Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

F-Dur. Par ZELENKA JAN DISMAS. Tonalité : F-Dur - Horn, Paul (Arr. ) - ZWV 163 #1 / Mottet / Répertoire / Choeur SATB et Basse Continue

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Aus: Israelsbrünnlein. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB et Basse Continue

Canticum Zachariae. Par ZELENKA JAN DISMAS. Tonalité : g-Moll - Kohlhase, Thomas (Arr. ) - ZWV 206/ Répertoire / Choeur SATB et Basse Continue

g-Moll. Par ZELENKA JAN DISMAS. Tonalité : g-Moll - Horn, Paul (Arr. ) - ZWV 128 #4 / Hymnes et chorals / Répertoire / Choeur SATB et Basse Continue

Tonalité : D-Dur - Horn, Paul (Arr.) - Zwv 207. Par ZELENKA JAN DISMAS. Verwendung / Anlässe: L Hautbois und Dank - Verwendung / Kirchenjahr: Ostern und nachösterliche Freudenzeit - Langue : Latin/ Répertoire / Choeur SATB et Basse Continue

über 'Wo Gott zum Haus nicht gibt sein Gunst'. Par WALTHER JOHANN GOTTFRIED. Johann Gottfried Walther nimmt unter den Orgel-Komponisten der ersten Hälfte des 18. Jahrhunderts neben Bach eine Spitzenposition ein. Nahezu unbekannt ist bis heute, dass der Weimarer Stadtorganist und Bach-Verwandte auch zahlreiche Vokal-Kompositionen geschaffen hat. In seiner bei Mattheson 1740 veröffentlichten Autobiographie ist von 92 Vokal- Stücken die Rede. In den Archiven ist uns aber nur eine einzige vollständig erhaltene Chor-Komposition überliefert, die aus Anlass der 250. Wiederkehr des Todestages Walthers im Jahre 1998 dank der Initiative des derzeitigen Weimarer Stadtkantors Ernst Salewski beim Carus-Verlag als Erstveröffentlichung erscheint. DasVier-Minuten-Stück für vierstimmigen gemischten Chor und Orgel-Continuo ist kontrapunktisch gearbeitet und von mittlerer Schwierigkeit. / Messe / Répertoire / Choeur SATB et Basse Continue

Par BUXTEHUDE DIETRICH. In the tradition of Protestant missa brevis compositions, the music of this Mass was written in the so-called stile antico” following 16th-century models and known as Palestrina style. The surviving copy, in the Düben Collection, dates from 1675. Buxtehude adopted the strict form of the “stile antico, ” contrapuntal polyphony without instrumental accompaniment for various compositions of the same period, including Mit Fried und Freud ich fahr dahin BuxWV 76, written on the death of his father. The Missa brevis consists of the Kyrie and Gloria of the Ordinarium, so it is a “Lutheran Mass”; in 17th-century Protestant services these sections of the Mass were sung in Latin. / Messe / Répertoire / Choeur SSATB et Basse Continue

Aus: Sub Tuum Praesidium. Par ZELENKA JAN DISMAS. Tonalité : d-Moll - Horn, Wolfgang (Arr. ) - ZWV 157 #3 / Hymnes et chorals / Répertoire / Choeur SATB et Basse Continue

Geistliches Konzert Aus 'Liebliche Krafft-Blümlein'. Par SCHEIDT SAMUEL. Tonalité : dorisch - / Hymnes et chorals / Répertoire / Choeur SATB et Basse Continue

Tonalité : G-Dur -. Par SCHEIDT SAMUEL. Gattungen: Kirchenlieder, Sätze - Verwendung / Kirchenjahr: Wei cor achten - Langue : Allemand / Hymnes et chorals / Répertoire / Choeur SATB et Basse Continue