Par BEETHOVEN LUDWIG VAN. Andante con Variazioni by Beethoven is a theme and variations written originally for mandolin and keyboard in 1796. It is arranged here for cello and piano by cellist Steven Isserlis and is a work full of charm and humour with a touch of pathos in the minor variation. It shows the young Beethoven at his most elegant.  / Instrumental Music / Répertoire / Violoncelle et Piano

Composed by the Czech composer Bohuslav Martinü in 1930  Suite Miniature is a chamber work for Cello and Piano that lasts 10 minutes and 30 seconds. The difficulty for Cello is considered as medium and for the Piano easy to medium. Suite Miniature is divided in seven sections: I. Moderato II. Poco andante III. Poco moderato IV. Andante V. Poco allegro VI. Allegretto VII. Moderato Good for recitals this piece is really melodic and cheerful with some parts quiet and others quite energetic. BohuslavMartinü(1890-1959) also wrote 13 other ballets 15 operas and 6 symphonies and some orchestral and chamber music.

Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]

Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano

Arranged from the original version for Mandolin and Piano-For Countess Josephine of Clary-Aldringen Beethoven wrote several works for mandolin and piano four of which are still extant. These new arrangements adhere as closely to the original as possible and are written in the original key. The elegant works are shining little gems. Sonatina in C major radiates a virtuoso ease and cheerfulness while the variations of the Andante are full of humour with deep emotions in the minor variation.

 J'ai commencé cette sonate avec l'idée d'un mouvement élégiaque, bien convenable au caractère du violoncelle - expressif, sonore, doux et poignant, surtout au registre grave,Pendant l'évolution de l'oeuvre je me suis rendu compte que, à l'emploi de variation, et des techniques fugales et sérielles, elle pouvait devenir plus longue et plus complète, en plusieurs mouvements en contraste mutuel - elle pouvait comporter des passages consacrés à l'exploration des registres aigus et légers du violoncelle, tout en se servant de sa taille et de sa puissance pour arriver à un équilibre avec les idées plus fortes et plus flamboyantes confiées au piano (au quatrième mouvement), Ici, les lignes, longues et expressives, du violoncelle contrastent (à l'exception de quelques ' excursions ' vives) à la fluidité de la partie de piano, - Maestoso (06'25'')- Fuga vivente (02'45'')- Andante (04'02'')- Vivace (04'00'') / Violoncelle Et Piano

Pour comtesse Joséphine de Clary-Aldringen, Beethoven a écrit plusieurs oeuvres pour mandoline et piano dont quatre existent encore. Ces nouvelles dispositions se conformer le plus fidèlement à l'original que possible et sont écrits dans la tonalité originale. Les oeuvres élégantes brillent petits bijoux. Sonatine en do majeur dégage une facilité virtuose et de gaieté, tandis que les variations de l'Andante sont pleines d'humour, d'émotions profondes dans la variation mineure. / Violoncelle Et Piano

22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano

Virtuoso and Entertaining Pieces for Cello and Piano. À l'occasion de son 250e anniversaire, Schott Music a le plaisir de vous présenter Joy of Music. Des trésors découverts dans les archives historiques, réédités et présentés dans cette très belle collection. Des ?uvres en grande partie de l'époque romantique, pour des musiciens de niveau intermédiaire à confirmé à la recherche de nouveautés. / Niveau : Intermédiaire à Avancé / Recueil / Violoncelle et Piano

For use in lessons or for your first concert performances - Easy Concert Pieces for Cello contains easy pieces from the Renaissance to the modern era which have been carefully selected according to technical and musical demands. This volume is a perfect addition to cello lessons. Along with arrangements of well-known pieces like Beethoven's Ode to Joy, there are also a lot of new pieces to discover. The accompanying CD contains recordings of all pieces. / Violoncelle Et Piano

In Cinq Morceaux Pour Piano. Par CHABRIER EMMANUEL. Format: New Edition portrait / Niveau : Facile / Recueil / Violoncelle et Piano