Arrangeur: Elizabeth Walker. Par BACH JOHANN-SEBASTIAN. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 - 1750) composed St. Matthew's Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, 'Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided./ Répertoire / 4 Flûtes Traversières

Born in 1970 Éric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his combined expertise has created this sublime ensemble work  Quatuor Printanier for Flute. Suitable for grade 7 and 8 standard flautists  Quatuor Printanier is made up of four sections; Blooms Awakening Animals Taking Flight and Spring Apotheosis. Quatuor Printanier is an exciting and varied addition to the Flute Quartet repertoire essential to advanced flautists seeking to improve and expand their ensemble experience.

Quatuor De Flutes [Piccolo, Flute En Ut, Alto, Basse]. Par LAMPE JOHN FREDERICK. Arr. : F. Lucato / Niveau : 2ème Cycle / Répertoire / 4 Flûtes Traversières

Jour D’été À La Montagne by Eugène Bozza (1905-1991) is a famous Flute Quartet published in 1955. Technically and musically challenging this piece was written for advanced flautists. Summer days in the mountain was composed in four movements: 1. Pastorale 2. Au bord du torrent 3. Le Chant des fôrets 4. Ronde. These four movements are all well-crafted to captivate the attention of the flautists (with their technicality tempo and musicality) but also those of the audience. Eugène Bozza won different prizes at the Conservatoire de Paris such as theFirst Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

pour quatre Flûtes en Ut-Three Pieces For Four Flutes by Eugène Bozza (1905-1991) was written for a Flute Quartet in 1979. This melodic work is really popular among flautists. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

Flute Quartet. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 50 - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Facile / Répertoire / 4 Flûtes Traversières

With music for Flute Quartets being most commonly rearranged for the ensemble it is unusual that a work is originally composed for that precise instrumentation. It is for that reason that Pierre Max Dubois' Quatuor for Flutes has been considerably well-received. As a student of Darius Milhaud Dubois brought ideas of Les Six of which Milhaud was a member into the mid-1900s. Dubois' compositions are characteristically light with interesting and unusual harmonic and melodic textures as conveyed in this Quatuor for Flutes. With all four parts being technically demanding exploiting extendedtechniques to the maximum this piece provides a challenging but enjoyable performance. Moreover including a full score and separate parts this edition is ideal. With few pieces for this instrumentation exisitng as original compositions all Flute Quartets must ensure they try out Dubois' enticing four-movement piece.

Quatuor De Flûtes [Piccolo, Flûte En Ut, Alto, Basse]. Par JOPLIN SCOTT. Arr. : F. Lucato / Niveau : Fin 2ème Cycle / Répertoire / 4 Flûtes Traversières

Par ROZMAN ANZE. Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape.Anže Rozman's Waking of the Green Spring (Prebujanje zelene pomladi) draws together Impressionism and Minimalism as it paints an image of the titular spring erupting to life. The piece opens with the four flutes painting a mysterious running texture based in whole tones, swelling and fading in turns. The central slower section creates an almost reverent choral sound with large blocks of chords, building again into the opening textures but colored with more complex melodies and staccato runs. The work ends with a gentle spring dreamscape./ Répertoire / 4 Flûtes Traversières

Flute Quartet. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mns - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Répertoire / 4 Flûtes Traversières

Voici une partition musicale pour Flûte Traversière et plus spécialement pour 4 Flûtes Traversières que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique, cette partition a pour titre GREEN SLEEVES - 4 FLUTES (DONT UNE FLUTE EN SOL AD LIBITUM). C'est l'éditeur Billaudot sous la référence GB4351 qui a les droits pour éditer cette partition. / 4 Flûtes Traversières / Partition

4 pieces for flute quartet-Les quatre pièces rassemblées dans Flûte rendez-vous sont faciles et délicieusement charmantes. Écrites pour 4 flûtes avec partie de piccolo optionnelle ces pièces sont idéales pour habituer votre ensemble à se produire en public permettant à chaque flûtiste de jouer un rôle vital au sein de l?ensemble !

Arrangeur: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor de Flûtes : 4 Flûtes - Niveau de Difficulté : 2/6 - Facile - Durée : 0 mn 55 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Facile / Répertoire / 4 Flûtes Traversières