SKU: PE.EP73397
ISBN 9790577018706. 190 x 272mm inches. English.
SKU: HL.14047788
8.25x11.75 inches.
It Is Finished is a work for SSATBarB Choir and Soprano Saxophone, composed by John Harle . This is the Vocal Score. The piece was commissioned by Sam Corkin and Siglo de Oro, with the first performance taking place at The Victoria International Festival of Music, Malta on 11th July 2015. The biblical texts are from John 19/30 and Isaiah 53. A separate Saxophone part is available.
SKU: SU.80101441
I Have Seen the Lord (2006) was commissioned by the Episcopal Diocese of California for the installation of the Rt. Rev. Marc Handley Andrus as the eighth Bishop of California. It is a setting of the encounter at the empty tomb between Mary Magdalene and the risen Jesus, ending with festive Alleluias. Instrumentation: SATB, Alto Saxophone, Organ Duration: 2006 Composed: 4'30 Published by: Zimbel Press.
SKU: BA.BA11309
ISBN 9790006577705. 27 x 19 cm inches. Text Language: English.
It is a small music history sensation: Thanks to Yves Grard an unknown and unpublished manuscript penned by Camille Saint-Saëns has been unearthed in the Mdiathèque Jean Renoir in Dieppe in France.It is the top four instrumental parts which make this manuscript something of a sensation. Placed under each other are â??Saxophone Soprano en Si bâ?, â??Saxophone Alto en Mi bâ?, â??Saxophone Tnor en Si bâ? and â??Saxophone Baryton en Mi bâ?, strings, soprano solo with chorus and organ. Musical history has hitherto credited Jean-Baptiste Singele (1812â??1875) with having written the first saxophone quartet, his opus 53, which he completed in 1857. Now this historiography clearly has to be revised. The date 1854 has been found under the first page of the treasure from Dieppe, which is pasted over and also sewn, meaning that Saint-Saënsâ?? work was written three years earlier than that of Singele.In contrast to Singele, Saint-Saëns does not have the wind instruments taking solo parts but rather uses their tonal colour to depict textual moods and nuances. On the one hand the saxophones accompany the choral parts (certainly singable by amateurs) and support the human voices in fugal passages. On the other hand, they take the melody in the purely orchestral passages.Saint-Saëns wrote the motet in the period when he had taken up his first permanent appointment as organist at the Church of Saint-Merri in Paris. He revised the work several times over the decades, changing the motifs at the beginning, correcting obvious mistakes, reworking the ending, eventually changing the instrumentation several times and even â?? probably in the final stage â?? replacing the Latin text with an English one. Today, three-and-a-half versions have been handed down, one of them stopping after just a few pages. The compositional steps have been successfully reconstructed by means of detailed detective work. Furthermore, the first saxophone version (BA 11305) and the last English piano version (BA 11309) have been edited to produce a scholarly-critical edition.The present edition of the English version for soprano solo, choir and piano (BA 11309) serves both as a full score and as a vocal score due to the instrumentation.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: OU.9780193412507
ISBN 9780193412507. 12 x 8 inches.
This work sets late texts by Friederich Holderlin. The fragmentary poems have been edited together to create the text. Gedachtnis-Hymne was premiered in November 2010 by the New London Chamber Choir with the Rasher Saxophone Quartet.
About Oxford New Horizons
New Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: OU.9780193412729
ISBN 9780193412729. 12 x 8 inches.
For SATB, piano, and optional saxophone, bass, and drum kit Ophelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.
SKU: SU.50025000
Published by: Seesaw Music.
SKU: GI.WW1610
UPC: 785147004264.
This stunning composition uses the idea of the Igbo word Amara which means grace. The idea of this work is to breathe together - to be aware of others and how we fit together in this world. Highly artistic, moving, and quite challenging. The addition of an improvised saxophone adds an even greater level of artistry. Recording Choir: Missouri State University Chorale, Cameron F. LaBarr, conductor Bb Saxophone Part Eb Saxophone Part  .
SKU: BA.BA11305-90
ISBN 9790006567034. 27 x 19 cm inches. Text Language: Latin. Preface: Stahl, Christina M.
Psalm 137 Super flumina Babylonis also known as By the rivers of Babylon was an inspiration for many composers including Camille Saint-Saëns. He repeatedly occupied himself with his psalm motet for solo soprano, mixed choir, saxophone quartet, string orchestra and organ, originally composed in 1854. Two of the four versions â?? the first version in Latin and a much later version in English for alto solo, SATB choir and piano â?? are now available for the first time in Urtext performing editions taking a meticulous account of all the sources.Saint-Saëns lived up to his reputation as an innovative composer by exploring the use of the saxophone family in sacred music just a few years after the invention of these instruments. The successful combination of voice and saxophone creates a special sound experience.
SKU: CA.2800503
ISBN 9790007170622. Text language: Latin.
The Latin text of the mass is venerable, universal, and unites people. For the German Protestant Church Congress 2015, this ancient text was set in contemporary style by Tilman Jager under the title Missa Pacis. Impressive sounds, mystic-meditative moods, Latin American rhythms, catchy melodies and a Dona nobis pacem for everyone to join in combine in the Missa Pacis to form a convincing whole. The hour-long composition is scored for 4-8 part chorus with optional soloists and accompanying band. The work is generally tonal, but offers a breadth of different styles ranging from classical choral-symphonic to rhythmic choral movements with influences from gospel, jazz, and pop. Parts for the accompanying band are fully written out. In some sections of the mass the instrumentalists can also improvise. Score available separately - see item CA.2800500.
SKU: OU.9780193371637
ISBN 9780193371637. 12 x 8 inches.
SKU: BT.MUSM570363612
English.
Commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the composer, at the Spitalfields Music Summer Festival, Shoreditch Church, London, on 13th June 2011. Text by Gerrard Winstanley, Ensemble consists of: Clarinet in Bb Alto Saxophone (doubling Soprano Saxophone) Tenor Saxophone Bass Clarinet Violin Viola Double Bass Amplified Guitar Piano .
SKU: CA.2800600
ISBN 9790007171346. Language: Latin.
The title Pastoral Mass originated from my children's song Shepherd Song, as this melody is played by the saxophone at the beginning of the work. The sound of this instrument is reminiscent of a traditional Lithuanian folk instrument known as a birbyne, played by shepherds in the country. The character of the music varies between popular and Romantic styles, and the text is taken from the traditional Latin mass in six movements. At certain points, the instruments are able to improvise freely - this is predetermined by the conductor and soloists. The soprano saxophone part can also be played on any other woodwind instrument with an appropriate range. (Vytautas Miskinis).
SKU: GH.SK-247
ISBN 9790070014854. 185 x 262 mm inches.
SKU: CA.2800605
ISBN 9790007182878. Language: Latin.
The title Pastoral Mass originated from my children's song Shepherd Song, as this melody is played by the saxophone at the beginning of the work. The sound of this instrument is reminiscent of a traditional Lithuanian folk instrument known as a birbyne, played by shepherds in the country. The character of the music varies between popular and Romantic styles, and the text is taken from the traditional Latin mass in six movements. At certain points, the instruments are able to improvise freely - this is predetermined by the conductor and soloists. The soprano saxophone part can also be played on any other woodwind instrument with an appropriate range. (Vytautas Miskinis). Score available separately - see item CA.2800600.
SKU: CA.928421
ISBN 9790007302146. German.
Dû bist mîn is probably the best-known love song written in old German that has survived from the Middle Ages. It is often attributed to the famous poet Walther von der Vogelweide, who died around 1230. Unfortunately, the original 12th-century melody to which these verses were possibly has not been handed down. In his setting, Wolfgang König (*1947) delightfully interweaves the sounds of the medieval period with 21st-century music. Parallel fifths are juxtaposed with major-minor harmonies and saxophone solos embellish the choral movements that are also supported by a simple piano accompaniment. The choir consists of six voices divided into two groups. The antiphonal calls between the male and female singers mirror the love song's text: “Dû bist min, ich bin dîn: des solt dû gewis sîn†(You are mine; I am thine; of this you can be sure).
SKU: GH.SK-590
ISBN 9790070017077. 185 x 262 mm inches.
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