Par DESBONNET GERMAIN. Suite pour clarinette et piano de Germain Desbonnet Germain Desbonnet était pianiste concertiste dès l'âge de 14 ans. Outre une longue carrière d'organiste et de professeur, il a composé (et compose encore) une ?uvre magistrale et méconnue de plusieurs centaines de pièces pour piano, orgue, voix, ch?urs et instruments divers. Cette Suite pour clarinette et piano a été créée en 1974. Derrière son apparente difficulté se cache une très grande force. Le premier mouvement, Impromptu, brillant et exubérant, est suivi par une extraordinaire et intense Méditation, magnifique. L'Interlude, tout en légèreté, précède un Final dans lequel la clarinette chante tous les registres avec une vitalité, une vivacité et une aisance non dénuée d'humour. / Date parution : 2003-04-01/ Répertoire / Clarinette et Piano

Twenty-five clarinet solos from one of the world's finest clarinetists. Includes 'Air Mail Special', 'Clarinet A La Ring' and 'Paganini Caprice XXIV' / Clarinette Et Piano

Par DESBONNET GERMAIN. Ces six pièces écrites par Germain Desbonnet, concertiste international et compositeur, nous montrent que la bombarde sait être à l'aise dans des partitions exigeantes et la placent au plus haut niveau parmi tous les instruments dits « classiques ». Ces compositions redonnent une nouvelle jeunesse à des airs traditionnels enrichis d'harmonies nouvelles/ Répertoire / Clarinette et Piano (ou Trompette, Flûte, Hautbois

Par TAILLEFERRE GERMAINE. / Niveau : Assez Facile / classique / Répertoire / Clarinette et Piano

Pièces Pour Commencer en Duo - Volume 2. Par TAMAI REMI. / Répertoire / Clarinette et Piano

Par MAILLOT JEAN. / Niveau : Elémentaire / classique / Répertoire / Clarinette et Piano

Brahms had already announced his „retirement“ from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld’s much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the sonatas op. 120 were first published in June of 1895. They remain pivotal works in the clarinet’s recital repertoire establishing the clarinet sonata as a distinct and viable chamber music genre. An important part of this edition is the extensive preface. Firstly it informs about the sonatas‘ origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, clarinet vibrato and portamento, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an extensive Performance Practice Commentary - For further information on Romantic performance practice we recommend the text booklet: “Performance Practices in Johannes Brahms‘ Chamber Music”, BA 9600

pour Clarinette et Orchestre ou Piano. Par RUEFF JANINE. Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular, alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism, triplet motifs and the exploitation of the entire range of the Clarinet. Rueff 's Concertino provides a challengingyet riveting piece for advanced clarinetists./ Répertoire / Clarinette et Orchestre ou Piano

Par KILAR. 'The Pianist'' is a story of W adys aw Szpilman, pianist and composer who lived in Warsaw during the war and escaped from train to Auschwitz. ''It is my most personal movie'' - said Roman Pola ski. ''The Pianist'' won a main prize ''Golden Palm'' at Cannes Festival as well and was awarded in 7 categories by ''Cesar'' in France including music). Roman Pola ski and Wojciech Kilar has met twice in the past and worked together at making ''Death and a Maiden'' (1994) and ''The Ninth Gate'' (2000). / TV, Film, Comédie musicale / Recueil / Clarinette et Piano

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622, known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler, and themusic follows the three-part structure of Allegro, Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire,and remains a popular work to the present date. / Clarinette / Barenreiter

Par SAINT-SAENS CAMILLE. Cette sonate en 4 mouvements fait partie des 3 sonates pour bois (hautbois, clarinette et basson) composées en mai et juin 1921. Elles sont les derniers numéros du catalogue de Saint-Saëns. - RENAUD ESCRIVA / Niveau : Difficile / Répertoire / Clarinette en Sib et Piano

Par TOMASI HENRI. Composed in 1949 by Henri Tomasi, Complainte Du Jeune Indien is a piece for Clarinet and Piano accompaniment. This piece voices the lament of a young Indian, expressing nostalgia. It is quite sad with an Andante tempo and the harmonic motion is quite slow. Two cadenzas feature in this work, with the possibility to cut them out to make rehearsals easier. The piece finishes sadly on the main theme which is played on last time. Written for intermediate, Complainte Du Jeune Indien player can be used as a contest piece or for a recital. Henri Tomasi also composed'Corsica Songs' and 'Five Profaning and Holy Songs' for Clarinet and Piano./ Répertoire / Clarinette en Sib et Piano

Par SCHUMANN ROBERT. These three pieces for Clarinet and Piano are already well known under the title Phantasiestucke Op.73 . What is not generally known is that numerous important differences exist between the original manuscript and the first published version (the further model for all later editions). For the first time ever, the pieces are being published exactly as they appear in Schumann's manuscript entitled Soireestucke .All points of difference between the manuscript and the first edition are outlined in a full commentary by Richard Platt and the significance of these differences emphasised by Alan Hacker in his Foreword where he comments on the superior strength of the original: 'greater assymetry, slightly varied harmony and many other touches all intensify passionate and impulsive instability, the main expression of the work.' / Niveau : Elémentaire / Répertoire / Clarinette et Piano

This book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player and a fully orchestrated accompaniment CD. Each song on the CD includes a DEMO track, which features a live instrumental performance, followed by the PLAY-ALONG track itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.