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Thomas Adès: The Tempest: Opera: Vocal Score
Opera
[Sheet music]
Faber Music Limited
Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest i...
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Opera in 3 acts Text: Meredith Oakes after Shakespeare-The opera The Tempest is inspired by Shakespeareâ??s play rather than literally being based on every aspect of it. There are key images from the play as well as new material. From among the playâ??s many themes and possible interpretations the opera focusses on the difficulty and the necessity of mercy. The libretto uses contemporary vocabulary. Its lines are short rhythmic and rhymed or semi-rhymed echoing Shakespeareâ??s strophic songs more than his blank verse. This choice reflects the playâ??s magical ritual childlike elements and acknowledges the traditional power of incantation in song. The operatic Prospero is the passionately vengeful man seen in the play more than the wise disconnected actor also seen there. Despite his near-omnipotence he finds things out as he goes along and experiences contradictory emotions to the end. Please note: Full Score and Parts are rental material. Please contact hire@fabermusic.com
65.00 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: The Lighthouse: Chamber Ensemble: Score
Opera
[Sheet music]
Chester
Chamber opera in a prologue and one act. A ghost story telling of the mysteriou...
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Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as acourt of enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move fromstraight testimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together formonths long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginningwith a rough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is atub-thumping hymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzlingeyes which become the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to playover again.Study Score. Duration c. 1h 25mins.
16.99 GBP - Sold by Musicroom UK
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Hans Werner Henze: L'Upupa Und Der Triumphe Der Sohnesliebe: Opera: Score
Opera
[Sheet music]
Chester
The fifteenth full Opera from the prolific Hans Werner Henze and the first to f...
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The fifteenth full Opera from the prolific Hans Werner Henze and the first to feature a self-penned libretto. After the poems he wrote for his Songs from the Arabian Henze has produced this unusal tale through adaptingboth Arab and Persian legends and invoking the same half-real half-imaginary Arabia as the song cycle. The story itself is a fairy tale comedy with much in common with The Magic Flute. The orchestral arrangement is huge featuring quadruple wind five percussionists and a part for tape.
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Christoph Willibald Gluck: Orphee et Euridice: Opera: Score
Opera
[Score]
Barenreiter
Tragédie-opéra Drame héroïque en trois actes-Christoph Willibald Gluck?s mos...
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Tragédie-opéra Drame héroïque en trois actes-Christoph Willibald Gluck?s most popular opera ?Orphée et Euridice? was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.Both versions of Gluck?s reform drama are based on a libretto by Ranieri de? Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music instrumental music pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.Urtext editions based on ?Gluck The Complete Works?Revised and newly setThe revised editions are compatible with the old editionsT48Full score (BA2282-01) and vocal score (BA2282-90) available for salePerformance material (BA2282-72) available for hire
358.00 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Cinderella (German Libretto): Opera: Libretto
Opera
[Sheet music]
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations.Musically the piece is a bright sequence of littlesongs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of the ugly sisters can usefully be taken by boys with broken voices.The music is scored foran orchestra of recorders trumpet percussion strings and keyboard and ranges through a variety of styles. The opera has eleven solo parts and a chorus who act as a train ball guests and the magic kittens. It is alsosuitable for performance by children aged eight and upwards.
3.75 GBP - Sold by Musicroom UK
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Henry Purcell: Purcell Society Volume 4: Opera: Score
Opera
[Sheet music]
Novello & Co Ltd.
Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659...
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Song For The Duke Of Gloucester's Birthday 1695 (Full Score)-Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output.One of Purcell’s last pieces Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William Duke of Gloucester in June 1695. The Prince was said to enjoy the brash tone of the Trumpet so the prominent Trumpet part was written especially for him. Unusually Purcell also made use of therecently-introduced Oboe and Bassoon.A real asset to the catalogue A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.
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Richard Wagner: Tannh?user: Mixed Choir: Vocal Score
Opera
[Sheet music]
Schirmer
Wagner completed the first version of the opera in 1845 during his tenure as Kap...
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Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth a girl he once loved. Elisabeth's uncle the landgrave organises a singing competition between Tannhauser and Wolfram who also loves her. Wolfram's song is simple and moving while Tannhauser confused by Venus outrages the audience by singing of profane love.He is banished to Rome on a pilgrimage to seek redemption and Elisabeth follows him with Wolfram. After much searching she gives up and dies just missing Tannhauser who Wolfram discovers creeping back to Venus the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score edited and translated into English by Natalia MacFarren.
39.99 GBP - Sold by Musicroom UK
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Gustav Holst: Savitri: Opera: Vocal Score
Opera
[Sheet music]
J. Curwen and Sons
Gustav Holst has earned a place among the most revered of late 19th and early 20...
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Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In Savitri he makes use of modal styles bitonality austerity ofOrchestration in some places richness of texture in others and an ability to suggest Indian exoticism. The piece has a performance time of thirty minutes and has minimal staging requirements.
17.99 GBP - Sold by Musicroom UK
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John Harbison: The Great Gatsby: Vocal Album
Opera
Schirmer
Libretto. New York's Metropolitan Opera ushers in the new millennium with the wo...
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Libretto. New York's Metropolitan Opera ushers in the new millennium with the world premiere of John Harbison's splendid opera The Great Gatsby with a libretto based on F. Scott Fitzgerald's masterpiece. Among the highlights ofthe production are the fourteen Gatsby Songs written in the energetic dance style of the 1920s with sparklingly witty lyrics by Murray Horwitz.
7.50 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Cinderella English Text: Opera: Vocal Score
Opera
[Sheet music]
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Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
15.99 GBP - Sold by Musicroom UK
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Peter Maxwell Davies: Cinderella - German Text: Opera: Vocal Score
Opera
[Sheet music]
-
Intermediate
Chester
This short opera (duration of 50 minutes) aptly designed for children to perfor...
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This short opera (duration of 50 minutes) aptly designed for children to perform with modest resources is a version of the familiar tale though with certain adaptations. Cinderella is an au pair girl who arrives on the scene bytrain and there are three ugly sisters who get their just deserts in marriage to the appalling leaders of the armed forces. Writing for children in the Orkney Islands Davies has also included some local references: these can bechanged to suit other times and places. Musically the piece is a bright sequence of little songs choruses dialogue scenes and dances probably best suited to children between the ages of eight and twelve though the parts of theugly sisters can usefully be taken by boys with broken voices.Text only.Duration c. 50mins.
13.99 GBP - Sold by Musicroom UK
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Giuseppe Verdi: Il trovatore: Opera
Opera
Ricordi
Edited by David Lawton-The Works of Giuseppe Verdi is the first critical edition...
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Edited by David Lawton-The Works of Giuseppe Verdi is the first critical edition of the composer’s oeuvre. Together with his operas the series presents his songs his choral music and sacred pieces and his string quartet and other instrumental works. Based on Verdi’s autograph score and an examination of important secondary sources including contemporary manuscript copies and performing parts this edition of Il trovatore identifies and resolves numerous ambiguities of harmony melodic detail text and phrasing that have marred previous scores. Scholars and performers alike will find a wealth of information in the critical apparatus to inform their research and interpretations. _ e introductionto the score outlines the work’s genesis sources and performance history while the critical commentary discusses all editorial decisions.
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Georg Friedrich Händel Thomas Augustine Arne: Comus: Opera: Vocal Score
Opera
[Sheet music]
Novello & Co Ltd.
The latest addition to the Novello Handel Edition. A stage work of 1745 based on...
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The latest addition to the Novello Handel Edition. A stage work of 1745 based on John Milton's classical masque Comus created from a compilation of songs by Handel and Thomas Arne both pre-existing and original with the text adapted by John Dalton. This is the first ever complete publication of the work and is edited by Handel scholar Colin Timms. This work is for three or four Sopranos Mezzo-Soprano Tenor one or two Bass Soli and Orchestra. This edition is an 'important new contribution to scholarship with Colin Timms continuing the work of Anthony Hicks in putting together an edition of work from various sources'. There are 'somefine movements to be found by both composers not least the three airs and trio that Handel provided specially for performance in Exton Hall Rutland in 1745'. Choir & Organ November/December 2017 'Potential performers will appreciatre the excellent editorial preface. The print of this vocal score with piano reduction though small is very clear and well laid-out and orchestral parts including a fully realised continuo part are available from Novello.' Organists’ Review December 2017
16.99 GBP - Sold by Musicroom UK
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Anyone Can Improvise (AEBERSOLD JAMEY)
Opera
[DVD]
Jamey Aebersold Jazz
Par AEBERSOLD JAMEY. Basic/intermediate. This nearly two-hour long DVD features ...
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Par AEBERSOLD JAMEY. Basic/intermediate. This nearly two-hour long DVD features Jamey at the piano explaining and demonstrating the fundamental techniques used by all great jazz improvisors. Topics covered include chord/scale relationships, keeping your place, patterns, the blues and pentatonic scales and their application, what and how to practice, articulation, memorizing songs, and much more. This DVD not only provides the technical information essential to getting started on improvisation but also serves as an overview of the entire creative process in terms that even a non-musician could understand. Jamey also provides much needed motivational material and discusses the philosophy of man'sneed to be creative. A complete presentation! This DVD is closely aligned with the world famous Volume 1 'How To Play Jazz' and Volume 24 'Major and Minor' play-a-longs (see 'related items' below. ) The visual, hands-on demonstration makes their concepts easier to grasp. Jamey even plays along with tracks from those two play-a-long volumes, showing proper application of scales to chords and essential practice techniques. / Jazz / Accessoire / Opéra Théorique ou Didactique
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Miles Davis (KONRAD JORG)
Opera
[Sheet music]
Barenreiter
Die Geschichte seiner Musik. Par KONRAD JORG. / Livre / Livre
29.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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