The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic just released by Deutsche Grammophon. The reference set of Beethoven?s Symphonies is available at an affordable price to every student, conductor and Beethoven fan.

Par VAUGHAN WILLIAMS RALPH. A heartfelt and subtly beautiful tribute to the dead of the First World War, Vaughan Williams' Third Symphony is amongst his most powerful works. Misunderstood at its premiere in 1922, the haunting 35-minute elegy is almost entirely quiet and contemplative, though beneath its tranquillity lies a deep sadness. In the second movement a lone trumpet calls over a bleak and desolate landscape whilst the fourth and final movement is framed by a wordless lament for solo soprano. Faber Music publishes this long-awaited hardback critical edition. 'His greatest and most original symphony'. Michael Kennedy/ Répertoire / Orchestre

Dvorák, Antonín
Symphony no. 9 in E minor op. 95 New World
- Groundbreaking Urtext edition taking new sources into consideration
- Offers solutions for controversial musical questions
- With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng)
The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition.
Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl.
Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER

An opera in two acts by David Schiff based on the story Gimpel the Fool by Isaac Bashevis Singer.

Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar.The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No.9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world.Since publication Del Mar's edition enjoys the unabashed praise of conductors performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls but also on CD recordings by John Eliot Gardiner David Zinman Jos van Immerseel and Claudio Abbado.Full scores study scores and complete performance material to Beethoven?s Nine Symphonies are available for sale.

The first published edition of Malcolm Arnold's playful 1956 overture written for the Gerald Hoffnung Festival. The orchestral score includes parts for three vacuum cleaners, an electric polisher and four rifles. / Orchestre

Par CASABLANCAS BENET. Shade and Darkness, lasting some 12:30 minutes, was co-commissioned by the Centro Nacional de Difusión Musical and the Festival Internacional de Música y Danza de Granada. The work is inspired by Turner's famous painting of the same name, subtitled 'The Night Before the Flood', although this does not imply any programmatic or even less descriptive intention, beyond the composer's admiration for the painter, and for the richness of tones and chiaroscuro, subtlety in the treatment of pictorial matter, and the dynamism and emotional force present in his work, to whose depth John Ruskin alludes: 'Nuance is in Turner, first of all, a beautiful aid to the great impression to be conveyed, but it is neither the source nor the essence of that impression; it is little more than a visible melody... preparing the feelings for the reading of the mysteries of God.' The score, generous in expressive contrasts, explores the ductility and richness of possibilities of the strings, with a very diversified use of textures, densities and colours. The formal arrangement describes a wide ternary arc, consisting of two slow and often static sections - not without ominous foreboding - and a more lively central part, punctuated by occasional turbulence and dazzling flashes of timbre, culminating in a powerful climactic process. In the final bars the four voices of the classical quartet fleetingly emerge, as a tribute to Günter Pichler, founder and member of the Alban Berg Quartet, to whom the score is dedicated, and who conducted the premiere of the work in front of the Joven Orquesta Nacional de España on 24 and 25 June 2014 at the Auditorio Nacional de Música in Madrid and in the Patio de los Mármoles del Hospital Real in Granada. / Date parution : 2022-03-15/ Répertoire / Petit Orchestre

Nous savons tous Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner et Blitzen rennes du Père Noël,-- pour son voyage annuel. Mais c'était Rudolph qui a sauvé la nuit brumeuse que la veille de Noël, conduisant avec son nez rouge! Depuis plus de soixante ans, cette chanson de Noël a été aimé par tous. Ce réglage flexible peut être réalisée par les cordes seules ou avec l'addition de n'importe quelle combinaison de piano et vents. (2:10) / Orchestre

Par TURNAGE MARK-ANTHONY. Détails de la formation instrumentale: 3(2a Flûte Traversière, pic).3 (ca).3 (2bcl).2s Saxophone (2barsax).2.cbn-4.4.3 (euph).1-5 Percussion (timp.,sn.dr. (with brushes), large b.d., large pedal b.d., large sus.cym., large w.bl., tamb., large ratch., large gng, large c.b., mar., vib., hand bells, tub.bell, boobams, cong., large metal bar)-pno (cel).hp-Strings (16.16.12.12.8) - Durée: 22' -/ Répertoire / Orchestre

Cha-Cha-Perlen-Cha-Cha-Perlen for Salon Orchestra with parts for the following instruments:Piano Directorate; C instrument (with chord symbols); Guitar; Drums; Bass; 1./3. Alto Saxophone; 2. Tenor Saxophone; 1. Trumpet; 1st Trombone.