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ORGAN
Soli, Mixted choir and accompaniment
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Dido and Aeneas (PURCELL HENRY)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Score]
Barenreiter
Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Di...
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Par PURCELL HENRY. Purcell Dido and Aeneas (Full Score, paperback) The opera ?Dido and Aeneas?, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at a ?School for Young Gentlewomen?, scholars have debated the origins of ?Dido? in recent decades, a process hampered by the lack of early musical sources. This edition addresses these challenges and evaluates the earliest sources that reproduce the opera in its surviving form. Surprisingly, these date from the 1770s and 80s, some ninety years after the work was written. Three key manuscripts ? now held at the Bodleian Library in Oxford (UK), at Tatton Park Library which is a National Trust property near Manchester (UK), and at the Wakayama Prefectural Library (Japan) - were all copied from the same original, most likely a handwritten score from 1704 which reappeared in the early 1770s, only to disappear again. This is the first 'Dido' edition based on the Tatton Park manuscript as the main source. It was produced during the second half of the 18th century by Philip Hayes, one of England's most prominent musicians. He was known in musicology for his meticulous copies of Purcell's music, often from the autograph manuscripts. The Bodleian and Wakayama manuscripts are presented in a new light and their role in this edition has been reassessed accordingly. - Urtext edition based for the first time on the Tatton Park manuscript as the main source - Informative Foreword (Eng/Ger) on the genesis, transmission, reception and performance practice - Complete facsimile reproduction of the Chelsea libretto / Date parution : 2023-06-01/ Répertoire / Solistes, Choeur Mixte et Orchestre
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Johann Pachelbel: Christ lay in grim deaths prison: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)East...
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Easter Cantata-Christ lag in Todesbanden (Christ lay in grim death's prison)Easter CantataIn recent years the demand for making available a larger number of choral works by Johann Pachelbel (1653-1706) has made itself felt more strongly than ever before. Within the past few years the search for unpublished manuscripts of choral compositions written by Johann Pachelbel has been taken up again and not in vain. Approximately twenty instrumentally accompanied arias and thirty elaborate choral works intended for services of worship have recently been found. These date from the days when Pachelbel was an active church musician in Erfurt and Nuremberg and include compositionsof various categories e.g. motets cantatas magnificats and masses.The excellency of Pachelbel's choral works may be attributed in large part to the magnificence and splendour of their tonal character. They are unusually vocal choral and singable. In the very best sense of the term they are what the Germans call 'Gebrauchsmusik' that is to say they are functional music written for specific use in the church service. They are not music written for its own sake.Full score performance material (BA2875) choral score (BA2875-91) available for sale
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Antonio Vivaldi: Magnificat RV 610: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Carus Verlag
Klavierauszug-Antonio Vivaldi's Magnificat in G minor for SATB and Piano.The off...
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Klavierauszug-Antonio Vivaldi's Magnificat in G minor for SATB and Piano.The office as a priest and the long years as musical director of the Ospedale della Piet (a large orphonage in Venice) both occasioned and inspired him to compose church music in large variety. The Magnificat RV 160 has come down to us in two versions. The first version is dominated by the choral concept in the second version the texts of Et exultavit Quia respexit Quia fecit Esurientes and Sicut locutus est are each given new and extended solo arias that as the manuscripts reveals were tailored to voices of girls from the Ospedale who are mentioned by name in the autograph.
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Charles Gounod: Messe Solennelle - Sainte Cécile: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was ...
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Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was the Messe solennelle en l?honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.This Urtext edition is based not only on the original print of 1856 but also on copyists? manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod?s birth.Gounod?s well-known mass in a new Urtext editionBilingualForeword (Ger/Eng) and Critical Commentary (Eng)Idiomatic piano reductionIn preparation for the Gounod bicentenary year 2018
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, Mixted choir and accompaniment
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, Mixted choir and accompaniment
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
(+)
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Piano
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The Resurrection and Ascension of Jesus (BACH CARL PHILIPP EMMANUEL)
Soli, Mixted choir and accompaniment
[Set of Parts]
Carus Verlag
BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three or...
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BR-CPEB D 3 (Wq 240) - Oratorio. Par BACH CARL PHILIPP EMMANUEL. Of the three oratorios which Carl Philipp Emanuel Bach composed when he was music director in Hamburg, Die Auferstehung und Himmelfahrt Jesu is particularly intended to create splendor and effect with its use of magnificent-sounding trumpets and timpani. Bach liked this work very much and had it published in 1787, the year before his death. The following year the oratorio was performed by Mozart in Vienna.The text of the oratorio by Carl Wilhelm Ramler (1725?1798; better known as the poet of the frequently-set ?Der Tod Jesu?) covers the Easter story of the disciples at Emmaus and the doubting Thomas, up to the image of Jesus ascending to heaven.The score is published as Vol. IV,2 of the C.P.E. Bach Complete Edition, edited by the Packard Humanities Institute. Carus publishes the vocal score and choral score for this work. The full score and parts can also be obtained from Carus. / Date parution : 2023-03-11/ Répertoire / Soli [STB], SATB et Orchestre
435.96 EUR - Sold by LMI-partitions
(Seller in french langage)
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Charles Gounod: Messe Solennelle - Sainte Cécile: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was ...
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Ste Cécile-Sacred works occupy a large part of Charles Gounod?s oeuvre. It was the Messe solennelle en l?honneur de Sainte Cécile that established his fame as a church composer. Its melodic invention and effective handling of the orchestra reveal a close proximity to opera.This Urtext edition is based not only on the original print of 1856 but also on copyists? manuscripts and autograph sources. Rounding off this well-researched Urtext edition are an informative Introduction and a detailed Critical Commentary. The edition is being published to celebrate the 200th anniversary of Gounod?s birth.Gounod?s well-known mass in a new Urtext editionBilingualForeword (Ger/Eng) and Critical Commentary (Eng)Idiomatic piano reductionIn preparation for the Gounod bicentenary year 2018
82.50 GBP - Sold by Musicroom UK
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Carl Philipp Emanuel Bach: Magnificat WTQ215: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (...
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CPE Bach's Magnificat WQ215 for SATB.C. P. E. Bach?s nine-movement Magnificat (1749) the first great vocal work from his Berlin years is among the most magnificent sounding in which the solo vocal parts are also among the most ambitious settings of the ?Hymn to the Virgin Mary? (Luke 1). The work fulfills all the criteria required for a larger sacred composition: grandeur dignity polyphonic and concertante choral movements sensitive (?empfindsam?) and expressive arias a long concluding double fugue. This richly scored Magnificat (with 3 trumpets and timp. ad. lib.) which is almost one hour in duration would be well suited for example as thecentral work on every Christmas or pre-Christmas concert programme.
18.90 GBP - Sold by Musicroom UK
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