Accent on Gillock Volume 3. (Later Elementary Level). By William L. Gillock. Willis. Late Elementary. 16 pages. Willis Music #11837. Published by Willis Music

Finale. By Gioachino Rossini. Arranged by Robert Longfield. Concert Band. Extra full score. Composed 1999. Published by C.L. Barnhouse.

By Florida Georgia Line. By busbee, Nate Cyphert, and William Wiik Larsen. Arranged by Mark A. Brymer. Pop Choral Series. Octavo. 8 pages. Published by Hal Leonard

Concert band. Walking Frog Records. CD. Composed 2004. Published by C.L. Barnhouse

Composed by Gioachino Rossini (1792-1868). Arranged by Scott Stanton. Concert band. Build-A-Band Series. Grade 3.5. Score. Composed 2009. Duration 2 minutes, 53 seconds. Published by C.L. Barnhouse

Arranged by Robert W. Smith. For young concert band. Sound Foundation Series. Grade 0.5. Score and set of parts. Duration 2 minutes, 9 seconds. Published by C.L. Barnhouse

By William Goldstein. (TTBB). Transcontinental Music Choral. Jewish. 11 pages. Published by Transcontinental Music Publications.

1 Piano, 4 Hands/Later Intermediate Level. By Georges Bizet. Arranged by William L. Gillock. Willis. Size 9x12 inches. 8 pages. Published by Willis Music.

By Jerry Williams. Arranged by Andy Clark. Concert band. Build-A-Band Series. Grade 2.5. Score and parts. Composed 2009. Duration 4 minutes, 11 seconds. Published by C.L. Barnhouse

By Jerry Williams. Overture. Young concert band. Command. Level: Grade 2.5. Score and set of parts. Composed 1995. Duration 0:04:11. Published by C.L. Barnhouse.

By Ralph Vaughan Williams. (Voice and Piano). Boosey and Hawkes Voice. Softcover. Size 9x12 inches. 54 pages. Published by Boosey and Hawkes.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone

SKU: GI.G-11095INST

Composed by Michael Praetorius. Edited by William Bullock. Arranged by William Bullock. Sacred. Full score and parts. GIA Publications #11095INST. Published by GIA Publications (GI.G-11095INST).

Text Source: Dies est laetitiae, ca. 1400, German tr. Martin Luther, 1483-1546, English tr. William J. Bullock; Translation: William Bullock. Text by Martin Luther.

Mid-Intermediate Level. By William L. Gillock. Arranged by William L. Gillock. Willis. Size 9x12 inches. 7 pages. Published by Willis Music.

By Edmund L. Gruber, William Bryden, and Robert Danford. Arranged by Jerry Brubaker. Concert Band. Concert Band. Belwin Young Band. Form: March. Patriotic. Grade 2. Conductor Score and Parts. 242 pages