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ORGAN
Orchestra
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Piano, Vocal and Guitar (5025)
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Piano and Orchestra (109)
French horn (107)
High voice, Piano (104)
All Instruments (104)
Recorder (103)
Banjo (97)
Bb Instruments (95)
Musical course - Solfege (93)
Divers (93)
Choral SSAA (87)
Children choir (81)
Mandolin (75)
B Flat, E Flat, C and Bass cle… (75)
Accordion (70)
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Trumpet, Piano (67)
Viola, Piano (63)
Low voice, Piano (63)
Opera (58)
Soprano voice, Piano (54)
Voice, Guitar (54)
Double Bass (53)
Eb Instruments (52)
Harp (51)
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Medium voice, Piano (50)
Piano Trio: piano, violin, cel… (49)
2 Violins (duet) (49)
School Ensemble (47)
Choral Unison (47)
Flute and Guitar (46)
Tenor voice, Piano (45)
2 Flutes (duet) (44)
Chant (44)
Chamber Orchestra (40)
Harmonica (40)
Children choir, Piano (38)
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Descant (Soprano) Recorder (38)
Violon Solo, Violoncelle Solo,… (36)
2 Pianos, 4 hands (36)
Soprano voice (35)
Guitare (35)
Oboe (35)
Oboe, Piano (duet) (34)
Music Theory (34)
2 Cellos (duet) (34)
Woodwind Quintet: flute, oboe,… (33)
Partition de Poche (33)
2 Clarinets (duet) (31)
String Trio: violin, viola, ce… (29)
Dulcimer (28)
Tenor voice (28)
Percussion (28)
Piano, Voice, Guitar tablature… (28)
French Horn and Piano (28)
Flexible Instrumentation (27)
Saxophone and Piano (26)
2 Saxophones (duet) (26)
Trombone and Piano (26)
Baritone voice, Piano (24)
Mezzo-Soprano voice, Piano (24)
Solistes SATB, Choeur SATB, 2 … (24)
Pennywhistle (23)
Soli (SATB), Choeur Mixte (SAT… (23)
Band Scores (23)
Piano Accompaniment (22)
Musical Awakening (22)
Wind ensemble (22)
2 Recorders (duet) (21)
2 Trumpets (duet) (21)
B Flat, E Flat and C Instrumen… (20)
Big Note Piano (20)
ENS::Ensemble (20)
Flute, Orchestra (18)
Big Band (18)
Bass Clef Instruments (18)
Bassoon, Piano (duet) (18)
Bassoon (17)
Saxophone Quartet: 4 saxophone… (17)
Ensemble A Vent (17)
Piano Quintet: piano, 2 violin… (16)
Flute ensemble (16)
Guitare Electrique (16)
Oboe, Violin, Viola and Violon… (16)
Double bass, Piano (duet) (16)
Piano, Guitar (Chords) (16)
Conducteur (15)
Concert Band/Harmonie (15)
Violin, Cello (duet) (15)
Choral CD (15)
Choral SSATB (14)
SB, 4 Parties Mixtes et Orches… (14)
Low voice (14)
High voice (14)
Clarinet Quartet: 4 clarinets (14)
Harpsichord (14)
Biography (14)
Treble (Alto) Recorder (14)
2 Guitars (duet) (14)
Brass Quartet: 2 trumpets, hor… (13)
Autoharp (13)
Recorder Ensemble (13)
Tuba (13)
Mezzo-Soprano voice (13)
Snare drums (12)
String Trio: 2 violins, cello (12)
Violin, Viola (duet) (12)
Violin, Basso continuo (12)
2 Violas (duet) (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
Flute Trio: 3 flutes (11)
Clavier Electronique et Ligne … (11)
Saxophone (band part) (11)
String Quintet: 2 violins, 2 v… (11)
Solistes STBarB, Choeur SATB, … (10)
Solistes SATB, Choeur SATB, 2 … (10)
Cajon (10)
Choral, Orchestra (10)
2 Trombones (duet) (10)
Lyrics only (10)
CD (10)
String quintet (9)
SATB, 4 Parties Mixtes et Inst… (9)
Solistes SATB, Choeur SATB, Fl… (9)
Solistes SATB, Choeur SATB, 2 … (9)
Solistes SATB, Choeur SATB, 2 … (9)
Baritone voice (9)
Solistes SATB, Choeur SATB, 2 … (9)
Percussion Ensemble (9)
Solo S, 2 Hautbois ou 2 Flûte… (9)
Vocal duet, Piano (9)
Soli (T (Evangelist), B (Jesus… (9)
Tenor Saxophone and Piano (9)
DVD concert (9)
Cello, Orchestra (9)
Piano Quintet: piano, violin, … (9)
Flute Quartet: 4 flutes (9)
Viola, Organ (9)
Solistes SATB, Choeur SATB, Ba… (8)
Clavecin Et Instruments A Cord… (8)
Vibraphone (8)
Solistes ST, Choeur SSAATB, 2 … (8)
Flûte Traversière, Hautbois,… (8)
Solo A, Timbales, Percussions … (8)
Euphonium (8)
Violin, Guitar (duet) (8)
Clarinet, Orchestra (8)
Voix Mixtes (8)
Flute, Clarinet (duet) (8)
Solistes SSA, Choeur SATB, 2 F… (8)
Cello, String Bass (duet) (8)
Violon, Instruments à Cordes … (8)
Solistes SATTBarB, Choeur SATB… (8)
Quintette avec Piano (8)
Recorder, Piano (8)
Brass Quartet (8)
Voice and Orchestra (8)
Lute (8)
Educatif (8)
Ensemble à Cordes et Piano (7)
Solistes SSATB, Choeur SSATB, … (7)
Soli (ATB), Choeur Mixte (SATB… (7)
Solistes SATB, Choeur SATB, Or… (7)
2 Choeurs Mixtes (SATB Et SATB… (7)
Travaux Pour Choeurs (7)
Treble (Alto) Recorder, Piano (7)
Quintette à Cordes (7)
Dobro (7)
Saxophone Baryton (7)
Clavecin (7)
Voix et Orff-Instruments (7)
Fiddle (6)
Klavier und Orchester (6)
Orchester (6)
Trombone or Euphonium (6)
Solistes, Div. Instruments à … (6)
Solistes SATB, Choeur SATB, Pa… (6)
Organ, Piano (duet) (6)
Guitar Tab, Voice, Bass, Drum (6)
Solistes STB, Choeur SATB, (Ba… (6)
Solistes SATB, Choeur SATB, 4 … (6)
Baryton ou Tuba, Cor et Fanfar… (6)
Gemischter Chor (SATB/CantoATB… (6)
Fake Book (6)
Baritone Saxophone (6)
Trombone (band part) (6)
Violin, Viola and Orchestra (6)
Piccolo, 2 Flûtes Traversièr… (6)
3 Recorders (trio) (6)
Flute, Cello, Piano (trio) (6)
Chant et Guitare (6)
3 Clarinets (trio) (6)
Chamber Music (6)
Ocarina (6)
Voix Mixtes SAB et Piano (6)
Trombone 2 (6)
Choral SSAATTBB (6)
Violon 2 (6)
Concert band, Choral (5)
Cello Ensemble (5)
Flute, Violin, Violoncello and… (5)
Choeur Mixte (SATB), Orchestre… (5)
Piccolo, Piano (5)
Solistes SATB, Choeur SATB, 2 … (5)
Recorder Quartet (5)
Choeur SS (SA), 2 Violons et B… (5)
Violon, Viole Et Orchestre (5)
Piccolo (5)
Jazz Ensemble (5)
Voix, Flûte à Bec et Percuss… (5)
Soli (AB), Choeur Mixte (SATB)… (5)
Soprano, Piano (5)
Trombone 3 (5)
Clarinette Alto et Piano (5)
Clarinet Ensemble (5)
Guitar and Bass Tablatures, Ch… (5)
String trio (5)
Saxophone ensemble (5)
Choeur SATB, 2 Clarinettes (2 … (5)
2 Violins, Piano (5)
Stationery (5)
Lap Steel Guitar (5)
Xylophone (5)
Saxophone Alto 2 (5)
Accordion ensemble (5)
Ensemble (5)
Basse (5)
Descent (Soprano) Recorder, Pi… (5)
Timpani (5)
Soprano Saxophone (5)
Xylophone or Marimba or Vibrap… (4)
Clavier ou Orgue Electronique (4)
Flûte Traversière, Clarinett… (4)
Trio à Cordes (4)
Clarinette et Quatuor à Corde… (4)
Organ, Percussion (4)
Flûte et Mandoline (4)
English horn, Piano (4)
Clarinet Quintet: Clarinet, St… (4)
Violon, Alto, Violoncelle et C… (4)
Percussion et Violoncelle (4)
Voice, String Quartet (4)
Solistes STB, Choeur SATB, ou … (4)
Madrigaux (4)
Piano Quartet: piano, 2 violin… (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Clarinet, Violin, Cello, Piano… (4)
SSSAA et Violon (4)
Viola and orchestra (4)
2 Pianos, 8 hands (4)
Choral, Organ (4)
Quatuor à Cordes et Enregistr… (4)
Trompette (pour Quintette De C… (4)
Flûte Traversière, Hautbois,… (4)
Violon, Violoncelle, Alto et C… (4)
2 Violons, Alto, Hautbois, Cor… (4)
Sextuor (4)
Trompette, Piano, Instruments … (4)
Guitar, String Quartet (4)
Double Quintette de Bois et Co… (4)
Soli [AT] et Orchestre (4)
Flûte Traversière, Violon, A… (4)
Trumpet and Guitar (4)
Flûte, Clarinette, Piano, Vio… (4)
Trumpet (band part) (4)
Ensemble Flexible (4)
Quatuor à Cordes (Piano ad li… (4)
Tuba and Piano (4)
:: (4)
Trumpet , Piano (4)
Woodwind Quintet (4)
Flûte Traversière, Alto et V… (4)
Vocal duet, Piano and Guitar c… (4)
Percussion, Piano (duet) (4)
Flute, Violin, Viola (4)
Flûte Traversière, Guitare, … (4)
Flûte Traversière, Hautbois,… (4)
Viola, Cello (duet) (4)
5 Instruments à Vent (4)
Flûte à Bec et Piano (4)
2 Violons Hautbois et Orchestr… (4)
Oboe, Flute (4)
Flûte à Bec Basse ou Flûte … (4)
Choeur Mixte (SSATB) Et Instru… (4)
Djembe (4)
Solo S, Choeur SATB, 2 Clarine… (4)
Choeur SATB et Orchestre (4)
Piano, Chant et Guitare Tablat… (4)
Mariachi (4)
Violin, Organ (4)
Accessoire (4)
Flute, Violoncello (4)
Viola da Gamba (4)
Harp, Flute (duet) (4)
Flûte Traversière Cordes et … (4)
Chorale (4)
4 Double Basses (4)
Concert Band ou Harmonie et 3 … (4)
Medium Voice (4)
Percussions (4)
Trompette 3 (4)
Melody line, Piano (4)
Voix Hautes (3)
Solo, Choeur SATB, 2 Trompette… (3)
Flute, Oboe, Piano (trio) (3)
Tuba or Euphonium or Saxhorn (3)
Choral SSAB, Piano (3)
Voice and Big Band (3)
Flute, Viola and harp (3)
Flute, Violin, Piano (3)
Voice, Clarinet, Piano (3)
Violon, Cordes et Basse Contin… (3)
Choeur Mixte (SSATB) et Instru… (3)
Vocal duet (3)
Choeur SSATTB et Basse Continu… (3)
Guitare Tablatures Classique (3)
Violin, Clarinet, Piano (trio)… (3)
Oboe, Clarinet, Bassoon (trio)… (3)
String Quartet : 4 violas (3)
Piano, Violon et Cor ou Alto o… (3)
Brass Quartet: 4 trombones (3)
Concert Band et Tuba (3)
Piano, Oboe and Bassoon (3)
1 Piano, 6 hands (3)
Symphonic Band (3)
Solistes ATB, Choeur SATB, Cor… (3)
Oboe and Orchestra (3)
Solo S (Garçon) T, HauptChoeu… (3)
Guitar and String Quintet (3)
2 Violins and Basso (3)
Cello, Guitar (duet) (3)
Clavier, Guitare Et Voix (3)
Organ and Brass Quartet (3)
Handbells (3)
Euphonium or Saxhorn and Piano… (3)
Scores (3)
Flute, Clarinet, Piano (trio) (3)
Saxophone en Mib et Piano (3)
2 Bassoons (duet) (3)
Guitare et Voix (3)
Flute, Oboe, Clarinet, Bassoon… (3)
Solistes SATB, Choeur SATB, 2 … (3)
Choeur (Unisson), Voix Hautes … (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Violon II (3)
Saxhorn and Piano (3)
Ensemble de Tubas ou Euphonium… (3)
Harpsichord and Strings (3)
Matériel D'Orchestre (3)
3 Tubas (3)
Flute, Violin and Violoncello (3)
Concert Band ou Harmonie et Ba… (3)
Saxophone et Trio à vent (3)
Libretto (3)
Choeur Mixte, Piano et Orchest… (3)
Tuba et Hélicon (3)
Organ, Trumpet (duet) (3)
Choeur De Femmes (Ou D'Hommes)… (3)
Ensemble Divers (3)
Choeur et Orchestre (3)
Bass Clarinet (3)
Conga (3)
Violoncello, Basso continuo (3)
Saxophone Ténor et Piano (3)
Guitare Classique et Fingerpic… (3)
Bongos (3)
Choeur De Jeunes Et Piano (3)
Voix et Orchestre (3)
Trompette I (2)
4 Cellos (2)
Flute (band part) (2)
Choeur SATB/SATB et Basse Cont… (2)
Clavier et Clavier Electroniqu… (2)
Folk Ensemble (2)
ST (A) BarB et Piano (2)
Klavierauszug : Gemischter Cho… (2)
Choeur (SA), 2 Violons et Bass… (2)
Trombone 1 (2)
SOP/BAR/ENS::Soprano, Baritone… (2)
Soli, Gemischter Chor 1 & 2, … (2)
Concert Band ou Harmonie et Cl… (2)
Accordion, Flute (2)
Trumpet and String Quartet (2)
Violon 1 (2)
Voix Moyenne(s), 3 Clarinettes… (2)
Flute, Bassoon (duet) (2)
Quintette (2)
Cor (pour Quintette De Cuivres… (2)
3 Guitares Cubaines Tablatures… (2)
Clarinette, Basson, Trompette… (2)
Percussion (band part) (2)
Piano Quintet: mixed chamber i… (2)
Flûte à Bec Alto et Instrume… (2)
Flute, Basso continuo (2)
2-6 Flûtes à Bec [Aa/St/Stt/… (2)
12 Voix (2)
2 Clarinets, Piano (2)
2 Flutes, Piano (2)
Carillon (2)
Flute, Violin (2)
2 Parties Voix Aigues (SS) Et … (2)
CLT/ORCH::Clarinette, Orchestr… (2)
Brass Quartet: 2 trumpets, 2 t… (2)
VCE/VLN/VLC/DB::Voice, Violin,… (2)
Baryton ou Tuba. Cor et Brass … (2)
Piano (band part) (2)
4 Bassoons (2)
Tout Instrument (2)
Choeur Mixte Et Orgue (2)
BAR/STR QUARTET::Baryton, Quat… (2)
Solo Piano (2)
Horn and Orchestra (2)
Choeur D'Enfants (Ou De Femmes… (2)
Clavier Numérique (2)
Soprano, SATB et Orchestre (2)
Baryton ou Tuba et Brass Band (2)
Euphonium et Orchestre d'Harmo… (2)
Voix, Flûte à Bec et Orff-In… (2)
Base Musicale (2)
Flûte à Bec Soprano ou Flût… (2)
VCE/FLT/VLC/DB::Voice, Flute, … (2)
Electric bass, Drums (2)
2 Marimbas (2)
Trombone 4 (2)
Cahier (2)
Saxophone en Mib (2)
Brass Quartet (2 Trumpets, Ho… (2)
Soprano voice, Orchestra (2)
Electric Bass (band part) (2)
Violon I (2)
Brass Trio (2)
Tous instruments (2)
E Flat Instruments (2)
Opéra Full Score (2)
WIND 5TET::Quintette · Vent (2)
Saxophone, Guitare Electrique,… (2)
Tuba (pour Quintette De Cuivre… (2)
Chant et Basse Continue (2)
Clarinet, Guitar (duet) (2)
Tenor Banjo (2)
Saxophone and Organ (2)
Choeur D'Enfants (Ou De Jeunes… (2)
Voice, Organ (2)
3 Voix (2)
OPERA::Op‚ra (2)
Flûte Traversière et Piccolo… (2)
Chant et Réduction Piano (2)
Alto voice, Piano (2)
Voice (2)
Bass Clarinet, Piano (2)
Voix solo - piano (2)
Nursery rhyme (2)
Cor Français (2)
Trumpet, Trombone (duet) (2)
Alto Et Choeur Mixte (SATB) (2)
Clavier ou Piano (2)
Violin, Horn and Piano (2)
Solistes (ATB), Choeur Mixte (… (2)
Cornet and Piano (2)
Choeur et Piano (2)
SOP/PFA::Soprano, Accompagneme… (2)
SOP/CLT/STR QUARTET::Soprano, … (2)
Voice Mezzo-Soprano, Orchestra… (2)
4 Percussions (2)
Ensemble Flexible à 5 Parties… (2)
Livret (2)
Soprano, Choeur Mixte (SATB), … (2)
MAND::Mandolin (2)
Orchestre d'Harmonie 4 Voix et… (2)
Drum (band part) (2)
Ukulélé Soprano (2)
8 Bassoons (2)
Double bass, Orchestra (2)
Choeur SA Et Piano (2)
Basse Electrique (2)
Basse, Alto, Ténor et Piano (2)
REC/VLN/VLA/VLC::Fl–te … B… (2)
Baryton et 4 Voix D'Hommes (2)
Soprano ou Ténor ou Mezzo-Sop… (2)
Voix Haute (2)
Saxophone Soprano et Piano (2)
Musique de chambre (2)
Guitar (band part) (2)
Oboe, Cello and Piano (2)
Clarinette (2)
Violoncelle, Contrebasse Et Ba… (2)
2 Flutes and Guitar (2)
Voix Elevée(s)/Moyenne(s) Et … (2)
Mandoline et Violon (2)
Trompette04 (2)
Chœur Mixte SATB et Quatuor … (2)
Choeur De Femmes (SS) Et Piano… (2)
Carte Postale (2)
Piano, Guitar (duet) (2)
Solistes (AT) Et Choeur Mixte (2)
Lyrics & Chords (2)
Concert Band / Harmonie (2)
String Trio: 3 violins (2)
Trombone (pour Quintette De Cu… (2)
Male Voice (2)
2 Mandolines et Basse Continue… (2)
Choeur De Femmes (SSA) Et Pian… (2)
Partition D'Ensemble (2)
2 ou 3 Timbales et Piano (2)
SOP/CLT/VLA/VLC/DB::Soprano, C… (2)
Soprano Et Orchestre De Chambr… (2)
Voix et Instruments (2)
Bodhran (2)
Percussions et Concert Band ou… (2)
Chanson (2)
5 Recorders (2)
12 Parties de Choeur a Cappell… (2)
Baritone Ukulele (2)
French horn (band part) (2)
Solistes, Choeur Mixte (SATB) … (2)
2 French horns (duet) (2)
Choral Soprano solo, SATB, Key… (2)
Soprano Saxophone and Piano (2)
Opéra (2)
3 Trombones (trio) (2)
Instruments A Vent (2)
Oboe, Basso continuo (1)
BASS::Bass Voice (1)
TBN/TBA/PFA::Trombone, Tuba, A… (1)
ENS/ELEC::Ensemble d'cole, … (1)
Piano Trio: Violin, Viola, Pia… (1)
Melody Line, Lyrics & Chords (1)
CLT/TPT/EUPH/TSAX::Clarinet/Tr… (1)
ST (A) BarB et Orchestre (1)
Piano et Hautbois ou Instrumen… (1)
VCE/GTR::Voice, Guitar (1)
Paroles et accords (1)
Oboe / Violin / Recorder / Fl… (1)
Soli, Chor und Klavier (1)
Guitare Fingerpicking (1)
Choral SSATBB (1)
Voix Moyenne (1)
Voix Haute(s) (1)
Chœur Mixte [SATB] et Orchest… (1)
Bassoon / Cello (1)
5TET/STR ENS::Quintet, String … (1)
Quatuors de Flûtes à Bec et … (1)
SA(T)B (1)
Orgue Sans Pédale (1)
Petit Orchestre (1)
Violoncelle, Basse et Accompag… (1)
Baryton et Quatuor à Cordes (1)
Voix Moyenne ou Voix Basse et … (1)
Contrebasse (Partie séparée)… (1)
Choeur De Femmes (SA) (1)
Choeur Mixte (SA Hommes) Et Or… (1)
TEN/SATB::Tenor/SATB (1)
VLA/PF::Viola, Piano (1)
Instrument Cuivre En Mib (1)
Guitare (Résonateur) (1)
Solistes SATB, Choeur SATB, Ha… (1)
Instruments à Cordes et Orgue… (1)
Viola da Gamba, Basso continuo… (1)
Tenor Et 14 Instruments (1)
Voix Moyennes et Piano ou Clav… (1)
Soprano, Baryton et Piano (1)
Flute, Violin, Guitar (1)
20 Instruments Avec Choeur Mix… (1)
Saxophone Alto 1 (1)
Violin ensemble (1)
Tenor, Violon Et Piano (1)
Violin/Continuo (1)
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Brant Adams Pepper Choplin Stan Pethel: We Were There: Orchestra: Parts
Orchestra
Shawnee Press
Inspired by the spiritual “Were You There ” this musical experience ...
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Inspired by the spiritual “Were You There ” this musical experience is based on several monologues by thosse who were at the cross. The work leads us through many emotions: from the Holy Love shown to Mary Magdalene to the intimacy of Mother Marty's Still My Son to the regret of Peter in It Should Have Been Me. The musical can be of almost any length since each momologue and anthem may be used independently. However We WereThere is used it will provide a powerful Holy Week resource for years to come. Maximum length if all pieces are used: 53 minutes.Includes: Were You There?; Holy Love; Christ Is Our Brother; Surely This Was the Sonof God; How Can It Be?; Still My Son; It Should Have Been Me; We Were There; At the Cross.
324.99 GBP - Sold by Musicroom UK
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There Is a Green Hill Far Away: Orchestra: Parts
Orchestra
Shawnee Press
Orchestration-Here is a breathtaking Holy Week offering that will echo through h...
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Orchestration-Here is a breathtaking Holy Week offering that will echo through hearts during that important time of corporate reflection. From the best-selling cantata A Time for Alleluia this lovely version of an American folk hymn issensitively joined with Alexander's classic text on the message of the cross. Deeply moving!
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Nico Muhly: Wish You Were Here: Orchestra: Score
Orchestra
St Rose Music Publishing
Wish You Were Here written for the Boston Pops pays homage to Colin McPhee on...
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Wish You Were Here written for the Boston Pops pays homage to Colin McPhee one of the first western musicologists to study Balinese gamelan as well as to the great illustrators Carl Barks and Herge (responsible for Donald Duck & Tintin respectively). Muhly has written a completely romantic and fanciful gamelan-influenced piece. On top of this twittery and excited music a long lonesome melody unfolds. After a desolate interlude with severe ship’s-horn brass the energetic patterns start again and the long line returns this time with a triumphant revelatory ending. Arranged for orchestra this piece has a duration ofapproximately 8 minutes.
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Claire Cloninger Don Moen: Here We Are: Orchestra: Parts
Orchestra
Integrity Music
Here We Are
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Franz Joseph Haydn: Symphony No. 100 In G: Orchestra: Miniature Score
Orchestra
Eulenburg
London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his secon...
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London No. 12-Joseph Haydn's 'Eulenburg Pocket Score' is the result of his second trip to England in 1794. This work is one of the still popular from the series of the so-called '12 London Symphonies' (Hob. 1/93 - Hob. 104).The work characterized by musical finesse and various sonic stimuli has the following four movements: I. Adagio - Allegro - II. Allegretto (C major) - III. Menuet: Moderato - IV. Presto. The somewhat unusual epithet 'military symphony' refers essentially to the second and the fourth movement ('Allegretto' and 'Presto') in which the instrumentation is enriched by timpani triangle cymbals and bass drum and thereby the evokes the impression of amilitary band. A 'trumpet signal' especially set in the second movement led to such a characterization. On the value and importance of this G major Symphony the following article from the Allgemeine Musikalische Zeitung of April 1799 reveals: 'It is a little less learned and easier to grasp than some of the other's newest works but new ones Ideas just as rich as they. Perhaps the surprise in music can not be furthered than it is here by the sudden collapse of full Janissary music in the minor of the second movement-since until then one has no suspicion that these Turkish instruments are attached to the symphony. But here too not only the inventive but also the prudent artist shows. Nevertheless the Andante is nevertheless a whole: for in all the pleasing and easy things that the composer in order to infer from the idea of his coup deceitfully brought it into the first part of it it is nevertheless arranged and worked in a march.' The 'Military Symphony' was premiered on March 31 1799 in London.
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Alexander Tcherepnin: Romantic Overture: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-Alexander Tcherepnin's Romantic Overture for Orchestra. Study score.
10.99 GBP - Sold by Musicroom UK
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Britta Byström: Promenad til en högre sfär/Walk To A Higher Sphere: Orchestra:
Orchestra
Wilhelm Hansen
Promenad til en hogle sfar-Walk To A Higher Sphere by Britta Byström for Orches...
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Promenad til en hogle sfar-Walk To A Higher Sphere by Britta Byström for Orchestra. Full score. This short work is dedicated to the memory of Danish composer Pelle Gudmundsen-Holmgreen.
25.99 GBP - Sold by Musicroom UK
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Frederick Fox: In the Elsewhere: Orchestra: Full Score
Orchestra
Lauren Keiser Music Publishing
In the Elsewhere
69.99 GBP - Sold by Musicroom UK
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Franz Liszt: Fantasia Su Melodie Popolari Ungheresi (Collet): Orchestra:
Orchestra
Eulenburg
Fantasia Su Melodie Popolari Ungheresi (Collet)
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Francis Poulenc: Sécheresses Poche: Mixed Choir: Vocal Work
Français
Orchestra
[Study Score / Miniature]
Durand
Sécheresses Poche
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Sonate Op. 30 Op. 30 (TITTEL ERNST)
Orchestra
[Sheet music]
-
Beginner
Doblinger
F. 3 Gleiche Oder Ungleiche St.. Par TITTEL ERNST. Die einfachen Spielstücke, z...
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F. 3 Gleiche Oder Ungleiche St.. Par TITTEL ERNST. Die einfachen Spielstücke, zum Gebrauch im Instrumentalunterricht an allgemeinbildenden Schulen bestimmt, waren in der früheren Auflage des Lehrbuches “Wir lernen Musik” enthalten. / Niveau : Débutant à Facile / Répertoire / Orchestre
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Joseph M. Martin: Let There Be Christmas: Orchestra: Parts
Orchestra
Shawnee Press
This service in song is a joyous celebration of hope and peace for the Christmas...
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This service in song is a joyous celebration of hope and peace for the Christmas season. Using carols narration congregational participation and original anthems this approachable work is the perfect choice for choirs of any size. From jubilant songs of praise to reflective carols of peace this cantata is filled with moments designed to energize the spirit of the season in your community of faith. Extra musical suggestions offer directors creative options for presentation and the wonderfully crafted and colorful orchestrations by Brant Adams further enhance the festive potential of this thoughtful work.Songs include: Christmas Overture and Processional; TheAdvent Rose; The Divine Expectation; Concertato on ?O Little Town of Bethlehem;? Carols from a Quiet Manger; Arise! (Hodie Christus natus est); Bleak Midwinter's Gift; Let There Be Christmas; A Joyful Gathering of
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Joseph Haydn: Symphony D major Hob. I:96: Orchestra: Study Score
Orchestra
[Score]
G. Henle
The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s s...
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The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans. The twelve ?London Symphonies? comprise the sublime final statement of Haydn?s symphonic ?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. Hailing from 1791 the Symphony in D major no. 96 numbers among the first symphonies written in and for London. The epithet given to it by posterity ?The Miracle? was bestowed erroneously for the miracle ? that no one was injured when a chandelier fell during a concert ? took place during a performance of a different Haydn symphony. And yet it is a miracle of musical esprit nonetheless from the subtlerelations between the motives consisting of broken triads that open all four movements to the virtuosic shifts in mood owing to surprising harmonies Haydn here submits a prime example of how he develops musical ideas. This study edition adopts the musical text of the Haydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Hugh Wood: Symphony Op.21: Orchestra: Score
Orchestra
[Study Score / Miniature]
Chester
Commissioned by the BBC. Premiere: 23 July 1982 Henry Wood Promenade Concert R...
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Commissioned by the BBC. Premiere: 23 July 1982 Henry Wood Promenade Concert Royal Albert Hall London.The work is cast in four distinct movements though as in Wood's violin concerto there is only one pause in the music between the second and third; even here the break is minimised in effect by a resumption of motivic arguments. In terms both of harmonic structure and of expressive development the four movements seem to have been conceived as asingle unified progression. While melodic and harmonic details are both derived from an intensive working of a handful of intervallic figures in a way that owes much to his earlier serialism Wood’s handling is here free enoughto encompass a large-scale sense of tonal structure as well. Ths same tritone that inflicted so much of the melodic writing in Wood's 'cello concerto also affects the symphony. The music struggles to escape from an uncertain E/Eflat area which dominates the first movement towards an eventual unequivocal A major in the work’s final pages. Emotionally however this trajectory more closely resembles that of the Third Quartet - except that where thequartet opens in frozen despair the symphony begins in tumultuous violence.
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Hans Abrahamsen: Stratifications: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in ...
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Stratifications was composed by Hans Abrahamsen in 1973-75 and was premiered in the summer 1977 by the Iceland Symphony Orchestra at the Young Nordic Music Festival in Reykjavik. Programme note: The stratifications referred to in the title unfold two different levels. There is the stratification of the time dimension produced by the opposition of contrasting parts; at the same time the polyphony the presence of several simultaneously sounding layers is of great importance to the music. By garish colours and clear-cut outlines a polyrhythmic simultaneousness of simple melodies is produced with more gestic music and othermaterial which give a peculiar ?set piece-like? effect in the sound picture. The ?new simplicity? details are here woven together in a new kind of complex whole. ?Stratifications? begins with a series of concretistic masklike ?pictures of the music?. It is like seeing lantern slides. But this ?fictive? form crackles and the music gets attentive and real. The music is in a night-mare condition where it is not getting anywhere in spite of a great dynamic display. But finally is liberating itself and rising ?in triumph?.
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La selva incantata (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
The Enchanted Forest. Par HENZE HANS WERNER. This music is taken from the second...
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The Enchanted Forest. Par HENZE HANS WERNER. This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the woods, to nature, to the origins of his animal existence. The rondo is set in a very fast dance tempo (a Tarantella?) and is in three parts: the first one is cheerful and comic, the second one lyrical, almost romantically so, whereas the third one is impetuous and dramatic. The music of both pieces has been considerably rewritten and altered, in harmonic, melodic and rhythmic aspects. - Hans Werner Henze/ Répertoire / Orchestre
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Franz Joseph Haydn: Sinfonia Nr. 101: Orchestra: Score and Parts
Orchestra
Universal Edition
Score with lightly realised (and figured) Basso Continuo and parts (Treble Recor...
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Score with lightly realised (and figured) Basso Continuo and parts (Treble Recorder Basso Continuo)Monsieur Naudot so named on all the title pages of his works dating between 1726 and 1752 lived as a virtuoso flautist and composer in Paris where he is said to have died in 1762. The date of his birth is unknown.The Sonata in G major presented here is the fifth work found in an undated Paris manuscript. There is a suggestion that these Sonatas could also be played on the Musette or Bagpipe then a fashionable instrument in upper French circles. This Sonata is therefore a relatively rare French composition for Treble Recorder and Basso Continuo.
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Joseph Haydn: Sinfonie B-Dur Hob. I:102: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Symphony in Bb major Hob. I:102-The twelve London Symphonies??? comprise the sub...
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Symphony in Bb major Hob. I:102-The twelve London Symphonies??? comprise the sublime final statement of Haydn???s symphonic ??uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual in that Haydn includes trumpets and timpani both muted. This study edition adopts the musical text of theHaydn Complete Edition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
Orchestra
[Score]
-
Intermediate/advanced
Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...
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Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
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Robert Simpson: Symphony No.9: Orchestra: Score
Orchestra
[Sheet music]
Faber Music Limited
Robert Simpson’s Symphony No.9 is a powerful experience. There is mystery...
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Robert Simpson’s Symphony No.9 is a powerful experience. There is mystery and a sense of concentrated intensity here carried in a single monumental movement driven by one basic pulse. Simpson composed this work for the Bournemouth Symphony Orchestra and it was first performed by them conducted by Vernon Handkley at Poole in Dorset On 8 April 1987. This item is the full conductor’s score containing full Orchestral score. 'There are few musical minds in the world capable of completing such a large and complex symphonic structure . . .' Paul Driver The Sunday Times 26 April 1987
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Richard Strauss: Der Zweikampf [The Duel] (1884): Orchestra: Score and Parts
Orchestra
Spartan Press
o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centr...
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o.Op. 82 TrV 133- We are grateful to the University of Edinburgh Library Centre for Research Collections for providing us with access to a manuscript of this work. At shelf-mark Mus.M.645 is a set of parts in the hand of an unknown copyist annotated by John Parr (the bassoonist of Sheffield) who also wrote a full score and second copies of the bassoon and bass parts. The score is dated 1930 and the bassoon part 1934. It is here entitled merely 'duet for flute and bassoon with orchestra' and ascribed to R. Strauss. We are also grateful for advice from Dr Christian Wolf of the Richard-Strauss-Institut in Munich whohave access to a copy of 'der Zweikampf' made by Cl. Schubert but the Richard-Strauss-Archiv in Garmisch-Partenkirchen will not permit them to make a complete copy for us but has permitted sample pages to be copied confirming the identity of the music. They also affirm the considerable doubt as to Richard Strauss being the composer however no other composer has been suggested in his stead. In the Strauss bibliography a date of composition of 1884 is given when he was twenty years old. We would also like to acknowledge with thanks the help of Drs Jenny Nex and Lance Whitehead of Edinburgh in deciphering the manuscript and advising on the piano reduction. In editing the work we have corrected a few evident errors and made the dynamics consistent. There was no given tempo indication in some of the parts but Parr added 'allegro moderato' which is also the tempo indication in the Munich manuscript. He also suggested the bass pizzicato in most of the polacca but perhaps this was intended only for the double bass should one be present. There are some discrepancies between the Edinburgh score and parts which we have resolved somewhat arbitrarily on musical grounds. The differences between the Munich and Edinburgh versions are mostly small as far as we can discern; the
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Poul Ruders: Manhattan Abstraction: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
New York is the city which fascinates and inspires Ruders. Time and again he goe...
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New York is the city which fascinates and inspires Ruders. Time and again he goes back there to work. 'Manhattan Abstraction' (1982) subtitles - a symphonic skyline for large orchestra - was conceived there. Ruders’ Brittish colleague Oliver Knussen defines the piece as: - a performance of an extraordinary Morden-Times-like construction. It is a sort of symphonic sculpture which in the composer’s own words words propels forth from one particular inspiration: the New York profile as seen from Liberty Island one icy cold January day with it’s open clear sky and dazzling sun light. 'Manhatten Abstraction' appears as an amalgam of some of the compositorical habits foundin present pieces. For instance are present here compositorical ideas and melodic loans from 'Capriccio Pian’e Forte' 2nd String Quartet(1979) 'Four Compositions' (1980) and 2nd Piano Sonata(1982). The question at hand is mainly concerned with the enhanced elaboration of Ruders’ use of the classic English change-ringing system: a permuting method pre-determining the order of tone-appearances and /or tone groups; a serial technique in other words. In spite of the rigidly fixed material Ruders somehow manages to chisel out a personal expression by way of emphasising contrasting elements already existing within the material itself. The spiky repetitive sections form a counterpart to a more human violin-solo. This dialectical tension is - as hinted by the title - a symphonic abstraction of a fascinating metropolis; the most beautiful and the ugliest. The subtitle: a symphonic skyline reflects the musical erection of the Manhattan profile which under the clear sky materializes into the most powerful and compelling man-made sculpture on earth. Thus 'Manhattan Abstraction' is a homage to as well as a vision of this giant contraption of concrete glass and chrome.
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Magnus Lindberg: Arena For Orchestra: Orchestra: Score
Orchestra
[Score]
Chester
Commissioned by the first Sibelius Conductor's Competition held in Helsinki in M...
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Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995 as an obligatory piece to be rehearsed by all the competitors Arena was performed in its totality at the annual Avanti! Chamber Orchestra'sfestival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music but here horizontal lines (one would not yet dare to call them melodies) gain some independence for example in ornamental figuresand in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking referring to a passage where the sense of movement seems toaccelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and thesuspension of the harmonies in the final climax which can make one think of Mahler and Berg or Lindberg's grand predecessor and compatriot Sibelius.This is the Score published by Chester Music; the duration of thepieces is approximately 16 minutes.
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Aulis Sallinen: Symphony No.6 'From A New Zealand Diary': Orchestra: Study Score
Orchestra
[Sheet music]
Novello & Co Ltd.
Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (w...
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Aulis Sallinen was born in 1935 in Salmi on the northern shore of Lake Ladoga (which the Soviet Union claimed in 1944). His early musical experience was playing the violin. Improvising (including jazz) on the piano led him to write his first compositions as a teenager. After studying with Aarre Merikanto and Joonas Kokkonen at the Sibelius Academy he joined the staff there. He was Administrator of the Finnish Radio Symphony Orchestra (1960-69); Secretary and member of the Board (1958-73) then Chairman (1971-73) of the Finnish Composers' Society; member of the board of TEOSTO (Finnish copyright society) from 1970-84 then Chairman from 1988-90; he also served for severalyears on the Board of the Finnish National Opera.Here is the Facsimile of the Sixth Symphony that was composed over 1989-1990 and commissioned and first performed by the New Zealand Symphony Orchestra.
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Britta Byström: Farewell Variations: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
for Orchestra-Avskedsvariationer/Farewell Variations for Orchestra by Britta Bys...
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for Orchestra-Avskedsvariationer/Farewell Variations for Orchestra by Britta Byström (2005). Programme Note Farewell Variations sees the careful approach towards Haydn by Britta Byström. Although you have the title reference to the ”Farewell” Symphony Haydn’s Symphony No. 45 Byström’s approximations are being made in a subtle way similar to her free interpretation of literary works. You will not find any direct thematic connections between Byström and Haydn. Byström’s Haydn inspiration comes in form of the various titles which have been given to a lotof Haydn symphonies in the post-Haydn era. Byström wanted to go in sort of an opposite direction: To compose music based on ”Haydnish” symphonic titles. A kind of symphonic Haydn catalogue appears in the movements. Farewell Variations consist of fourteen variations of Byström’s own thematics. The work begins in sighing and broken phrases – like the shadow of a dance. The titles of the variations lead to the description of daily events starting with morning. A day of Haydn! The last variation farewell ends with the musicians playing on by on. As such there is no story but the titles are the main focus here. Byström says that she musically ”tried to capture some of Haydn’s ease and insights”. Tony Lundman
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Jean Sibelius: En Saga Op.9 - Tone Poem For Orchestra: Orchestra: Study Score
Orchestra
Breitkopf & Härtel
En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest...
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En Saga Op.9 is a tone poem for orchestra and is one of the composer's earliest orchestral works filled with youthful dynamism and energy. It is also highly atmospheric clearly evocative of the composer's beloved Finland – its people proud history countryside and landscapes. The title translates as the Swedish (rather than Finnish) for A Fairy Tale suggesting a programmatic work but despite there seeming to be a 'story' present the composer never identified any specific extra-musical inspiration.The work was originally composed in 1892 but not to great success. However the composer later revised the work in 1902 shortly afterhaving composed the Symphony No.2 when it received the acclaim it deserved.Available here is a study score of Sibelius' tone poem En Saga Op.9 which is ideal for study and perusal usage.
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Jean-Philippe Rameau: Spectacles De Fontainebleau 1753: Orchestra: Score
Orchestra
Barenreiter
Symphonies-The heroic pastoral Daphnis et Eglé was performed only once on 29 O...
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Symphonies-The heroic pastoral Daphnis et Eglé was performed only once on 29 October 1753 for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.Our complete edition (BA 8862) is based on Rameau's autograph manuscript a copy of the separate parts and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version?which is actually more complete in its musical form in particular with its overture and two ariettas?but alsoreconstructs the original state of the final divertissement (presented in the appendix) before it was revised.Here we present the instrumental numbers from both operas for concert performance.Based on the first scholarly-critical edition published as part of ?Opera Omnia RameauInstrumental numbers in order of performance but also grouped by key in the list of contents enabling them to be combined freely into orchestral suitesPublished with performance material on hire
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James MacMillan: Symphony No. 4: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Unlike MacMillan’s first three symphonies Symphony no 4 (2014 15) is esse...
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Unlike MacMillan’s first three symphonies Symphony no 4 (2014 15) is essentially abstract. Here he is interested in the interplay of different types of material following upon a fascination with music as ritual that has stretched from Monteverdi in the early 17th century through to Boulez and Birtwistle in the present day. There are four distinct archetypes in this work which can be viewed as rituals of movement exhortation petition and joy. It is also a homage to Robert Carver (c1487 after 1566) the most important Scottish composer of the High Renaissance. There are allusions to Carver’s 10-voice Mass Dum sacrum mysterium embedded in the symphony and at anumber of points it emerges from across the centuries in a more discernible form: the vocal lines are muted and muffled literally in the distance as they are played delicately by the back desks of the violas cellos and double basses.
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