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Cello
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12 Pop Hits: Cello Solo: Instrumental Album
Cello
[Sheet music + Audio access]
Hal Leonard
Instrumental Play-Along-A dozen hot contemporary hits are included in this colle...
(+)
Instrumental Play-Along-A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. This volume in the Hal Leonard Instrumental Play-Along series contains arrangements for the Cello with online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Songs include: ?Believer? ?Can't Stop the Feeling? ?Despacito? ?It Ain't Me? ?Look What You Made Me Do? ?Million Reasons? ?Perfect? ?Send My Love (To Your New Lover)? ?Shape of You? ?Slow Hands? ?Too Good at Goodbyes? ?What About Us?.
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Pop Vol.1
Cello
[Sheet music + CD]
-
Easy
Schott
'Pop pour violoncelle' lance une nouvelle série de chaînes de caractères uniq...
(+)
'Pop pour violoncelle' lance une nouvelle série de chaînes de caractères uniques qui veulent également jouer de la pop et de chansons rock.Dans le tout premier groupe à être classiques à cordes réels comme 'Dust In The Wind' ou 'Against All Odds' et de conifères comme 'Somethin 'Stupid' et 'A Whiter Shade Of Pale' ou 'classique gaz' facile à jouer et sonnant à la grande pour le violoncelle présenté.Mais 'Still' et actuels succès pop comme l'énergique 'So What' de Pink et de l'hymne rock allemand de Jupiter VTOL donner le violoncelle à un début inouïe Ecosse dans le style pop.Le CD fourni contient toutes les chansons de la version complète et une version play-along pour pratiquer audition et vraiment amusant. Musique pour violoncelle est l'alternative idéale pour tout violoncelliste aux études classiques - dans la salle de classe et à la maison! / 1 Ou 2 Violoncelle(s) / 28 pages / niveau : Facile / Partition Cd
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Encanto for Cello (MIRANDA LIN-MANUEL)
Cello
[Sheet music + Audio access]
Hal Leonard
Instrumental Play-Along. Par MIRANDA LIN-MANUEL. Get ready to have a blast playi...
(+)
Instrumental Play-Along. Par MIRANDA LIN-MANUEL. Get ready to have a blast playing all the fun tunes from Disney's smash hit Encanto! These books feature instrumental solos with online recordings of both demonstration and professional backing tracks so you can practice and then take the lead and sound like a pro! Songs include: All of You · Colombia, Mi Encanto · Dos Oruguitas · The Family Madrigal · Surface Pressure · Waiting on a Miracle · We Don't Talk About Bruno · What Else Can I Do? Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-12/ Recueil / Violoncelle
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101 Most Beautiful Songs: Cello Solo: Instrumental Collection
Cello
Hal Leonard
Instrumentalists will love this jam-packed collection of 101 timeless pop hits a...
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Instrumentalists will love this jam-packed collection of 101 timeless pop hits and favorite standards: The Boxer · City of Stars · Daughters · Every Breath You Take · Gabriel's Oboe · Have I Told You Lately · Just Give Me a Reason · Love Me Tender · Michelle · Never Enough · Perfect · River Flows in You · She's Always a Woman · Strangers in the Night · Three Times a Lady · What a Wonderful World · Your Song · and more.
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Cello Position Handbook, Volume 1 (FEASTER HALLEY)
Cello
[Sheet music + Audio access]
Mel Bay
Par FEASTER HALLEY. New cello students nearly always start in first position aid...
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Par FEASTER HALLEY. New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy.In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player.Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting.On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video. / Date parution : 2022-06-08/ Etude / Violoncelle
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The Piano Guys: The Piano Guys - Christmas Together: Cello Solo: Instrumental
Cello
[Sheet music + Audio access]
-
Intermediate
Hal Leonard
Cello Play-Along Series Volume 9-The Cello Play-Along Series will help you play...
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Cello Play-Along Series Volume 9-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume lets you play along with the Piano Guys! It contains ten selections from the Piano Guys' 2017 holiday album with original backing tracks created and recorded by the Piano Guys. The backing tracks are included in the price of this book. Songs include O Holy Night/Ave Maria • Mary Did You Know?/Corelli Christmas Concerto • Ode to Joy to the World • What Child Is This • Gloria!/Hark! the Herald Angels Sing • O Little One Sweet• The Little Drummer Boy/Do You Hear What I Hear • Silent Night • The Manger and The Sweetest Gift.
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Claude Debussy: La flûte de Pan: Cello: Instrumental Work
Cello
CelloLid.com
'You know how Syrinx disregarded fiery Aphrodite and what price she paid for her...
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'You know how Syrinx disregarded fiery Aphrodite and what price she paid for her too great pride and love for virginity; how she turned into a plant with reedy growth substituted for her own when she had fled from Pan's love and how she still sings Pan's desire!' (Nonnus of Panopolis Dionysiaca book 16. Greek poet 5th cent.AD)Debussy's la fl te de Pan (better known as Syrinx) was originally written for flute. The characteristics of the cello capture and unfold what is distinctly French about this piece.
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First 50 Songs You Should Play on Cello: Cello Solo: Instrumental Album
Cello
-
Easy
Hal Leonard
A Must-Have Collection of Well-Known Songs Including Many Cello Features-If you...
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A Must-Have Collection of Well-Known Songs Including Many Cello Features-If you've been learning to play the cello for a little while you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs from pop hits and movie themes to folk songs and classical melodies several of which originally featured cello! Titles include: Air (Air on the G String) · All of Me · All You Need Is Love · Circle of Life · Fight Song · God Bless America® · Hallelujah · Hello · I Will Always Love You · Let It Go · Roar · Satin Doll · See You Again · Shake It Off · Shallow · Stand by Me · Summertime · The Swan (Le Cygne) · This Is Me · What a Wonderful World · andmore!
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Egon Sassmannshaus: Early Start 1: Cello: Instrumental Tutor
Cello
[Score]
Barenreiter
For more than three decades the ?Sassmannshaus Tradition? has been the household...
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For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.
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Egon Sassmannshaus: Early Start 3: Cello: Instrumental Tutor
Cello
[Score]
Barenreiter
For more than three decades the ?Sassmannshaus Tradition? has been the household...
(+)
For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.
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Egon Sassmannshaus: Early Start 2: Cello: Instrumental Tutor
Cello
[Score]
Barenreiter
For more than three decades the ?Sassmannshaus Tradition? has been the household...
(+)
For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?- The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.
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Egon Sassmannshaus: Early Start 4: Cello: Instrumental Tutor
Cello
[Score]
Barenreiter
For more than three decades the ?Sassmannshaus Tradition? has been the household...
(+)
For more than three decades the ?Sassmannshaus Tradition? has been the household name for excellence in beginner string methods in German-speaking countries.More than half a million students have successfully learned to play string instruments using this publication. The publication of the four Violin books in 2008 in a fully adapted English version has been a big success.On the back of this success story Bärenreiter has now published the four books for Cello in a newly adapted version for today?s English speaking children.What makes this Cello method so unique?The leading German Cello method now available in English.- Large print notes andtexts as well as many colourful illustrations are ideal for pre-school as well as school children.- Note reading is emphasised from the first lesson encouraging ensemble playing from the very beginning.- Songs and scales in different positions are easily mastered within the first year of playing to ensure that children are not confined to first position playing.- Advanced Cello techniques such as varied bow strokes and shifting are introduced in a basic form.
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Esa-Pekka Salonen: YTA III: Cello: Instrumental Work
Cello
[Partitions]
Chester
Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Kart...
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Esa-Pekka Salonen's YTA III for solo Cello. This work was written for Anssi Karttunen who gave the first performance at the Musiikin aika Festival Viitasaari Finland on 23rd July1987.'I began to work on the YTA series in 1982. The first piece was for solo alto flute the second for pianoand the third for cello. The title ‘Yta’ is a Swedish word meaning ‘surface’. I wanted to writeverydemanding virtuoso music where the surface is extremely busy but the formal process partly hiddenbehind the frenetic stream of fast gestures is considerably slower.I tried to imagine what happens to the famous moth thatcircles around a lamp in Skryabin’s Versla flamme after the wings have finally touched the flame. A series of gestures is introduced in thebeginning. Each gesture undergoes an individual development culminating in spasms beforedyingaway. YTA III is a study of the death of an organism; the music is violent and ugly.' - Esa-Pekka Salonen
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Favorite Christmas Hymns: Cello Solo: Instrumental Album
Cello
[Sheet music + Audio access]
Hal Leonard
Cello Play-Along Volume 11-The Cello Play-Along Series will help you play your f...
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Cello Play-Along Volume 11-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume includes 8 church favorites for the Christmas season: Hark! the Herald Angels Sing â?¢ It Came upon the Midnight Clear â?¢ O Come All Ye Faithful â?¢ O Come O Come Emmanuel â?¢ O Holy Night â?¢ Silent Night â?¢ We Three Kings of Orient Are â?¢ What Child Is This?
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Per Nørgård: Sonata No.3: Cello: Instrumental Work
Cello
Wilhelm Hansen
I - Lento II - Imposante III - Andante Programme Note In my early television rem...
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I - Lento II - Imposante III - Andante Programme Note In my early television remembrance I recall a broadcast with Samuel Beckett one of the fathers of the absurd play and drama. At one time Beckett looked the viewer (the camera) in the eye and said:'What! - is the Word'. I have not since been able to forget it obviously having borrowed this ambiguous sentence as title for this short cello sonata. The fact that it is conceived as a unity is obvious from the fact that the two outer movements are closely related. The long immediately recognizable melodic line which dominates the first movement appears in the third movement aswell first in an inverted version and then almost identical to its original appearance only shorter. In contrast the middle movement is a fast one constantly and intensely on the move with many changes of pulse and meters as well as large melodic leaps. And while the outer movements each are composed as a single melodic line the middle movement makes extensive use of the cello as a polyphonic instrument employing lots of chords double stops and flageolet effects. Per Nørgård (2010)
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Alan Haughton: Fun Club Cello - Grade 1 - 2: Cello: Instrumental Album
Cello
Kevin Mayhew
Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to re...
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Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to relax with and enjoy between exams. The lively tunes consolidate what has been learnt and move the pupil on to the next grade. The funky FREE CDs contain a demonstration ofeach track as well as an accompaniment. For Grade 1-2 Cello.Includes 11 fun pieces: Abracadabra Aria Danger zone Gold nugget boogie Home alone Missing you Partying Riffs Tango Argentine The snake charmer and The waltz.
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24 Caprices in all keys op. 35 (DOTZAUER JUSTUS JOHANN FRIEDRICH)
Cello
[Sheet music]
Schott
Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the sta...
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Par DOTZAUER JUSTUS JOHANN FRIEDRICH. Dotzauer études have been part of the standard repertoire in cello lessons for generations. Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good étude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. 24 Caprici in tutti tuoni Op. 35 (1816) is Dotzauer's masterpiece, wonderfully showing off the varied tone colours and playing techniques of the violoncello. Demanding études for lessons and performances, with beautiful melodic and harmonic ideas, some with slow expressive introductions, some with artistic arpeggios or contrapuntal polyphony. Our new edition follows the original sources and contains the original text. / Date parution : 2022-02-15/ Etude / Violoncelle
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Berklee Practice Method: Cello: Cello Solo: Instrumental Tutor
Cello
[Sheet music]
Berklee
Get Your Band Together-This is the first-ever method that teaches you how to pla...
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Get Your Band Together-This is the first-ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively – how to listen interact and respond improvise and become part of the groove. The book and play-along CD will help improve your timing technique and reading ability. Become the great player that everyone wants to have in their band!Lessons throughout the book guide you through technique that's specific to learning to play Cello in a contemporary ensemble complete with daily practice routines. The CD features outstanding Berklee players and covers a wide variety of styles: rock funk jazz blues swing and bossanova!
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Now Ii (PINTSCHER MATTHIAS)
Cello
-
Intermediate/advanced
Barenreiter
part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is th...
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part II of the cycle Profiles of Light. Par PINTSCHER MATTHIAS. 'Now II” is the second part of a triptych of chamber pieces entitled 'Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013). All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities. This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'. / Niveau : 5 / Répertoire / Violoncelle
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Alan Haughton: Fun Club Cello - Grade 2 - 3: Cello: Instrumental Album
Cello
Kevin Mayhew
Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to re...
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Chill-out pieces to enjoy between exams-Fun Club provides chill-out pieces to relax with and enjoy between exams. The lively tunes consolidate what has been learnt and move the pupil on to the next grade. The funky FREE CDs contain a demonstration ofeach track as well as an accompaniment. For Grade 2-3 Cello.Includes 11 fun pieces: Barney's boogie Celtic dance Chill out zone Creatures of the night Fish 'n' chips rag Groovy baby King Clown Seven seas hornpipe Stroll on Take a stroll and Tarantella.
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Oscar Hammerstein II Richard Rodgers: The Sound of Music: Cello Solo:
Cello
[Sheet music + Audio access]
-
Easy
Hal Leonard
Instrumental Play-Along-Nine songs from the world-famous film and stage musical ...
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Instrumental Play-Along-Nine songs from the world-famous film and stage musical have been carefully arranged for the Cello soloist complete with a set of full band backing tracks.With such familiar and memorable melodies as Edelweiss and My Favorite Things The Sound Of Music offers a world of music that you and you audience will love. What's more the specially recorded accompaniments will really transform your performance!
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Andrew Lloyd Webber: The Songs of Andrew Lloyd Webber: Cello Solo: Instrumental
Cello
[Sheet music]
Hal Leonard
Cello-40 of the most memorable songs composed by the inimitable Andrew Lloyd Web...
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Cello-40 of the most memorable songs composed by the inimitable Andrew Lloyd Webber are gathered in this value-packed instrumental solo collection. Songs include: 'All I Ask of You' 'Amigos Para Siempre (Friends for Life)' 'Any Dream Will Do' 'Don't Cry for Me Argentina' 'I Believe My Heart' 'I Don't Know How to Love Him' 'Love Changes Everything' 'Love Never Dies' 'Memory' 'No Matter What' 'The Phantom of the Opera' 'Pie Jesu' 'Starlight Express' 'Stick It to the Man' 'Tell Me on a Sunday' ''Til I Hear You Sing' 'Unexpected Song' 'Wishing You Were Somehow Here Again' 'With One Look' and many more.
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Songs from A Star Is Born and More Movie Musicals: Cello Solo: Instrumental
Cello
[Sheet music + Audio access]
Hal Leonard
Cello-Movie musical lovers will delight in this songbook chock full of top-notch...
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Cello-Movie musical lovers will delight in this songbook chock full of top-notch songs from blockbuster movies.Includes: Another Day of Sun and City of Stars from La La Land Mamma Mia from Mamma Mia: Here We Go Again I Dreamed a Dream from Les Mis?rables A Million Dreams and This Is Me from The Greatest Showman plus 5 songs from the 2018 hit movie A Star is Born featuring Lady Gaga and Bradley Cooper: Always Remember Us This Way I???ll Never Love Again Look What I Found Maybe It???s Time and Shallow.
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Doris Gazda: Progressive Trios For Strings: Cello: Score
Cello
[Sheet music]
Carl Fischer
These versatile trios are written so that they can be performed by any combinati...
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These versatile trios are written so that they can be performed by any combination of three string instruments. With books available for Violin Cello Viola and Bass there will always be an opportunity to play no matter what instruments are available!The arrangements and compositions by prominent string pedagogue Doris Gazda will sound full and satisfying with only three players all the way up to a full string orchestra. The music selection covers a wide variety of musical styles that will provide hours of enjoyment and performance options. There is even an arrangement of the 'Bridal Chorus' from the opera Lohengrin should you have the opportunity to play at awedding!The trios are progressively organized by level of difficulty to enable the performers to gradually advance in skill.
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Gabriel Fauré: Sonate Nr. 2 g-moll Opus 117: Cello: Instrumental Work
Cello
G. Henle
Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the fir...
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Sonata no. 2 in g minor op. 117 for Violoncello and Piano-In contrast to the first cello sonata (HN 1357) composed four years earlier this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the start. Friend and associate Vincent d???Indy wrote to Faur? the day after the premiere in May 1922: I would like to tell you how much I am still charmed by your so beautiful sonata. In it I found what is seemingly forgotten these days: music.??? It therefore comes as no surprise that the sonata rapidly found its way into the concert repertoire where it maintains an uncontested position to this today. The duo David Geringas and Markus Bellheim provided fingerings.
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Cheryl Frances-Hoad: Excelsus: Cello: Instrumental Work
Cello
Cadenza Music
Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a sui...
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Cheryl Frances-Hoad's Excelsus for solo Cello. 'Excelsus takes the form of a suite each movement being based on a passage from the Requiem mass text. Although I spent many hours refining my interpretation of the words the work is ultimately a more instinctive reaction to the evocative language of the excerpts. However my stance was always totally atheistic and this infiltrates everything from the mood through the disregard for the text’s order to the instrumentation (the use of a lone figure which I viewed as a musical equivalent to the ‘first person’ offending against the liturgical norms which areconcerned with people as a community). Musically the entire work is based on two themes one melodic (the Rex Tremendae or ‘King of Awful Majesty’ theme which is heard at the very opening) and one chordal (the Lux Aeternum (Light eternal) chords not revealed in their pure form until the pizzicato passage that concludes the suite). The order ofthe movements is as follows: Requiem Aeternum (Grant them eternal rest)Kyrie (Lord have mercy)Tuba Mirum (Hark the Trumpet)Sanctus (Holy holy)Dies Irae (Day of Wrath)Agnus Dei (Lamb of God)Quid Sum Miser (What shall I a wretch say then?)' - Cheryl Frances-Hoad
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John Tavener: Popule Meus - a Meditation (Solo Part): Cello: Part
Cello
[Part]
Chester
For solo Cello Timpani and Strings.Popule Meus was commissioned through the Ma...
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For solo Cello Timpani and Strings.Popule Meus was commissioned through the Magnum Opus project: Kathryn Gould founding patron and commissioner and Meet the Composer project manager.It was first performed on 6thFebruary 2010 by Yuri Hooker (cello) and the Winnipeg Symphony Orchestra conducted by Alexander Micklethwate. Composer's Notes 'Popule Meus is a meditation on the Judaic and Christian text ?O my People whathave I done to you?? but itis also a Universalist contemplation of the wholesale rejection of God by modern man. However much manrejects God he cannot escape Him and indeed he is condemned to the supernatural by his deiformnature. InHindu terms he is the Absolute Ayam Atma Brahma (The Self is the Absolute).In this work the solo cello is the All-Compassionate One while the timpani represent man in his vain andpointless rejection. Although the solocello and strings and the timpani share the same material (four ideas aregradually revealed and they revolve four times during the piece) the timpani music is violent and becomesincreasingly frenzied and contracted while thecello and strings remain still and serene.So even in winning the Darkness loses and even in losing the Light wins. Passion Resurrection andRedemption; or in Hindu terms Atma (The Absolute) alone is real Maya (The Relative) ismerely illusion.'
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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