Piano, Vocal and Guitar

SKU: HL.14047750

Composed by From Selection. CARISCH - MUSIC SALES. TV-Film-Musical-Show. General Merchandise. Hal Leonard #ML98753. Published by Hal Leonard (HL.14047750).

ISBN 9788850719907.

Selection from Camp Rock for Piano, Vocal, Guitar.

Piano, Vocal and Guitar

SKU: HL.14047756

Composed by Bourne. CARISCH - MUSIC SALES. Pop & Rock. General Merchandise. Hal Leonard #ML98941. Published by Hal Leonard (HL.14047756).

ISBN 9788850725045.

Guitar

SKU: WD.080689585876

Edited by Ken Barker. Arranged by Billy Payne, Dave Williamson & David Winkler, Mark Cole, and Paul Nelson. Christmas, Eastertide. Guitar (leadsheet). Word Music #080689585876. Published by Word Music (WD.080689585876).

UPC: 080689585876.

More Songs for Praise and Worship 4 is a best-selling selection from the Songs for Praise and Worship series that represents the very best praise and worship songs that the body of Christ is singing throughout much of the world. Awash in the inspiration of the Holy Spirit, the transforming power of modern worship is reaching across traditional boundaries to joyfully proclaim God's glory. More Songs for Praise and Worship 4 delivers a timeless message of faith with a dynamic collection complete with 51 of the latest praise and worship songs selected to energize your worship programming. Congregation-friendly songs are sensibly arranged at the moderately difficult level, and include chords for guitar and piano accompaniment. The Piano/Guitar/Vocal Edition from More Songs for Praise & Worship 4 is ideal to use for Bible study groups, cell groups, and other small group worship settings, enabling the vocalist and instrumentalist to sing the same songs and arrangements used in Sunday services. The heavy-duty 9x 12 spiral-bound book includes all 51 songs with an easy piano arrangement featuring the melody in the right hand with lyrics and guitar chord symbols included.

Guitar Solo

SKU: IS.G6129EM

Composed by Matteo Carcassi. Plucked - Guitar. Metropolis Music Publishers #G6129EM. Published by Metropolis Music Publishers (IS.G6129EM).

ISBN 9790365061297.

Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget. From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli. Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. His most famous works are collected in his 25 Etudes op. 60. In these, he managed to blend technical skills and brilliant romantic music. This is the reason his music is still played by so many classical guitarists today.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar

SKU: PE.EP6470A

Arranged for Guitar. Composed by Alan Hovhaness. Arranged by Aaron Larget-Caplan. Guitar Solo; Solo. Edition Peters. Contemporary. 8 pages. Edition Peters #98-EP6470A. Published by Edition Peters (PE.EP6470A).

ISBN 9790300763903.

A sweet miniature composed for solo piano in 1937, Mystic Flute consists of two voices: a simple melody in the harmonic minor scale balanced by an ostinato accompaniment in 7/8 meter that gives the work a hypnotic and ceremonial spirit. The melodic line begins in the top voice, before moving to the bass voice, and returning to the top voice with small ornamentation. No notes were removed from the piano score in this guitar arrangement by Aaron Larget-Caplan, and all dynamic and phrase markings follow the original score as well. This arrangement was premiered on July 29, 2018 at the Coaster Theater in Cannon Beach, Oregon.

Composed by John Kiefer. Collection. 136 pages. Published by Mel Bay Publications, Inc

Piano/Vocal/Guitar

SKU: HL.380355

By Various. Piano/Vocal/Guitar Songbook. Pop. Softcover. 176 pages. Published by Hal Leonard (HL.380355).

ISBN 9781705152065. UPC: 196288018988. 9.0x12.0x0.414 inches.

Need to bring more good vibes into your day? This collection features 30 feel-good favorites from yesterday and today arranged for piano/vocal/guitar, including: Best Day of My Life (American Authors) • Cover Me in Sunshine (P!nk & Willow Sage Hart) • Don't Stop Me Now (Queen) • Good Day Sunshine (The Beatles) • Good Vibrations (The Beach Boys) • Happy (Pharrell Williams) • Lovely Day (Bill Withers) • Rise Up (Andra Day) • This Is Me (from The Greatest Showman) • Walking on Sunshine (Katrina & the Waves) • What a Wonderful World (Louis Armstrong) • and more.

Guitar

SKU: GI.G-9330G

Eucharistic Acclamations for Holy Communion. Composed by Tony Alonso S.J. This edition: Guitar edition. Sacred. Guitar part. With guitar chord names. 8 pages. GIA Publications #9330G. Published by GIA Publications (GI.G-9330G).

UPC: 785147933076. English. Text Source: English Language Liturgical Consultation (ELLC), 1988, alt. Doxology, Evangelical Lutheran Worship

When the revised English translation of the Catholic Mass was introduced in 2010, Tony Alonso’s Mass of Joy and Peace quickly became one of the most widely sung eucharistic settings. In this edition, Tony has adapted the eucharistic acclamations for ecumenical use. The Joy and Peace acclamations will find a home in organ-based worship or celebrations led by piano, guitar, or contemporary ensemble. A setting of great versatility and accessibility, Joy and Peace will help inspire the sung prayer of assemblies across Christian denominations. This is the guitar edition.

Piano/Vocal/Guitar

SKU: HL.131432

By Katy Perry. Piano Vocal. Pop. 8 pages. Published by Hal Leonard (HL.131432).

ISBN 9781540016461. UPC: 888680025106. 9.0x12.0x0.024 inches. Katy Perry.

This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

Piano/Vocal/Guitar

SKU: HL.224342

By Old Dominion. Piano Vocal. Country. Softcover. 8 pages. Published by Hal Leonard (HL.224342).

ISBN 9781495090172. UPC: 888680671600. 9.0x12.0x0.024 inches. Old Dominion.

This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

Piano/Vocal/Guitar

SKU: HL.148687

By A. Thousand Horses. Piano Vocal. Country. 8 pages. Published by Hal Leonard (HL.148687).

ISBN 9781495029745. UPC: 888680078614. 9.0x12.0x0.033 inches. A Thousand Horses.

This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.

Piano/Vocal/Guitar

SKU: HL.147683

By Keith Urban. Piano Vocal. Country. 12 pages. Published by Hal Leonard (HL.147683).

ISBN 9781495027406. UPC: 888680074982. 9.0x12.0x0.044 inches. Keith Urban.

This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.