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Choral SSAA
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ENS::Ensemble (18)
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Timpani (17)
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Musical dictation (12)
Clavier ou Orgue Electronique (12)
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Choral CD (12)
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Lyrics only (10)
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Piano 2 Et 4 Mains (7)
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Ocarina (7)
Xylophone, Piano (7)
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Joseph M. Martin: Goin' to the Holy City: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Begi...
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Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.
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Carole Bayer Sager Melissa Manchester: Come in from the Rain: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
This 1970s pop hit translates beautifully into a lush and deeply felt a cappella...
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This 1970s pop hit translates beautifully into a lush and deeply felt a cappella ballad. Perfect for graduation end-of-the-year programming or a special concert feature you will want to perform it again and again!
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Didn't It Rain: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Goodmusic Publishing
Michael Neaum's Didn't It Rain for SSAA Choir with Piano accompaniment.
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Rosephanye Powell: Ascribe To The Lord: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Gentry Publications
Rosephanye Powell is known for her ability to bring earthy rhythmic ostinato pa...
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Rosephanye Powell is known for her ability to bring earthy rhythmic ostinato patterns to a classical level and she has done it again with this one. Commissioned and composed for the National Women's Honor Choir for the ACDANational Convention 2003 this choral is destined for a long life. Relentless energy underscores the Psalm text of praise that makes this a fitting choral for both church and school.
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Hugh Charles Ross Parker Vera Lynn: We'll Meet Again (Novello Ladies'
Choral SSAA
SSAA
[Sheet music]
Novello & Co Ltd.
We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 19...
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We'll Meet Again is a bittersweet ballad originally sung by Dame Vera Lynn in 1939. Its optimism and hopefulness for love in the face of separation made it a famous song of the Second World War but it's universality still resonates with lovers today. Arranged for SSAA. A series of outstanding songs taken from the best-selling Close Harmony Ladies' Barbershop Songbook selected for their appropriateness for female singers arranged for close-harmony quartets or women's choirs. This beautiful tune is a masterful love song and it will sound simply stunning sung by a Ladies' Barbershop in this fantastic arrangement.The themes of love and loss are underlined by optimism meaning a choral performance of this would not leave a dry eye in the audience.Nicholas Hare’s beautifully crafted arrangements for SSAA are suitable for anything from four to four hundred singers. He has added helpful performance notes for each of the songs and the arrangements are notated on two stave for easy Piano rehearsal.
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Otis Redding Steve Cropper: (Sittin'on) The dock of the bay: Upper Voices a
Choral SSAA
SSAA A Cappella
-
Easy
Hal Leonard
Otis Redding's classic ballad was a huge hit in 1968 and still remains popular t...
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Otis Redding's classic ballad was a huge hit in 1968 and still remains popular to this day. A soulful and lazy song that manages to be both uplifting and moving and exemplifies Redding's prestigious talent.This wonderful arrangement by Mac Huff is for an unaccompanied SSAA upper voice choir. A pleasing and effective setting faithful to the original with easy-going vocal harmonies.
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Brian Wilson Mike Love: Little Saint Nick: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Barbershop Harmony Society
You'll have 4-part a cappella harmony fun with this barbershop arrangement of th...
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You'll have 4-part a cappella harmony fun with this barbershop arrangement of the Beach Boys classic song!
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Antonio Vivaldi: Gloria RV 589 - SSAA: SSAA: Score
Choral SSAA
SSAA
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
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The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice.Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The?Kyrie? RV 587 (BA 8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.- Effective arrangements for female choir- Forewords in English and German- Straightforward idiomatic piano reductions- Kyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Ola Gjeilo: Ubi Caritas: SSAA: Vocal Score
Choral SSAA
SSAA
Walton Music
for SSAA Chorus a cappella-Now available for treble choirs this readily accessi...
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for SSAA Chorus a cappella-Now available for treble choirs this readily accessible setting sounds at once modern and medieval. Starting in unison and evoking plain chant it gradually unfolds into wider harmonies and more modern harmonic language.
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Antonio Vivaldi: Gloria RV 589 - SSAA: Upper Voices: Vocal Score
Choral SSAA
[Sheet music]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Antonio Vivaldi: Kyrie RV 587 - SSAA: Mixed Choir: Vocal Score
Choral SSAA
[VHS]
Barenreiter
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one ...
(+)
The ?Gloria? RV 589 is one of Vivaldi?s most popular compositions today and one of the most regularly performed sacred vocal works from the Baroque era. The work was in all probability composed around 1716 during Vivaldi?s time at the Ospedale della Piet an orphanage for girls in Venice. Although Vivaldi?s ?Gloria? (BA 8953) was written for solo voices and mixed choir it is likely that it was performed at the girls? orphanage with female voices only. Taking this into account Malcolm Bruno?s careful arrangement for choir SSAA is of some relevance. The work when set for female voices or children?s choir remains a true masterpiece.The ?Kyrie? RV 587 (BA8954)for two choirs and two string ensembles as arranged here for female choir displays its own charm. It can be performed together with the Gloria as a type of short mass.Both arrangements are based on the recently published Urtext editions of these works. The piano reductions by editor Malcolm Bruno are easy to play and preserve the character of the works.Effective arrangements for female choirForewords in English and GermanStraightforward idiomatic piano reductionsKyrie and Gloria can be combined for performanceThe orchestral parts for the original SATB version can be used for the performance of these arrangements.
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Joni Jensen: Unsung Saint: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Mark Foster Music
Joni Jensen Choral Series-As the inscription on the statue that greets you as yo...
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Joni Jensen Choral Series-As the inscription on the statue that greets you as you enter Texas Woman's University this message is powerful and empowering. The primary octavo is for SSAA choir piano and percussion but there is an alternate full score and parts for string quartet and percussion. Singing of making a path in a pathless wilderness and pressing forward with unswerving courage this song addresses the strength of women and their ability to conquer adversity in ways that only they can.
14.95 GBP - Sold by Musicroom UK
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David Bednall: Let all the world in every corner sing: SSAA: Vocal Score
Choral SSAA
SSAA, Organ
Boosey and Hawkes
Let all the world in every corner sing was commissioned by Colston?s Girls? Scho...
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Let all the world in every corner sing was commissioned by Colston?s Girls? School in Bristol for the Chamber Choir and their Director of Music Matthew Redman and was written in August 2008 for the service to mark the school?s acquisition of Academy status. It is a tour-de-force for upper voices ? the organ introduction leads to a tapestry of rich variety climaxing with the choir splitting into four parts for the antiphonal cries against the full organ. The music is highly rhythmic throughout its time changes dictated by the rhythm and stress of the text. An exciting addition to the intermediate upper voice choir repertoire.
3.25 GBP - Sold by Musicroom UK
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Peaceful Was The Night (MCCARTHY JAMES)
Choral SSAA
SSAA A Cappella
Stainer and Bell
Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milt...
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Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella
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Felix Mendelssohn Bartholdy: Midsummer Night's Dream: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
Novello & Co Ltd.
Mendelssohn’s A Midsummer Night’s Dream incidental music to the pl...
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Mendelssohn’s A Midsummer Night’s Dream incidental music to the play by Shakespeare is best known for the famous Wedding March though the work contains an array of beautiful music. The instrumental movements are frequently performed as an Orchestral suite or as stand-alone pieces.The Overture was composed when Mendelssohn was just seventeen years old written as a concert overture. Then when King Frederick William IV of Prussia commissioned the adult Mendelssohn to create incidental music for the whole of the play in 1842 Mendelssohn incorporated the Overture and its themes repeatedly throughout the work. Mendelssohn particularly loved Shakespeare’s Midsummer Night’sDream having read it with his sister from childhood. His incidental music for the play ranks among the best of its genre skillfully generating the spirit of each of the characters establishing ambiences for the various scenes and complementing Shakespeare’s own drama.
14.99 GBP - Sold by Musicroom UK
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John Høybye Tom Kristensen: The Slow Spring: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
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Intermediate
Wilhelm Hansen
The new 2018 Edition of John Høybye's The Slow Spring from 1977. Dedicated to T...
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The new 2018 Edition of John Høybye's The Slow Spring from 1977. Dedicated to Thomas Morley in memory of his beautifuland optimistic madrigal “Now is the Month of Maying” The Slow Spring is a short and unusual choral setting of the writing of Tom Kristensen impatiently yearning for the coming of Spring. Kristensen's evocative and stirring poetry translated to English by Martin Allwood are employed as both song and accompaniment as the choral group is split into two factions. An set of SATB soloists are set against an SSAA chorus to provide a compelling variety of textures and the plosivepossibilities of the words themselves are fully explored with whispers held vowels and dramatic percussive consonants.
8.99 GBP - Sold by Musicroom UK
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Bellas Back to Basics: Upper Voices a Cappella: Vocal Score
Choral SSAA
[Vocal Score]
Hal Leonard
from Pitch Perfect 2-The Bellas have lost their sound and to find it again they...
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from Pitch Perfect 2-The Bellas have lost their sound and to find it again they sing this medley of some of the greatest and most iconic women's harmony groups from the past from the Andrew's Sisters to En Vogue.Songs include: 'My Lovin' (You'Re Never Gonna Get)' 'Lady Marmalade' 'Boogie Woogie Bugle Boy' and 'You Can't Hurry Love'.
13.75 GBP - Sold by Musicroom UK
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Von Schiffen, Meer und Wind (SCHONHERR CHRISTOPH)
Choral SSAA
Carus Verlag
Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christ...
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Five choral songs. Par SCHONHERR CHRISTOPH. Since his earliest childhood, Christoph Schönherr has been fascinated by all things nautical. His cycle Von Schiffen, Meer und Wind (Of Ships, Sea and Wind) brings together verses by different poets that explore the sea in its various guises. The work's selected poems describe the vast ocean that can fill us with a deep sense of tranquility, but can also bring mortal danger with its storms and destructive waves. Boats, and especially sailing ships, are often associated with freedom, a sense of weightlessness, and security. But if we are caught in a storm at sea, we suddenly find ourselves at the mercy of nature. We are made painfully aware of our own insignificance in the greater scheme of things.According to the composer and passionate sailor: ?In the five choral songs I attempt to characterize the atmosphere of the texts and the emotions they contain. My experiences at sea, for example in storms or when simply contemplating the motionless water, guided me in my search for a suitable means of musical expression.? / Date parution : 2023-06-01/ Répertoire / SSAA
14.90 EUR - Sold by LMI-partitions
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Love Is Come Again: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
[Sheet music]
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Intermediate
Novello & Co Ltd.
Music from an old French Noel with text by the Canon JMC Crum. Written for the ...
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Music from an old French Noel with text by the Canon JMC Crum. Written for the upper voices with a Piano part provided for rehearsal purposes.
3.25 GBP - Sold by Musicroom UK
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Will Jennings: My heart will go on: SSAA: Vocal Score
Choral SSAA
SSAA A Cappella
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Intermediate
Hal Leonard
The popular love theme from the hit movie Titanic originally recorded by Celine...
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The popular love theme from the hit movie Titanic originally recorded by Celine Dion in an exquisite setting by Kirby Shaw. The essence of this very moving emotional ballad with its haunting melody and tender lyrics is beautifully captured with word painting and lush harmonies. Guaranteed to create a moment of sheer magic in your concert.
2.99 GBP - Sold by Musicroom UK
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Aint No Windin In The Road
Choral SSAA
SSAA A Cappella
Alfred Publishing
An earnest soloist is accompanied by the soulful 'oo?s of an a cappella choir du...
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An earnest soloist is accompanied by the soulful 'oo?s of an a cappella choir during the expressive introduction to this spirited original. Soon we take a turn as the piece bursts into an exciting, rhythmic, and polyphonic tour de force. Thrilling in all voicings! / Choeur SSAA A Cappella
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Noel Regney Gloria Shayne: Do You Hear What I Hear: Upper Voices and Accomp.:
Choral SSAA
[Vocal Score]
Brookfield Press
This Christmas standard is one of the most recorded holiday songs of our time. T...
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This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.
11.25 GBP - Sold by Musicroom UK
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Zoltán Kodály: Mountain Nights: SSAA: Vocal Score
Choral SSAA
Boosey and Hawkes
Five songs without words-Mountain Nights is a wonderful song without words for S...
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Five songs without words-Mountain Nights is a wonderful song without words for SSA choir a cappella. The title is explained by the music and expresses the composer's deep love for the mountains. 'Mountains' he said 'have their own songs'.
9.99 GBP - Sold by Musicroom UK
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I'M Always Chasing Rainbows. Ssaa Acc. (SHAW KIRBY)
Choral SSAA
[Sheet music]
Hal Leonard
Arrangement: Shaw Kirby. Par SHAW KIRBY. This whimsical gem for treble choirs wi...
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Arrangement: Shaw Kirby. Par SHAW KIRBY. This whimsical gem for treble choirs will captivate your audiences. Kirby's exquisite arrangement of this classic song lets each section blossom with a turn at the melody. / Feuillet / Choeur (Unisson), Voix Hautes et Voix Egales
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Pater Noster
Choral SSAA
SSAA A Cappella
Schott
Above the central prayer of Christianity, the composition with its dense sounds ...
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Above the central prayer of Christianity, the composition with its dense sounds and atmospheric colours develops a mood of profound awe and self-contained strength. An expressive composition of our new composer Pascal Martiné - personally recommended by the editors of your choral department! / Choeur SSAA A Cappella
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Stephen Main: The Darkest Midnight in December: Upper Voices a Cappella: Vocal
Choral SSAA
Walton Music
Now in a setting for women's voices this haunting and beautiful beloved Christm...
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Now in a setting for women's voices this haunting and beautiful beloved Christmas song will be an excellent choice for your holiday program! An added separate harp part offers an alternative to either celesta or piano accompaniment. For high school college church and community choirs. Also available for SATB divisi. Duration: ca. 2:50.
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Thomas Morley: What Saith My Dainty Darling: SSAA: Vocal Score
Choral SSAA
Novello & Co Ltd.
What Saith My Dainty Darling
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Pawel Lukaszewski: O Radix Jesse: SSAA: Vocal Score
Choral SSAA
[Partitions]
Chester
O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccom...
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O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccompanied SSAA Chorus with divisions. Pawe ukaszewski is part of a younger generation of Polishcomposers who specialise in sacred and choral music. After studying composition and receiving two Ph.Ds ? ukaszewski's work has been performed throughout Europe and the rest of the world. Thiscomposition ?O Radix Jesse is a setting of the Magnificant antiphons used in Christian advent and Catholic Mass.? The haunting harmonies created by the unaccompanied chorus inthis composition are sure to remain with audiences for a long time having been intricately crafted by this master of spiritual music. Please note that the lyrics are inLatin. David Lindley in the September 2015 issue of the Organists' Review writes that? ukaszewski's music 'is often compared to that of Górecki Pärt and John Tavener and this piece manifests thefamily resemblance.'
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Shop Around: SSAA: Vocal Score
Choral SSAA
[Vocal Score]
Shawnee Press
Smokey Robinson and Berry Gordy joined forces to pen this pop hit which was a ch...
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Smokey Robinson and Berry Gordy joined forces to pen this pop hit which was a chart topper for The Miracles in the '60s and Captain and Tennille in the '70s. Paul Langford gives his arrangement a fresh update with non-stop energy and jazz-infused chords that fill this hot chart. Shop Around will knock your audience out! Available separately: SATB SSA Digital Instrument Pack (trumpet 1 2: a.sax: t.sax: b.sax: trombone 1 2: bass: drums guitar/rhythm). Duration: ca. 3:05.
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