Par BALBASTRE CLAUDE / CURTIS. Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C. B Ballastre is a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d'Hericourt - La Segur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - LaGenty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prelude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d'Esclignac - Marche des Marseillois et l'Air C; a ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ./ Répertoire / Clavecin

Canaanite Fantasy No. 3. Par LEEF YINAM. Similiar to its two sister-works, ELEGY looks back to the past and to ancient musical colors and ideals, combining musical ornamentations of nature within contemporary Western modes of expression. The composer accounts that 'the most interesting and attractive challenge for me was to try to relate to the special characteristics of the harpsichord - its rather confined range of dynamics on the one hand, and the great richness of the single tone on the other - and to attempt to formulate a contemporary view towards the historical and stylistic connotations of this instrument. The work combines some typical music structures, such as repetitions and sequential patterns, within ageneral improvisatory feeling, and leads, as the climax resolves, to a short quation from J.S. Bach's 'The Art of Fugue', which gradually disintegrates into the central motif of the work. The title ELEGY invokes a looking backwards, with a sense of longing and maybe even sadness, to a world of sounds that has perhaps lost its glitter, to a past era, but not without a certain hope for its renewal.'/ Répertoire / Clavecin

Par FIOCCO / PETECH. Harpsichord Pieces, LP. 78 is a set of works for Harpsichord, written by Joseph Hector Fiocco and edited by Diana Petech. This edition includes a really complete preface, with comments and advice to work through this book and explanations of all the symbols that can be found in it. It features 24 pieces divided in two suites, with the second suite set in a more traditional layout than the first one. The name of each piece is also not especially appropriate regarding their style. First suite: - L'anglaise - L'harmonieuse - La plaintive - La villageoise - Les promenades - L'inconfiante - L'italienne - La française - L'adagio - L'alegro - L'andante - La vivace Second suite: - L'alemande - La legère - La guigue - La farabande - L'inquiette - La gavotte - Les menuets - Les sautèrelles - L'agitee - Les zephirs - La musette - La fringuante Joseph Hector Fiocco (1703-1741) is a Belgian harpsichordist who had Italian origins. He was Deputy Choir Master at the court and resigned to become Choir Master in another French city. He composed numerous religious music works./ Recueil / Clavecin

Mit Leisem Lächeln Zu Spielen. Par PLANYAVSKY PETER. Widmungsträger ist Johann Sonnleitner mit seiner charakteristischen Spielweise, und auf ihn bezieht sich auch der Untertitel, der zugleich den Dualismus des Stückes unterstreicht: Traurigkeit, die noch nicht ausweglos ist./ Répertoire / Clavecin

Wagenseil, Sinfonia in D. Par WAGENSEIL GEORG CHRISTOPH. No. 4 : Wagenseil, Symphony In D/ Répertoire / Clavecin

Par ROYER PANCRACE / CRAWFORD. As a prestigious musician during the early 1700s, Royer 's Harpsichord Pieces remains a favourite in the instrument's repertoire. Joseph Nicolas Pancrace Royer (1705-1755) was born in Turin, however, he moved to Paris in 1925 and soon became responsible for the musical education of King Louis XV's children. Royer is particularly known for his extravagant and virtuosic Harpsichord compositions, as displayed in La Pupitre's compilation of his Harpsichord Pieces. Comprising famous works by the composer, including Suite Bagatelle and March of the Scythes, the collectionexemplifies the composer's skills on the Harpsichord. Royer 's Harpsichord Pieces is essential to the repertoire of aspiring advanced players of the instrument./ Recueil / Clavecin

Par COUPERIN FRANCOIS / GILBERT. The second volume of Couperin 's Pieces for Harpsichord does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his second volume of Pieces for Harpsichord include, Le Moucheron (The Gnat), L'Adolescente (The Teenager) and La Fringante(The Elegant). Couperin 's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument./ Répertoire / Clavecin

Einger. Von Johann Sonnleitner. Par SCHMIDT FRANZ. Im Titel des Autographs weist Schmidt ausdrücklich auf die Möglichkeit einer Interpretation auf dem Cembalo hin. Johann Sonnleitner hat die dafür notwendigen Adaptierungen instrumentengerecht vorgenommen./ Répertoire / Clavecin

Selected from Musica Britannica Volume 73. Edited by Robert Klakowich.Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes dances and grounds in this anthology which is selected from Volume 73 of Musica Britannica and also includes advice on ornamentation and a comprehensive editorial note. Along with its companionvolume of 16 organ pieces K43 this collection is an important addition to Stainer & Bell's landmark Early English Keyboard series.

Das Wohltemperierte Klavier I
Klavierwerke, Band 6/1
Bach, Johann Sebastian
BWV 846, Variante Fuga 1 im Stadium A 1-2

Bach, Johann Sebastian
BWV 847-869

Bach, Johann Sebastian
Anhang I: Früheste erhaltene Fassung BWV 846a-869a

Bach, Johann Sebastian
Anhang II:Präludium c-moll BWV 847/1 in dem vom Anonymus 5 überlieferten Entwicklungsstadium

Bach, Johann Sebastian
Anhang III: Reicher bezeichnete Version der Fuge d-moll BWV 851/2 / Partitions classique / Piano - instruments à clavier / Clavecin / BARENREITER