for Violin. Instrumentalists will love this jam-packed collection of 101 holiday favorites!/ Recueil / Violon

Eta Cohen 's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration. The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers. This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists. It includes a beautifully recorded CD containing demonstration tracks of all the pieces. Book 3 is suitable for grades 3-5 and represents a milestone for young pupils, introducing 3rd position, new major and minor keys as well as 4th finger extensions and half position. 'It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original' - James Murphy Director, Southbank Sinfonia / Violon

for Violin. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Violon

Par CARSE ADAM. Half, first and second position studies. Half, first and second position studies./ Répertoire / Violon

The VIOLIN PLAY-ALONG-Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyricsincluded in the book, you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio CD is playable on any CD player, and also enhanced so Mac

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the printed music, download or stream the online audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The audio files are enhanced so Mac

Disney films are some of the most beautifully animated cartoons with rich scenes, wonderful characters and invaribly all accompanied by fantastic music which helps to tell the story! This collection contains twelve fabulous and well known Disney songs, all arranged for Solo Violin. The song list includes:

Par BENJAMIN GEORGE. Three Miniatures by George Benjamin for Violin solo. The first performance of A Lullaby For Lalit was given by the Jagdish Mistry in Mumbai, Indian on 21st January 2002. The first performance of the complete work in its revised, extended version was given by Irvine Arditti, at the Jubilee Hall, Aldeburgh, as part of the Aldeburgh festival in June 2002. / Niveau : Intermédiaire / Répertoire / Violon

Instrumental Play-Along® Series. Par SHAIMAN MARC / WITTMAN SCOTT. Solo arrangements for 9 Marc Shaiman songs from the 2018 movie are featured in this collection perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound and then to play-along and sound like a pro!/ Recueil / Violon

Par JARNACH PHILIPP. Jarnach wrote three sonatas for solo violin - the second Sonata, Op. 11, was composed in 1913 and is dedicated to Max Reger. With the increase in interest in the music of the early decades of the 20th century, the works of the Busoni pupil Jarnach are experiencing a renaissance in the concert hall./ Répertoire / Violon

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violon 1 (Partie Séparée)

An Introduction to Folk Styles, Technique and Improvisation. This in-depth tutor book, from renowned fiddle player and teacher Chris Haigh, is perfect for classical violinists and fiddle players looking to master the art. Covering all aspects of folk violin technique from ornamentation to modes and scales, and from scordatura to improvisation and composition. The book is centred around Irish traditional music, but also dips into English, Scottish, Scandinavian, East European, Klezmer, Cajun and American Old-Time traditions. Accompanied by audio recordings (to download) of all pieces performed by Chris Haigh with a live backing band. Folk fiddle and classical violin are as different as chalk and cheese. At first glance, folk might seem so simple it's hardly worth bothering with. The tunes are often no more than 32 bars long, they stay in first position, and they don't even have a composer. However, it's what's NOT written on the page that makes folk fiddle so interesting and challenging. This book attempts to explore, from general observation down to the finest detail, what the fiddler needs to know to bring these tunes alive. We need to understand their history and context, their purpose, their structure and pulse. And we need to be able to add all the stylistic elements that come not from reading the music, but from years of immersion in folk music, both listening and playing. Key areas covered include: Tune types and structures Ornamentation Bowing Modes and scales Scordatura Starts, endings and links Variation, improvisation and composition Playing tunes in 'sets” Regional and individual style Playing in sessions, for contests, and for dancing / Niveau : 3 / Pédagogie / Etude / Violon