Now in a new SSAA voicing this bestselling suite of three short a cappella jazz arrangements is a fabulous find for the holidays. Ding Dong! Merrily on High! Jingle Bells and Jazzy Bells have been creatively arranged in tempo and style forming a wonderful collection of harmonies and rhythm for your holiday concerts.

Newly arranged for SSAA choirs! Using jazz articulation in an exuberant spiritual style this original provides an exciting dimension to choral programming! Performance Time: Approx. 2:30.

Here is the Rodgers and Hammerstein classic in an irresistible vocal jazz setting that really swings over a pulsating groove. A fine showcase for jazz and pop groups!

This gentle jazz-flavored arrangement of the treasured Gustav Holst/Christina Rossetti carol will be absolutely stunning in performance! Lush choral textures and rich harmonies unfold one after the other for a magical concert moment! Duration: ca. 3:00. 

What a fun and smart arrangement of this popular song originally penned by Hughie Cannon! A standard for jazz and Dixieland bands the fun of this piece is now captured in a new SSAA voicing for women. This gem is great for concert and show choirs.

10 Arrangements for Female Choir-10 popular rocky-jazz and gospel songs arranged by Martin Carbow for SSAA choir. A Piano accompaniment is provided for rehearsal or performance but it is also possible to perform the songs a cappella.Contents:Free Your SoulI Set My SailHe Is The LordLift Your Head Up HighHe Is Always Close To YouSing With UsJourney To BrazilA Rainy DayTake My HandOh TannenbaumGeneral NotesNotes On The Arrangements

The top-selling VoiceDance first in the SATB series is now available for women's voices in an exciting SSAA voicing. Now treble choirs can experience the rhythmic fun and challenge of this unique vocal jazz classic!

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

One of the most touching Gershwin love songs (written in 1930) continues to melt hearts today. Appropriate for concert choirs as well as show and jazz groups. / Choeur SSAA

Smokey Robinson and Berry Gordy joined forces to pen this pop hit which was a chart topper for The Miracles in the '60s and Captain and Tennille in the '70s. Paul Langford gives his arrangement a fresh update with non-stop energy and jazz-infused chords that fill this hot chart. Shop Around will knock your audience out! Available separately: SATB SSA Digital Instrument Pack (trumpet 1 2: a.sax: t.sax: b.sax: trombone 1 2: bass: drums guitar/rhythm). Duration: ca. 3:05.

Uses: General Lent Scripture: Psalm 55:22: I Peter 5:7 Now available for women's voices! From the initial sounds of a beloved spiritual to the jazzy original tune that forms the body of the piece this energetic anthem is a proven crowd pleaser! The theme is quickly learned and the fun accompaniment adds just enough spice to make this piece a recipe for success. For general or concert use you just can't go wrong!

This 2013 song by Lorde topped the Hot 100 AC and Rock charts and won the Grammy for song of the year and best pop performance. This a cappella setting will be a hit with pop jazz and a cappella groups in high school college and beyond!

One of the most enduring pop hits of the 1970s is now available in all voicings and with an option for live instrumental accompaniment! It's the perfect pop/jazz feature or tongue-in-cheek encore piece for concert choirs.

Originally an easy-listening pop hit for Petula Clark this song lends itself well to a vocal jazz setting for mixed and women's groups offering opportunities to develop intonation blend rhythm and solo techniques.