Based on JS Bach’s chorale ‘Sleepers Awake’ this very dignified work presents the chorale and then in turn an exciting treatment of reworked fragments of the melody in a colourful and contemporary harmonic setting.

Issu de la troisième suite orchestrale de Jean-Sébastien Bach (1685-1750) ce fameux air figure certainement parmi lesmélodies les plus connues du compositeur baroque allemand. Cet arrangement très particulier est signé Peter Schüller que nous vous présentons pour la première fois. Il a travaillé la mélodie en restant fidèle à loriginale avec beaucoup de respect pour la texture de départ. Accessible à tous les orchestres cette uvre est loccasion r?vée de travailler le style et la sonorité.

Issu de la troisième suite orchestrale de Jean-Sébastien Bach (1685-1750) ce fameux air figure certainement parmi lesmélodies les plus connues du compositeur baroque allemand. Cet arrangement très particulier est signé Peter Schüller que nous vous présentons pour la première fois. Il a travaillé la mélodie en restant fidèle à loriginale avec beaucoup de respect pour la texture de départ. Accessible à tous les orchestres cette uvre est loccasion r?vée de travailler le style et la sonorité.

Arr. Elliot Del Borgo. Par BACH JOHANN SEBASTIAN. Based on JS Bach’s chorale ‘Sleepers Awake’ this very dignified work presents the chorale and then in turn an exciting treatment of reworked fragments of the melody in a colourful and contemporary harmonic setting. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band

Arr. James L. Hosay. Par BACH JOHANN SEBASTIAN. / Niveau : 2.5 / Hymnes et chorals / Répertoire / Concert Band

The name of Johann Sebastian Bach (1685-1750) is inextricably connected to the German city of Leipzig. This modest and very dutiful master composer worked like a diligent civil servant. From 1723 until his death in 1750 he was cantor of the Thomaskirche in Leipzig. Since the beginning of the 20th century the Bach Festival takes place in this city every year. The hallmark of Leipzig is internationality: every year soloists come from far and near to perform the baroque music again. The Bach Festival inspired the Dutch composer Henk Hogestein to write Memories of Leipzig which is based on a theme from one of Bach’s arias.

Ce chef-d'oeuvre de Bach comporte la section de clarinette entière exécution de la mélodie en cours d'exécution qui est si célèbre, avec le reste de la bande de support avec la chorale à des espaces mesurés. La simplicité de la mélodie et la chorale soutenir révèle le charme de cette musique, pur Bach. Enchanteur! / Concert Band

Suite en Si Mineur de J.S. BachPartie 1 : vibraphonePartie 2 : xylorimba (4 octaves)Partie 3 : marimbaPartie 4 : marimba basse (ou marimba qui descend au La) / Ensemble De Percussions / 1 4 P.S. pages / niveau : 3 / Editions Instrumentales - Format: 23 X 32

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

Condensed Score-The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on “I Call to Thee Lord Jesus Christ”; Final Chorus from St. Matthew Passion; Chorale Prelude on “We All Believe in One God(Giant Fugue)”