Collection of lesser known organ works suitable for all denominationsTried and tested free organ compositions and chorale settings from the 19th centuryEasy to medium level of difficultyThis series of anthologies for the church year and important church occasions which is suitable particularly for non-professional church musicians has now been expanded by a second volume in response to frequent demand. The main focus of Praise and Thanks for Organ II lies in the 19th century repertoire. At its centre are chorale settings for the Hymns of Praise and Praise and Thanksgiving from the German Protestant Hymnbook as well as the Praise and Thanks section from the German CatholicHymnbook. Tried and tested freely-composed organ works are also included such as Christian Fink’s Festpostludium op. 63 and chorale fantasias. Already published:Praise and Thanks for Organ IBA 8496Christmas for Organ Volume I: BA 8495Volume II: BA 9258Passiontide and Easter for OrganBA 9210Organ Music for the End of Church YearBA 9266The Organ Funeral AlbumBA 9207Organ Music for CommunionBA 9265The Organ Wedding AlbumBA 8200

French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. His Complete Study of the Fugue is an excellent introduction to the important technique. The book is in two parts, the secondgiving focus to elements such as the subject, the coda, modulations, the pedal, and structure, amongst other aspects. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes forpiano, organ and fugue, as well as the Grand Prix de Rome. He was a famous organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré\'s compositions and didactic worksremain important to organists today and his Complete Study of the Fugue is no exception. / Méthodes et pédagogie / Piano et instrument à clavier / Orgue / LEDUC

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue

Larsen's fantasia on the familiar hymn-tune boasts richly atmospheric organ writing and is well-suited to weddings or services focussing on fellowship or reconciliation.

Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 6) 34 Einige canonische Veränderungen über ?Vom Himmel hoch, da komm ich her? BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)

pour Orgue-Six Études Op. 5 is a set of studies for Organ by Jeanne Demessieux with a preface by Marcel Dupré. For upper-intermediate and above players these studies were conceived to help the progression of the player to enable them to acquire the necessary skills and to maintain their high level. Each study focuses on a special aspect and uses both hands and feet: 1. E minor: Alternating toes-tend 2. B major: Alternating thirds 3. F sharp major: Alternating sixths 4. F major: Alternating chords 5. E major: Repeated notes 6. C sharp minor: octaves Jeanne Demessieux (1921-1968) was a Frenchorganist pianist composer and pedagogue. She studied Organ with Marcel Dupré and was the main organist at La Madeleine in Paris.

Complete Fugue Lessons by Marcel Dupré is a theory method in two volumes. Focusing on the Fugues, this first book presents the whole method to conceive a Fugue with some exercises. All theanswers are available in the second volume of this series.
Really helpful for Organ players, this book will interest any musician who is interested by the Fugue. Marcel Dupré (1186-1971) was anorganist and a composer. He is well-known for his review of the work of J.S. Bach. / Méthodes et pédagogie / Piano et instrument à clavier / Orgue / LEDUC