The 'organ plus one? series was specially conceived for semi-professional church musicians and instrumentalists. It takes its bearings from the liturgical calendar and the pieces can be easily played in church services, evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales, either original works or arrangements by the editor. In this volume the works relate to hymns of the Reformation, including some composed by Martin Luther.Enclosed in each edition are solo parts for C, B-flat, E-flat and F which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. For use in church services, the chorale preludes are provided with accompaniments in the keys of the Lutheran hymnal. / Orgue

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements.

The editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F.

The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists.

The hallmark of this edition ? flexible instrumentation with easy playability ? ensures that the pieces can easily be tackled and fun to play for church services, musical evenings and small concerts. Idiomatic instrumental arrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists.


The contents of the volumes correspond to the seasons of the church year:
- Advent / Christmas
- Passion / Easter
- Epiphany / Whitsun / Pentecost
- Death and Eternity / Funerals
- Praise and Thanks

- Divine Service
- Communion
- Special Services (baptisms / weddings)

The complete series will comprise eight volumes. / Célébrations / Partition / Agrafe /

Hommage à Francis Poulenc, cette cantilène est écrite originellement pour hautbois et orgue, ce qui est assez rare pour cette formation dont le répertoire est le plus souvent constitué de transcriptions. Une longue mélodie calme et sereine, interrompue par un épisode plus vif, permet de marier au tapis harmonique de l'orgue, l'expressivité du timbre du hautbois. / Hautbois Et Orgue

Composée en 2001 et créée en l'église St Martin d'Erstein par la dédicataire Joëlle Stussi, cette pièce écrite en 4 versets est basée sur un seul thème dont le caractère pourrait faire référence aux mélismes propres aux mélodies grégoriennes. / Hautbois Et Orgue

WILWERTH Patrick. Par RAMEAU JEAN-PHILIPPE. / Niveau : 4 / Partition / Hautbois et Orgue

WILWERTH Patrick. Par GRETRY André-Ernest. / Niveau : 2 / Partition / Hautbois et Orgue