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C. Hubert Parry: An English Suite: Organ: Instrumental Work
Organ
[Sheet music]
Schott
Arranged for the organ on the basis of the original string orchestra version-The...
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Arranged for the organ on the basis of the original string orchestra version-The composer pianist choir director and teacher Sir Charles Hubert Parry (1848-1918) was one of the most remarkable figures of the British music scene at the turn of the century. Among his most charming compositions are two suites for String Orchestra. The well-known organist and composer Wolfgang Stockmeier has arranged 'English Suite' for the Organ while keeping close to the original. The arrangement can be performed on the organ with brilliant effect transferring the atmosphere of the English late Romantic era onto the Organ.
21.99 GBP - Sold by Musicroom UK
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Legende for Organ and Brass Quartet Op. 55a (BUNK GERARD)
Organ and Brass Quartet
[Score and Parts]
Barenreiter
Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive...
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Par BUNK GERARD. As a 20th century composer, Gerard Bunk developed a distinctive musical style comparable perhaps to that of Max Reger or Sigfrid Karg-Elert. In addition to Bunk?s large-scale organ work ?Legende? Op.29 and its symphonic version Op.29II, there is a further well-known ?Legende? Op.55b written for organ and string orchestra (or string quartet) which was composed in 1945. This edition offers the earlier version of this work, dating from 1914, in its original instrumentation for organ and brass quartet. In order to facilitate performance, the sketchily notated score is carefully supplemented by performance markings from the string version. What Albert Schweitzer praised in the earlier ?Legende?, ?the calm and vivid layout of the complete work?, is also recognisable in Bunk?s later composition: the catchy, modestly beautiful theme alongside the clear musical form of this ?Legende? for organ and brass quartet. - Scored for 2 Flugelhorns, French horn, Trombone - Attractive chamber music for brass with organ - Edited by the composer?s grandson - Also suitable for amateur ensembles / Date parution : 2022-07-30/ Répertoire / Orgue et Quatuor de Cuivres
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Viatore (VASKS PETERIS)
Organ
Schott
per organo. Par VASKS PETERIS. 'Viatore' was originally one of Peteris Vasks's e...
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per organo. Par VASKS PETERIS. 'Viatore' was originally one of Peteris Vasks's extremely successful works for string orchestra. This newly-published arrangement translates the inexorably shimmering original string sound of the piece into a sonorous organ sound foundation. In the adaptation for organ, the catchy motif of 'Viatore' (Passenger) receives entirely new dynamic possibilities. The whole sound potential of the 'queen' of instruments is fully explored, the typical 'Vasks sound' is maintained and at the same time expanded by new, surprising aspects./ Répertoire / Orgue
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Wolfgang Amadeus Mozart: Larghetto From Clarinet Quintet: Organ: Instrumental
Organ
Bosworth
The Clarinet Quintet in A K. 581 is Mozart’s only completed Clarinet Qui...
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The Clarinet Quintet in A K. 581 is Mozart’s only completed Clarinet Quintet. It was written in 1789 for the clarinettist of the Viennese Imperial Court Orchestra Anton Stadler and is often named after him. Originally written for Basset Clarinet and String quartet it has been arranged for many different ensembles since. It is one of the composer’s most admired works with its idyllic flowing melodies and sumptuous harmony making it one of the highlights of the classical era. The Larghetto is the second movement written in sonata form. It has been arranged for Organ by the Henry Coleman (1888-1965) who was organist at PeterboroughCathedral from 1921-1944. Published 1953.
7.50 GBP - Sold by Musicroom UK
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John Marson: The Book of the Harp: Organ: Instrumental Reference
Organ
Kevin Mayhew
With more enthusiasts than ever since its heyday the Harp is an instrument whic...
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With more enthusiasts than ever since its heyday the Harp is an instrument which has successfully demonstrated its staying power and its important role both in music and beyond! John Marson’s Book of the Harp is a uniqueand definitive work distilled from a wealth of experience: a lifetime's study and research and an outstanding professional career. He traces the development of the harp from its earliest origins thousands of years B.C. to theinvention of the pedal harp in the eighteenth century and the harps of the twenty first century. He examines the writings of many forgotten exponents of the harp including inventors players and composers and provides a fullycomprehensive view of every model make and modification to the present day!The Book of the Harp is a rich source of information entertainment and anecdote on everything from strings tuning principles offingering and tone production historical influences designs techniques and methods to the harp's literary associations and those with the theatre and cinema its Celtic and religious symbolism virtuoso players and itsappearance in the poetry of Milton and novels of Jane Austen. Both historical and practical The Book of the Harp is an authoritative source of entertainment and a fascinating study for student professionalmusician and interested reader alike. John Marson has enjoyed a glittering career during which he has been principal harpist of the London Symphony Orchestra the BBC Symphony Orchestra Professor of Harp at the Royal College ofMusic and soloist and freelance.
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Wolfgang Amadeus Mozart: Church Sonatas Vol. 5 In C K.263: Organ: Score
Barenreiter
Sonate für Orgel und Kammerorchester (Streicher ohne Viola)-The 17 Church or 'E...
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Sonate für Orgel und Kammerorchester (Streicher ohne Viola)-The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass.Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and strings without Violas.The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo Trumpet (2) Strings).Also available:Volume 1: BA4731.Volume 2: BA4732.Volume 3/4: BA4733.
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Antonio Vivaldi: Gloria RV 589 (PA): SATB: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact ...
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Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.The compositional fabric the festive character of the outside movements and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices choir and organ. Rather than imitating the orchestral writing Martin Focke?s arrangement offers a self-contained version tailor-made for this combination of instruments thereby making a pinnacleof European church music accessible to the often more modest resources of today?s churches.Standard work of the oratorio repertoireSelf-contained version for solo voices (SSA) choir (SATB) and organHighly supportive easy-to-play organ partIdeal for use in church servicesDuration: c. 30 mins.The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed.The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists singers and organist alike.
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