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Percy Aldridge Grainger: Tune in a Popular London Style: Orchestra: Score
Orchestra
Southern Music Ltd
Tune In A Popular London Style
25.99 GBP - Sold by Musicroom UK
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Percy Aldridge Grainger: Tune in a Popular London Style: Orchestra: Score
Orchestra
Southern Music Ltd
Tune In A Popular London Style
11.50 GBP - Sold by Musicroom UK
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Percy Aldridge Grainger: Tune in a Popular London Style: Orchestra: Score &
Orchestra
Southern Music Ltd
Tune In A Popular London Style
106.99 GBP - Sold by Musicroom UK
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Enrique Granados: Cinco Piezas Cantos Populares Score: Orchestra: Miniature
Español
Orchestra
[Sheet music]
Unión Musical Ediciones
Cinco Piezas Cantos Populares Score
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12 Canciones Populares Americanas - Cuaderno 1R: Orchestra: Mixed Songbook
Orchestra
Ricordi Buenos Aires
12 Canciones Populares Americanas - Cuaderno 1R
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Jacques Offenbach: Les Contes D'Hoffmann In Full Score: Orchestra: Score
Orchestra
Dover Publications
This is the last of nearly 100 operettas created by French composer Jacques Offe...
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This is the last of nearly 100 operettas created by French composer Jacques Offenbach a native of Germany whose works were most prominent in the latter half of the nineteenth century. His three-act drama Les Contes d'Hoffmann (The Tales of Hoffmann) which includes a prologue and epilogue recounts dramatic stories of passion murder and revenge. Left incomplete at the composer's death the operetta debuted in 1881 and remains popular to this day for its many memorable melodies.A masterpiece of French Romanticism Les Contes d'Hoffmann embodies Offenbach's wish to transcend the limitations of his popularoperettas and achieve success among the lofty heights of grand Opera. This imaginative score presents an artful blend of fantasy emotion and the supernatural as well as elements of satire and the grotesque. Hoffmann the narrator and protagonist relates three stories to his drinking companions. The tales concern Olympia who is revealed as a mechanical doll; Antonia a gifted vocalist in danger of singing herself to death; and Giulietta a Venetian courtesan who uses a magic mirror to purloin others' reflections. Reproduced from an authoritative score this edition offers musicians and music lovers a modestly priced edition of Offenbach's enduring work.
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Georg Friedrich Händel: Giulio Cesare: Orchestra: Score
Orchestra
Dover Publications
G F Handel (1685-1759) was a German-born British composer and organist who spent...
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G F Handel (1685-1759) was a German-born British composer and organist who spent his life working in London. He is credited with popularising opera in Britain both importing Italian works and composing his own. Giulio Cesare was composed in 1723-4 and first performed at the King's Theatre Haymarket London in February 1724. It remains today one of the most popular of Handel's Italian language operas enjoyed for its many gorgeous melodies inspired orchestration and exciting plot.Musicians scholars and music lovers will welcome this handsome reprint of the full score of Giulio Cesare reproduced complete andunabridged from the definitive Deutsche Handelgesellschaft edition.
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Olivier Messiaen: Eclairs sur L'Au-Dela Vol.1: Orchestra: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Volume 1-Olivier Messiaen (1908-1992) is known for his unique composition style....
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Volume 1-Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Éclairs Sur L'Au-Delà for Orchestra is no exception to the composer's popular distinctive style. Composed between 1987-1991 Éclairs Sur L'Au-Delà was one of the composer's last works with the premiere occuring six months after his death. The work includes Messiaen's popular compositional techniques such as his modes of limited transposition and the use of birdsong.Messiaen's piece for orchestra is divided in to eleven movements and a typical performance lasts about one hour. Éclairs Sur L'Au-Delà is essential to all advanced orchestras seeking to expand and vary their repertoire.
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Olivier Messiaen: La Transfiguration de Notre-Seigneur Jesus-Christ: Orchestra:
Français
Orchestra
[Sheet music]
Leduc, Alphonse
2nd Septenary-Olivier Messiaen (1908-1992) is known for his unique composition s...
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2nd Septenary-Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his La Transfiguration De Notre-Seigneur Jésus-Christ for Choir Seven solo instruments and Orchestra is no exception to the composer's popular distinctive style. Composed between 1965-1969 La Transfiguration De Notre-Seigneur Jésus-Christ is based on the account of Jesus' Transfiguration found in the Gospels of Matthew Mark and Luke. The work requires a huge 200 performers and with 14 movements a typicalperformance lasts about an hour and a half. La Transfiguration De Notre-Seigneur Jésus-Christ incorporates Messiaen's popular compositional techniques such as his modes of limited transposition and the use of birdsong. Texts are largely based on the Bible. La Transfiguration De Notre-Seigneur Jésus-Christ is essential to all advanced musicians seeking to expand and vary their ensemble repertoire on a large-scale.
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Olivier Messiaen: Saint Francois d'Assise (Act 2 Scene 6): Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorpor...
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Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Opera Saint Francois D'Assise is no exception to the composer's popular distinctive style. Composed between 1975-1983 Saint Francois D'Assise displays the composer's devout Catholicism. The work is in three acts and eight scenes and both the music and libretto were written by Messiaen. Saint Francois D'Assise incorporates Messiaen's popular compositional techniques such as his modes of limitedtransposition uses of leitmotifs use of birdsong and an instrumentation for a huge orchestra. This piece also makes use of the composer's synesthesia. Saint Francois D'Assise is essential to all advanced Opera companies seeking to address a modern and varied performance work.
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Olivier Messiaen: Saint Francois d'Assise (Act 1 Scene 1): Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorpor...
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Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Opera Saint Francois D'Assise is no exception to the composer's popular distinctive style. Composed between 1975-1983 Saint Francois D'Assise displays the composer's devout Catholicism. The work is in three acts and eight scenes and both the music and libretto were written by Messiaen. Saint Francois D'Assise incorporates Messiaen's popular compositional techniques such as his modes of limited transposition use ofleitmotifs use of birdsong and an instrumentation for a huge orchestra. This piece also makes use of the composer's synesthesia. Saint Francois D'Assise is essential to all advanced Opera companies seeking to address a modern and varied performance work.
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BEETHOVEN L.V. - LEONORE OUVERTURE N°3 - SCORE
Orchestra
Barenreiter
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
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Karl Jenkins: Adiemus: Song of Sanctuary: Flexible Band: Score and Parts
Orchestra
[Score and Parts]
Boosey and Hawkes
Two Movements from Karl Jenkins’ popular Adiemus arranged here for a Flex...
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Two Movements from Karl Jenkins’ popular Adiemus arranged here for a Flexible Ensemble. Originally written as a piece for a Delta Airlines television commercial the fusion of ethnic vocals and orchestral backing proved so popular with consumers that a full-length Adiemus album Songs of Sanctuary was created with the aid of vocalist Miriam Stockley and the London Philharmonic Orchestra in 1995. This item contains the full score for Flexible Ensemble complete with parts for photocopying.
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Olivier Messiaen: Saint Francois d'Assise (Act 1 Scene 3): Opera: Score
Français
Orchestra
[Sheet music]
Leduc, Alphonse
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorpor...
(+)
Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Opera Saint Francois D'Assise is no exception to the composer's popular distinctive style. Composed between 1975-1983 Saint Francois D'Assise displays the composer's devout Catholicism. The work is in three acts and eight scenes and both the music and libretto were written by Messiaen. Saint Francois D'Assise incorporates Messiaen's popular compositional techniques such as his modes of limited transposition uses ofleitmotifs use of birdsong and an instrumentation for a huge orchestra. This piece also makes use of the composer's synesthesia. Saint Francois D'Assise is essential to all advanced Opera companies seeking to address a modern and varied performance work.
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Schumann R. - Great Works For Piano And Orchestra
Orchestra
[Sheet music]
Dover Publications
Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, tur...
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Clara Wieck’s sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that “it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano…” In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara’s wish by creating a number of musical pieces composed specifically for Piano and Orchestra. Although Schumann’s genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann’s Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann’s compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstück, Op.92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at an affordable price.
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Bartók’s Concerto for Orchestra one of the most performed 20th century w...
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Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.
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Michael Daugherty: Ufo: Orchestra and Solo: Part
Orchestra
Peermusic Classical
(2000) Arranged for band by the composer UFO is inspired by the unidentified fl...
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(2000) Arranged for band by the composer UFO is inspired by the unidentified flying objects that have become an obsession in American popular culture. Written for and first performed and recorded by world-renowned percussionist Dame Evelyn Glennie this dramatic and colorful work is popular among professional and student percussionists and is always a hit with audiences. Duration - ca. 40:00
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Karl Kohaut: Concerto in F Major No. 2: Orchestra: Score and Parts
Orchestra
Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...
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Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
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Karl Kohaut: Concerto in F Major No. 1: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...
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Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted the original solo part and included in the set are parts for both lute (the part has been adapted fromlute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass
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Karl Kohaut: Concerto in F Major No. 1: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Metropolis Music Publishers
Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent...
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Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto).
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Joaquín Rodrigo: Concerto D'Aranjuez: Orchestra: Miniature Score
Orchestra
Eulenburg
The first of Joaquin Rodrigo's attempts at composition for the concerto genre Co...
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The first of Joaquin Rodrigo's attempts at composition for the concerto genre Concierto De Aranjuez quickly became the most popular and recognizable of his works. Written for Solo Guitar and Orchestra it reveals the composer's great affinity for those two mediums as well as his reverence for the long-standing traditions of Spanish Classical music. It was composed in 1939 after Rodrigo's return to Madrid from France (where he had fled to escape the Spanish Civil War) and premiered to great success in 1940.The Concierto De Aranjuez is notable for the way in which Rodrigo managed to wed unusual instrumentation of the relatively small voice ofthe solo guitar to that of the full orchestra. With a nod to Spanish folk music and straightforward lyrical disposition it is an extremely imaginative piece with meandering melody and distinctive colour throughout.Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.
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Robert Xavier RodrÝguez: A Colorful Symphony: Orchestra: Score
Orchestra
Schirmer
Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular b...
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Score-'A Colorful Symphony' is based on a chapter from Norton Juster's popular book for children 'The Phantom Tollbooth' in which a little boy enters a magic land where an orchestra and its conductor play the colours into the worldeach day. Rodriguez's setting for Narrator and Orchestra has become a musical classic in its own right and is regularly performed by major Orchestras.
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Ron Kean: American Mass: Orchestra: Parts
Orchestra
Pavane Publishing
Now available for SSA voices this marvelous work was released a few years ago t...
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Now available for SSA voices this marvelous work was released a few years ago to great acclaim and remains popular. Fully orchestrated in 4 distinctive movements this “missa brevis” tastefully weaves American folksongs spirituals and hymns into a liturgical fabric. May be performed with piano chamber orchestra or full orchestra.
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Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Malaguena: Concert Band: Score
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Carl Nielsen: Saul and David Act 2: Orchestra: Score
Orchestra
[Score]
-
Intermediate/advanced
Carl Nielsen Edition
Prelude-During the time that he was playing in the Orchestra of the Royal Theatr...
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Prelude-During the time that he was playing in the Orchestra of the Royal Theatre in Copenhagen Carl Nielsen composed his two operas of which Saul and David is the first. Criticised as more of an oratorio than an opera Saul and David has not enjoyed many performances although this short majestic and psychologically revealing Prelude to Act II has become a popular short concert piece. It evokes the majesty of the court of Saul just before news arrives of the Philistine giant Goliath and hints at struggles both external and within the main characters. The dissonant Trumpets may have aroused excitement at the premiere in 1902 and still create a powerful effect in today'sperformances.
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Antonin Dvorák: Serenade N. 1 Op. 22 And Serenade N. 2 Op. 44: Orchestra:
Orchestra
Dover Publications
Serenade No.1 for string orchestra and Serenade No.2 for winds horns and low ...
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Serenade No.1 for string orchestra and Serenade No.2 for winds horns and low strings both composed in the late 1870s are two of Dvorak's most popular and frequently performed works. These splendid pieces embody the qualities we have come to associate with the composer's most colorful and typical music. Reproduced from early editions.
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Gabriel Fauré: Pelléas Et Mélisande Op. 80 / Pavane Op. 50: Orchestra: Score
Orchestra
Dover Publications
Two superb strikingly original works by one of the most gifted composers of the...
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Two superb strikingly original works by one of the most gifted composers of the French School: Pelléas et Mélisande Op. 80 a suite for orchestra written after Fauré's incidental music for the drama by Maurice Maeterlinck; and the enormously popular Pavane Op. 50 one of the most performed short orchestral works in the repertoire.Reprint of the J. Hamelle & Cie. Paris n.d. editions.
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Stephen Schwartz: Highlights from Wicked: Orchestra: Score & Parts
Orchestra
[Sheet music]
Hal Leonard
Broadway's powerful new hit is filed with engaging music and an intriguing story...
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Broadway's powerful new hit is filed with engaging music and an intriguing story line based on the infamous Wicked Witch Of The West.Veteran Broadway writer Stephen Schwartz's music has received critical acclaim and is skillfully adapted in this orchestra showcase by Ted Ricketts. Includes No One Mourns The Wicked The Wizard And I Dancing Through Life Popular and Defying Gravity.
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William Schuman: American Festival Overture: Orchestra: Score
Orchestra
Schirmer
Score-The festive occasion that the title refers to was a program of American wo...
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Score-The festive occasion that the title refers to was a program of American works Sergey Koussevitzky and the Boston Symphony Orchestra were presenting in Boston and New York in the fall of 1939 for which the conductor asked Schuman to compose an opening piece. Now one of Schuman's most popular works.
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