tempo, articulation and dynamics.
For the first time the piano reduction includes Mendelssohn?s authorised version of the ?Sinfonia?, based on the first edition of No. 1 for piano solo. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER
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