La partition Le chat,la belette et le petit lapin ( ensemble cuivres ) est une oeuvre du compositeur Classique Proust Pascal. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Fertile Plaine. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Ensembles De Cuivres / Partition

Par BRAKSTAD JOHN. 'Interlude for Band' is an arrangement based on the theme from 'Affinity and Fellowship'. 'Affinity and Fellowship' was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice). 'Interlude for Band' is a piece with elements of ensemble, including an important solo part. Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound. / Date parution : 2023-07-31/ Répertoire / Ensemble de Cuivres

This piece was commissioned by Nordhordland Brass Seminar in 1990 and written for a youth band. The title referes to a story from norse mythology. ?The Binding of the Wolf? is not a programmatic piece of music but I felt that there was a kind of coherence between the music and the dramatic story: ?...The wolf Fenrir was one of the demonic offspring of Loki and as he grew up in Asgard among the gods he became so huge and fierce that only Tyr was willing to feed him. It was decided that he must be bound and Odin in his wisdom caused the cunning dwarfs to forge a chain which could not be broken. It was made from the invisible and yet potent powers ofthe world such as the roots of a mountain the noise of a moving cat the breath of a fish. When completed this chain seemed to be no more than a silken cord but the wolf refused to let it be laid upon him unless one of the gods would put a hand between his jaws as a pledge that it was harmless. Only Tyr was prepared to do this and when the wolf found that the chain was unbreakable the gods rejoiced but Tyr lost his hand. The binding of the wolf may be seen as a means of protecting the world of men as well as that of the gods from destruction. The story of the god losing his hand appears to be one of the fundamental myths of nothern Europe...?

In 1911 the Russian impresario Diaghilev commisioned Paul Dukas to compose music for the famous ballet fairy-tale 'La Perie'by Jean Coralli.Fokine was to make a new choreography so that the Russian ballet company 'Ballet Russes' would be able to perform the piece in Paris that same year. Due to a quarrel between Diaghilev and Dukas about who should dance the title-part however the ballet was not performed by the 'Ballet Russes'but by another company in 1912.The ballet 'La Perie' is Dukas' last symphonic work. In 1911 gaf de Russische impresario Diaghilev Paul Dukas opdracht om muziek te componeren voor het beroemde ballet sprookje 'La Perie' van Jean Coralli. Fokine was gevraagd om een nieuwe choreografie te maken zodat het Russische balletgezelschap 'Ballet Russes' in staat zou zijn om het stuk in Parijs op te voeren in datzelfde jaar. Door een ruzie tussen Diaghilev en Dukas over de vraag wie de hoofdrol mocht dansen werd het ballet in 1912 echter niet uitgevoerd door het 'Ballet Russes' maar door een ander gezelschap. Het ballet 'La Perie' is het laatste symfonische werk van Dukas.

The Samba is a Latin American dance which is mostly associated with parties as a result of the fast tempo in which it is usually played. ‘Sumba Samba’ forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. ‘Sumba Samba’ starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the ‘refrain’ and as said before has been used in the introduction as well as in the transition after the middle part (letter G). Furthermore it plays an important role in the middle part itself (letter E) in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.

The musical De-Lovely celebrated the songs of Cole Porter and these songs have now been skilfully crafted into this show-stopping medley for brass band by Philip Harper. With melodies that include the delightful Let’s Do It (Let’s Fall In Love) and the suave Begin the Beguine this concert piece is full of swing swagger and the heart-warming nostalgia of these evergreen favourites. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 8 minutes

In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

‘Music’ by John Miles was one of Blackstone’s favourite numbers. With completely different notes but holding on to the same form and atmosphere the latter has tried to write an attractive composition for both young and old.Gate 11 refers to the ever agitated and noisy scenes at an airport especially during check-in. Yet there are also passengers who wait patiently letting their thoughts range at will looking forward to meeting a loved one at the end of their journey.

Contrasting colors and varied orchestration techniques make this majestic setting of OH LITTLE TOWN OF BETHLEHEM come alive for Christmas. Of the three different tunes that are commonly associated with the original carol text this arrangement uses the melody that?s best known in England. ENGLISH CAROL FANTASY remains entirely accessible to bands at this level and plenty of cueing makes sure it?s useful for ensembles of all shapes and sizes. Feature your deserving young cornet section leader on the easy solo or let the entire first cornet section play it soli. The low brass also get some ?well doubled? exposure so playing this one will be fun for all.Try it!

This number 1 hit for the Scandenavian band Europe has been expertly arranged for Brass Band by Ron Sebregts. Let the Countdown begin!