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Schwanda The Bagpiper (WEINBERGER JAROMIR)
Opera
Boosey and Hawkes
Volksoper in 2 Akten. Par WEINBERGER JAROMIR. Folk Opera In 2 Acts/ Feuillet / L...
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Volksoper in 2 Akten. Par WEINBERGER JAROMIR. Folk Opera In 2 Acts/ Feuillet / Livret d'Opéra
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2ème annee De Formation Musicale (GOMILA MARIE-CLAUDE)
Opera
[Sheet music]
Carisch
Par GOMILA MARIE-CLAUDE. I.M. 2 Cette '2ème année de formation musicale” pr...
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Par GOMILA MARIE-CLAUDE. I.M. 2 Cette '2ème année de formation musicale” présente l'essentiel de l'étude du solfège (théorie, écriture, lecture de notes, rythme et chant) correspondant au programme IM2 des écoles et conservatoires de musique./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Patience (SULLIVAN ARTHUR)
Opera
[Sheet music]
Faber Music Limited
Par SULLIVAN ARTHUR. This opera opened April 23, 1881 at the Opera Comique and r...
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Par SULLIVAN ARTHUR. This opera opened April 23, 1881 at the Opera Comique and ran for 578 performances at both the Opera Comique and Savoy Theatres. The county dames are in love with two poets while the poets are both in love with Patience, the village milkmaid. The brigade men don't see the point to aesthetics, but decide they had better give it a try to win the women's love. / Vocal Music / Répertoire / Voix
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Scipione Affricano (CAVALLI FRANCESCO)
Opera
Barenreiter
Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two do...
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Par CAVALLI FRANCESCO. In 1662, Cavalli’s career was at its zenith. The two dozen operas he had written for Venice had helped establish Venice as the world’s first operatic superpower. “Scipione Affricano” (Venice 1664), Cavalli’s first opera after returning from France, was one of his most successful compositions. In a period that valued new works over familiar ones, “Scipione” was one of a handful of operas to live on after its premiere season: it was revived eight times and chosen to inaugurate Rome’s Teatro Tordinona in 1671. Cavalli’s librettist, Nicolò Minato, was inspired by historical accounts of the life of the Roman general Scipio, whose defeat of Carthage in 202 BCE earned him the honorary agnomen “Africanus.” In setting Minato’s libretto, Cavalli drew upon the lyrical gifts that have made operas like “La Calisto” and “Giasone” so popular today. But at the same time “Scipione Affricano” also shows the composer embracing aspects of his two years in France, and responding to musical changes that, in the 1660s, were rapidly altering the face of Italian opera: the growing dominance of arias, a clearer sense of aria organization, and increased interplay between voice and instruments. The first goal of this edition is a practical one: to develop a version of the opera suited to the needs of both professional and student performers. A second goal is to reconstruct the opera’s complete performance history. An amply documented appendix reconstructs earlier versions of 21 arias. Other appendices print the surviving additional music from revivals in Rome and Venice. The edition is framed by a substantial Introduction, covering the drama, the musical style, the composition, premiere, and revivals, and a guide for performance today, plus a detailed “decoding” of the sources. - series Francesco Cavalli – Opere / Date parution : 2022-11-08/ Répertoire / Opéra
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Xerxes (Serse)
Opera
Chester
Georg Frideric Händel 's Serse (Xerxes) has everything one would expect from a ...
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Georg Frideric Händel 's Serse (Xerxes) has everything one would expect from a Baroque opera - many intertwining love stories, affairs, intrigues, scheming, misunderstanding and forgiving - all presented in the great master's magnificent music. The opera is set in Persia in 480 BC and is very loosely based upon Xerxes I of Persia, though there is little in either the Baroque libretto or music that is relevant to that setting, the main focus is on the characters ( Serse , Arsamene, Amastre, Romilda, Atalanta, Ariodate and Elviro - some of which are based on real historical persons) and their plotting. The English version for the opera in three acts was made for the English National Opera's production, first performed in 1985, on the 300th anniversary of Händel 's birth. In this edition of the Vocal score with the original Italian and the later English lyrics accompaniment is provided by the instruments indicated in the orchestration (2 Recorders (or Flutes), 2 Oboes, 2 Horns in F, Trumpet in D, Strings and Continuo [Harpsichord, Cello, Double Bass, Bassoon]), but can also be played by the Piano. Serse 's part, originally sung by a castrato, can be performed by a Soprano or a Countertenor. / Chant Et Piano
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Lessons In Love And Violence (BENJAMIN GEORGE)
Opera
[Score]
Faber Music Limited
Par BENJAMIN GEORGE. Premiered in 2018, the 90-minute opera Lessons in Love and ...
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Par BENJAMIN GEORGE. Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. George Benjamin and Martin Crimp's third collaboration, it unfolds as a taut slow burning arch of seven tableaux. This work boasts particularly rich string textures, and is coloured by basset horn and cimbalom together with a pair of harps, celesta, and percussion (including talking drums and tombak). Several of the opera's powerful interludes are dominated by braying, sardonic brass - with tuba substituted by the more menacing contrabass trombone. There is also much spectacular ensemble writing: in Scene Three's play within a play, several strands of independent music collide, and the result is perhaps one of the most complex musical structures Benjamin has ever tackled. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text. / Musique contemporaine / Répertoire / Opéra
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Powder Her Face (Vocal Score) (ADES THOMAS)
Opera
[Sheet music]
Faber Music Limited
Par ADES THOMAS. 'Powder Her Face' is an opera by Thomas Ades. It was comissione...
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Par ADES THOMAS. 'Powder Her Face' is an opera by Thomas Ades. It was comissioned by Almeida Opera and premiered in the 'Everyman Theatre' cheltenham on July 1st 1995, as part of the Cheltenham festival./ Répertoire / Voix
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Orphee Et Euridice (GLUCK CHRISTOPH WILLIBALD)
Opera
[Score]
Barenreiter
Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD....
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Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck’s most popular opera “Orphée et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set. Urtext editions based on “Gluck, The Complete Works” Revised and newly set The revised editions are compatible with the old editions T48Full score (BA2282-01) and vocal score (BA2282-90) available for sale Performance material (BA2282-72) available for hire/ Répertoire / Opéra
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Manon Lescaut (PUCCINI GIACOMO)
Opera
Ricordi
Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCA...
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Crit. Ed. Roger Parker. Par PUCCINI GIACOMO. The Critical Edition of MANON LESCAUT is the first volume of the series THE OPERAS OF GIACOMO PUCCINI - CRITICAL EDITION - in collaboration with Archivio storico Ricordi and Fondazione Simonetta Puccini. It makes available the three main versions of the opera that have survived in various sources: an 1893 version, with the original Act I finale, the first version of Manons Act IV aria, and the uncut version of the final duet in Act IV; a 'midcareer'version imagined by Puccini in the first decade of the new century, when he sanctioned the almost complete omission of Manons Act IV aria; and finally the last version that Puccini lived to approve, with Manons aria restored, albeit with a revisedliterary text. The edition consists of two volumes of full score. The first volume is introduced by a preface to the Puccini Critical Edition and an historical introduction; the second volume ends with a detailed description of the operas many sources and alengthy critical commentary which discusses numerous problematic details in the musical text. / Opéra-opérette / Date parution : 1905-07-06/ Répertoire / Opéra
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The Bartered Bride (SMETANA BEDRICH)
Opera
Bote and Bock
Par SMETANA BEDRICH. Comic Opera In 3 Acts/ Répertoire / Livret d'Opéra
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La Fausse Esclave (GLUCK CHRISTOPH WILLIBALD)
Opera
Barenreiter
Opéra-comique in one act, Vienna 1758. Par GLUCK CHRISTOPH WILLIBALD. French-Ge...
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Opéra-comique in one act, Vienna 1758. Par GLUCK CHRISTOPH WILLIBALD. French-German / Opéra-opérette / Répertoire / Opéra
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Carmen
Français
Opera
Kalmus
'Carmen' est un opéra en quatre actes du compositeur français Georges Bizet. L...
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'Carmen' est un opéra en quatre actes du compositeur français Georges Bizet. L'opéra, qui est devenu le plus célèbre oeuvre de Bizet, a été réalisée à l'Opéra-Comique à Paris, le 3 Mars 1875, et n'était pas à la première particulièrement réussie- sa course initiale étendu à 36 représentations. Avant cette course a été conclu, Bizet est mort subitement, et donc ne savait rien de célébrité plus tard l'opéra. C'est le Choeur de l'oeuvre, avec des textes français et anglais, et sans accompagnement notée. 79 pages, 7 de 8 ½ pouces. / Opéra
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Gioacchino Rossini The Barber Of Seville In Full Score- Opera
Opera
Dover Publications
Description Based on the play by Beaumarchais, The Barber Of Seville is one...
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Description Based on the play by Beaumarchais, The Barber Of Seville is one of the greatest of all comic operas, delighting audiences with its keenly sketched characters, melodic elegance, rhythmic exhilaration, superb ensemble writing, and original and delightful orchestration. Presented in full score, reproduced directly from the authoritative edition published by Ricordi. Songlist The Barber Of Seville
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Lenguaje Grado Elemental V.1A (IBANEZ / CURSA)
Español
Opera
[Sheet music]
Real Musical
Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva me...
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Par IBANEZ / CURSA. Nueva edición actualizada y revisada Cómoda y atractiva metodología de Lenguaje Musical que comprende los Grados Elemental y Medio completos. Cada uno de los seis cursos está dividido en tres partes (A - B - C) correspondientes a cada trimestre escolar. A su vez cada cuaderno se divide ques: Canto, compuesto de canciones de tipo popular infantil, con un propósito concreto referente a aspectos rítmicos o melódicos del bloque y algunas de estas canciones se complementan con coreografías sencillas - Ritmo, enfocado desde un punto de vistrumental, el planteamiento de ejercicios rítmicos colectivos entre dos o más alumnos pretende favorecer el sentido participativo e introduce al alumno en la música de grupo - Entonación (con un avance muy paulatino cuyo objetivo es el dominio de la - Improvisación, con la utilización de textos, la repetición y variación rítmica, las preguntas y respuestas, etc, van perfeccionando la técnica instrumental para poder plasmar en los instrumentos estas y otras ideas. Metodología de acuerdo con la L./ Solfège/Formation Musicale / Opéra Théorique ou Didactique
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Der Eingebildete Socrates (PAISIELLO GIOVANNI)
Opera
Schott
Par PAISIELLO GIOVANNI. Komische Oper In Drei Akten/ Répertoire / Livret d'Opé...
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Par PAISIELLO GIOVANNI. Komische Oper In Drei Akten/ Répertoire / Livret d'Opéra
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Armonia Del Siglo XX (PERSICHETTI VINCENT)
Español
Opera
[Sheet music]
Real Musical
Par PERSICHETTI VINCENT. Obra indispensable en el aula, colabora con el maestro ...
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Par PERSICHETTI VINCENT. Obra indispensable en el aula, colabora con el maestro y es firme soldadura para el alumno entre el final de sus estudios y el comienzo de sus prácticas como futuro compositor. Directa ejemplificación con cita cuidadosa de fragmentos de obras como plitivo de trabajo práctico. / Formation musicale / Autre FM / Opéra Théorique ou Didactique
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Adams J. - Doctor Atomic - Voix
Opera
Schott
Opera in Two Acts / soloists, mixed choir (SATB) and orchestra
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Fledermaus, Die (Comic Opera In 3 Acts) (STRAUSS JOHANN)
Opera
[Sheet music]
Peters
Par STRAUSS JOHANN. Johanne Strauss' Die Fledermaus for Voice and Piano. / Opér...
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Par STRAUSS JOHANN. Johanne Strauss' Die Fledermaus for Voice and Piano. / Opéra-opérette / Répertoire / Opéra
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Duenna (Betrothal In A Monastery) . Lyrical-Comic Opera In Four Acts, Nine Scenes. Op. 86. Libretto By S. Prokofiev (To The Comedy Duenna By R. Sheridan) . Poetical Verses By M. Mendelson-Prokofieva.
Opera
[Vocal Score]
Kompozitor
/ Chant/Vocal/Choeur / 412 pages / Partition
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Prodromides Jean - Goya
Opera
[Libretti]
Actes Sud
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The Voyage Of Edgar Allan Poe
Opera
Boosey and Hawkes
/ Divers
102.80 EUR - Sold by LMI-partitions
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Hänsel Und Gretel
Opera
Schott
L'édition fait partie du programme ABRSM (grades 6,8). / Chant Et Piano
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Orquestaciones Escolares (MARTINEZ CALAFATE L)
Español
Opera
[Sheet music]
Real Musical
Par MARTINEZ CALAFATE L.. RM108057/ Recueil / Opéra Théorique ou Didactique
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Water Bird Talk
Opera
[Vocal Score]
Boosey and Hawkes
/ Divers
58.10 EUR - Sold by LMI-partitions
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