Uses: General Advent Revival Praise Team YouthScripture: Acts 1:11; John 14:1-4; Jude 1:14; Revelation 16:15This contemporary praise anthem celebrates the joyful anticipation of Christ's return.Enlivened by a high-energy syncopated theme this festive acclamation soars with a memorable chorus and an uplifting text. The final ostinato is a great moment mixing traditional choral techniques with a purely modern musicalvernacular. The results are stunning and a fitting finale to a truly praise-worthy new worship song. Available separately: SATB StudioTrax CD Orchestration CD-rom (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn1&2 Trumpet 1-3 Trombone 1-3 Tuba Violin 1&2 Viola Cello and Double Bass). Duration: ca. 4:27.

Judith Clurman Rejoice: Honoring the Jewish Spirit Choral Series-This beautiful and simple melody by Broadway superstar arranger Larry Hochman for SATB choir or unison choir or solo is the perfect ending to a worship service or concert. It can be sung a cappella or with the optionalClarinet Violin Viola and Cello accompaniment or with only the Clarinet. Each version is equally effective and beautiful.

Uses: GeneralScripture: Numbers 12:6; Philippians 3:7A time-honored hymn speaks anew in this lyrical setting beautifully decorated in a Celtic style. The poetic imagery of this hopeful text is wellsuited to the sensitive choral writing and the addition of the instrumental consort completes the package. Available separately: SATB Digital parts (oboe violin cello). Duration: ca. 3:53.

Uses: General Church Anniversary ReformationScripture: Isaiah 43:2; Deuteronomy 31:8The confident acknowledgement of God's promise of restoration brings power and conviction to this original anthem.This inspiring piece was written as a special commission for a congregation that had lost their church building to a fire. Solid choral writing supports this promise: “You will be My people I will be your Rock! You will beMy church forever. I will be your God!” Available separately: SATB Orchestration (Score & Parts for Flt 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Tpt 1 Tpt 2&3 Tbone 1&2 Bass Tbone/Tuba Timp Perc 1&2 bass drums Harp Piano Vln 1&2 Viola Cello Double Bass) StudioTrax CD. Duration: ca. 4:14.

Uses: Holy Week Maundy ThursdayScripture: Matthew 26:36-46 Luke 22:39-44 Mark 14:32-41The shadows of Gethsemane are poignantly portrayed in this new choral for Holy Week. With deep sadness theanthem delivers the Savior's anguished prayers and is a bittersweet reminder of the precious gift of grace. Moving! SATB with opt. cello. Duration: ca. 4:03.

Uses: General Concert FestivalScripture: Isaiah 6:3; Revelation 4:8-11; Philippians 2:11Carl Czerny is known primarily for his piano music and for his instruction by Beethoven. Now for the firsttime in print we present one of his important choral works of this notable classical composer. Soaring in glorious harmony this hidden gem deserves to be heard. Choirs of distinction will welcome this powerfully effectiveaddition to their repertoire. Available separately: SATB Orchestration CD-rom (Score & parts for 2 Oboes 2 Bassoons 2 Trumpets in C Bass Trombone Timpani 2 Violins Viola Cello and Double Bass). Duration: ca. 5:20.

Judith Clurman Choral Series-This cycle of three psalms captures key ritual moments in the Jewish life cycle. Birth marriage and death are the powerful milestones that frame our existence. Composed by Bruce L. Ruben Director of the Debbie Friedman Schoolof Sacred Music at Hebrew Union College and arranged by Broadway composer and arranger Larry Hochman this setting of the Psalms for SATB Choir Solo Piano Clarinet Violin and Cello works equally well in worship or concert.Baruch Haba (Psalm 118); Adonai Maon (Psalm 90); Ivdu Adonai (Psalm 100).

from All Is Well-Uses: Advent Christmas MarianScripture: Genesis 3:15; Luke 1:26-56; Luke 2An apex of contemporary sacred music this popular solo now made choral probes the emotions and sentiments felt by Mary asshe ponders the events surrounding the birth of Jesus. Heart-felt and filled with gentle beauty this sensitively arranged octavo rises and falls like a prayer. Ideal for Marian emphasis or Advent services this soliloquy of gracewill become a favorite with your singers. Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & parts for Flute 1 & 2 Oboe Clarinet Horn 1 & 2 Harp Piano Synth Elec. Bass Percussion Violin 1 & 2 Viola Cello). Duration: ca. 4:55.

Uses: Christmas FestivalScripture: Luke 2:13-14A choral “tour de force ” this energizing octavo is an explosion of sound complete with a scintillating piano accompaniment and vocalpyrotechnics that will bring out the best in your group. This glorious original creation is perfect for large-scale Christmas pageants or for multi-choir festivals. The tasty orchestration is the perfect adornment for what is sureto be a best-selling standard for the holidays. Available separately: SATB StudioTrax CD Orchestration CD-rom (Score & parts for Violin 1&2 Viola Cello Double Bass Orchestra Bells Chimes). Duration: ca. 3:20.

Annelies is the first adaptation of the diary of Annelies ‘Anne’ Frank into a large-scale Choral work. It brings to life the diary written by Frank between 1942 and 1944 when she and her family lived in hidingat the back of an Amsterdam warehouse.This score and parts is for Kyrie the eighth movement from Annelies and is composed for SATB chorus Violin Cello and Piano.

An inspired contemporary call to worship as recorded by Paul Baloche from his album A Greater Song this choral setting based on Psalm 63 provides a meaningful worship experience for congregation and singers. The profoundtext and driving rhythms vividly express the power of God's love and grace in our lives and reminds us that we are forever changed because of God's love.Available separately: SATB and SAB. Instrumental ePak includes score andparts for Violin 1 Violin 2 Viola Cello Guitar Bass Drums and String Reduction (Synthesizer). ChoirTrax CD also avialable. Performance Time: Approx. 2:45

A Choral Collection-Created by Geron Davis this collection will serve many needs in your local church with its songs of praise and worship of adoration and humility of the Lamb's suffering and death for our sins and of thanksgiving for God'sgoodness and mercy. Songs include:Jesus You Are Welcome We Serve A Mighty God/Mighty God We Serve We've Come to Worship We Sing Worthy King of Kings Lord of Lords All of the Glory Let the Words of My Mouth PerfectPeace Nothing Less Than Holiness When Anyone Looks at Me Holy is the Lamb Lamb of God I Worship You It Took a Lamb Thank you Lord. Orchestration includes score and parts for Flute 1-2 Oboe English Horn (Clarinet sub) Trumpet 1-4 Horn 1-4 (Alto Sax sub) Alto Sax Tenor Sax Trombone 1-2 (Tenor Sax sub/Baritone T.C. sub) Violin 1-2 Viola (Clarinet sub) Cello Bass (Bass Clarinet sub) Percussion String Synthesizer Rhythm. Instrumentationvaries. SATB Cassette Accompaniment Trax (Split and Stereo) CD Accompaniment Trax (Split and Stereo) Orchestration Preview Pack (CD) CD 10-Pack are also available.

Beautiful choral textures and clean musical lines give special appeal to this treasured folksong setting. The optional cello adds richness!Available separately: SATB SAB and SSA. Performance Time: Approx. 3:05.

Svyati - 'O Holy One' for choir and solo cello. Text in church Slavonic. Quoting Tavener: 'I began to write Svyati in early 1995: while sketching it I learned that John Williams father of Jane my dear friend andpublisher was dying. I could not refrain from dedicating it to Jane and to the memory of her father. The text is in Church Slavonic and it is used at almost every Russian Orthodox service perhaps most poignantly afterthe congregation have kissed the body in an open coffin at an Orthodox funeral. The choir sings as the coffin is closed and borne out of the church followed by the mourners with lighted candles. The cello represents the Priest orIkon of Christ and should play at a distance from the choir perhaps at the opposite end of the building. As is Greek drama choir and priest are in dialogue with each other. Since the cello represents the Ikon of Christ it mustbe played without any sentiment of a Western character but should derive from the chanting of the Eastern Orthodox Church.