Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition Vivaldi Concerto In La Maggiore Violon Archi Cembalo & Organo vous retrouverez tout le talent de ce compositeur. Ecrite pour Orgue cette partition a été éditée par les éditions ID Music sous le numéro RIPR1097. / Orgue / Partition

Cette partition LE LIVRE OUVERT OPUS 6 VOLUME 1 de Aubertin Valéry a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB7338. Cette oeuvre d'une durée de 00:26:00 est idéale pour les musiciens pratiquant Orgue. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Orgue / Partition

Une collection de favoris populaires, folk, valses, normes etc., arrangés par Nelson Varon. Arrangements faciles pour tous les organes avec les paroles et les noms de la corde. / Orgue / 72 pages / Partition

Austria ?s imperial court chapel was active far beyond the confines of Vienna . It developed a rich musical tradition of its own, with composers of the stature of Heinrich Isaac , Jacob Hassler , Johann Jacob Froberger , and Johann Heinrich Schmelzer .

This volume consists entirely of première publications from the ?uvre of composers working at the imperial court during the fifteenth and sixteenth centuries, including the complete keyboard output of Giovanni Valentini and Johann Heinrich Schmelzer and a Toccata 2 di toni in g ( FbWV 130) by Johann Jacob Froberger.

Altogether it contains twenty-two compositions with a detailed preface, many facsimiles, and a critical commentary. The pieces range from easy to moderately difficult and are equally suitable for use in church services or concert performance.

- Easy to moderately difficult organ music for church or concert use
- Previously unpublished music from the heyday of Austria ?s imperial court chapel
- Contains the première publication of a piece by Froberger / Classique / Partition /

 Qui n'a pas frissonné devant l'arrivée triomphale de Cléopâtre à Rome interprétée, sur les écrans, par Lyse Taylor ? Et combien d'orchestrations de péplums jalonnent-elles nos souvenirs d'enfance, générant, à chaque écoute, des sentiments identiques de fascination ?C'est un peu dans les pas de ces mises en scène ' pharaoniques ' qu'a été composée cette Fantaisie médiévale mais en suivant, ici, le fil du cantique populaire Chez nous soyez reine du chanoine Huet, entonné par des générations de voix ferventes en dévotion à la reine du ciel,Cette oeuvre est un hommage à Notre-Dame de Bayonne pour laquelle j'éprouve une véritable affection filiale et dont l'imposant vaisseau gothique constitue, pour moi, l'antichambre des cieux, / Orgue

Le Musée de l'Organiste. 100 morceaux d'orgue classiques et modernes, rédigé et divisé en quatre livraisons.Quatrième livraison, Edition : Paris, Richault, 1857. Pièces de F. Couperin, G. Schmitt, N. Jomelli, J.J. Beauvalet-Charpentier, L. van Beethoven, A. Hessé, A.P.F. Boëly, T. Parmentier - E. Baptiste, C. Saint-Saëns, E. Gauthier, C. Franck. P.cavallo, F. Danjou.Présentation de Philippe Lescat : L'auteur - le musée de l'organiste - les auteurs de la quatrième livraison - la registration. Annexes : la registration - les orgues de Paris en 1855. / Orgue / 122 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Trois Pièces Pour Grand-Orgue. Par BESTIAIRE. Ces trois oeuvres, commandes des Editions Le Chant du Monde, ont été créées le samedi 5 mai 2007 par Hervé à l'orgue du Val-de-Grâce, à Paris, lors d'un concert donné en hommage au naturaliste Georges-Louis Leclerc de Buffon, à l'occasion du bicentenaire de sa naissance./ Répertoire / Orgue

Bach: Complete Organ Works Vol. 7 Orgelbüchlein - with CD-ROM - ed. by Sven Hiemke Of great practical value ?This edition has everything it takes to replace the Griepenkerl edition for practical music-making,? opined Rainer Goede (in ?kirchmusik.de?) immediately after the release of Volumes 5 and 6. If such a high degree of practical value is attested to these two volumes, then Volume 7 can proudly claim to have the highest practical value of all, since it has the greatest scope of all the volumes. After all, no organist can do without the basic repertoire of the 45 chorale preludes. Edited by Sven Hiemke, the book offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach?s graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era ? but not with the source, however, since the composer himself notated the pieces of the ?Orgelbüchlein? on two staves, either for reasons of economy or for lack of space. The enclosed CD-ROM contains early versions and anonymous arrangements which should encourage organists to explore this repertoire in greater depth.

C'est à partir de 1478 que notre connaissance des Andlauer1 dévale les siècles. Un an plus tôt, Charles le Téméraire (1433-1477) succombe devant Nancy, et Strasbourg fait partie du Saint Empire. Andlau, Valff, Molsheim, Kogenheim : les villes de leurs coeurs, de leurs alliances, et de leurs métiers, accompagnent alors les plus hautes aspirations de l'Humanisme, de la Décapole et de la Réforme. / Orgue

Critical Complete Edition Of The Works Of Miloslav Kabelác V/13. Par KABELAC MILOSLAV. The four small-scale preludes of Miloslav Kabelác's op. 48 were commissioned in 1966 by the second 'Prague Spring International Music Competition” in the category organ. They are written in proportional notation, which the composer preferred ever since his Symphony No. VI of 1961. For practical reasons one of the editors, the leading Czech organist and Kabelác authority Jan Hora, has transcribed the graphic notation of the note-values into standard notation. The original musical text appears in a complete reproduction of the first edition of 1966, along with examples in facsimile./ Répertoire / Orgue

Atos Convention March. Par BLACKMORE GEORGE. This stirring all-American march-medley aptly takes its name from the unofficial title for the United States' flag. Old Glory is published as a tribute to George Blackmore, a fine player and composer who did much to encourage a revival of interest in the 20th-century theatre organ./ Répertoire / Orgue

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue