Original Key for High Voice-No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Severalcomposers have breathed life into this little lyrical fantasy with music; but none of them have I deeply believe so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We arepublishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.

Complete Songs for Voice and Piano Volume I-Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d??uvres majeures de musique de chambre et de sonates en solo de premier plan est tellement important qu?on en oublie souvent la richesse de ses lieder. Pourtant ces derniers constituent un r?pertoire extr?mement agr?able dans lequel amour et humour c?toient des contenus philosophiques ou religieux. Outre G?the Claudius Herder Lessing Gellert et Rousseau sont les auteurs des textes mis en musique. Il en ?merge ainsi un panorama de la fin du 18e et du d?but du 19e si?cle avec sa combinaison tout ? fait particuli?re de proximit? avec la nature d?esprit des Lumi?res et de sentiment religieux. L??ditionurtext en deux volumes des ?ditions Henle repose sur l??dition compl?te des ?uvres de Beethoven et comprend ?galement ces lieder red?couverts bien apr?s la mort du compositeur et ainsi longtemps m?connus. Une pr?face d?taill?e sur l?histoire et l??tat des sources des lieder de Beethoven compl?te cette ?dition.

On a de la peine à y croire : les cinq pièces rassemblées ici étaient jusqu?à peu inaccessibles. Il existe donc encore des ?uvres vocales de Beethoven à découvrir ! Ces cinq brèves pièces à plusieurs voix sont idéalement à exécuter par des solistes accompagnés d?une partie de piano obligée. Il s?agit de trois chansons (N°1-3) et de deux arrangements originaux de compositions pour ch?ur très connues le « Bundeslied » op.122 et le « Opferlied » op.121b.

Par BEETHOVEN LUDWIG VAN. Editeur(s) d'origine: Brissler, Friedrich F./ Répertoire / Chant et Piano

Description The most important religious songs of the past 250 years appear in this collection, a treasury of sacred songs known and loved by singers and listeners at home, in church, and in concert. This compilation includes settings of Ave Maria, Ave Verum Corpus and Panis Angelicus. Songlist Agnus Dei [Bizet, Georges] And God Shall Wipe Away All Tears (The Light Of The World) [Sullivan, Arthur] Ave Maria [Bach, Johann Sebastian] [Gounod, Charles] Ave Maria [Franck, Cesar] Ave Maria Op.52 No.6 [Schubert, Franz] Ave Verum Corpus [Chausson, Ernest] Ave Verum Corpus K.618 [Mozart, Wolfgang Amadeus] Cantique De Jean Racine [Faure, Gabriel] Contentment [Mozart, Wolfgang Amadeus] En Priere [Faure, Gabriel] Hosanna [Granier, Jules] Jerusalem [Parry, Hubert] Jesu, Joy Of Man's Desiring (Cantata BWV 147) Kol Nidre La Procession [Franck, Cesar] Le Crucifix [Faure, Jean-Baptiste] Le Sommeil De L'enfant Jesus [Busser, Henri] Litany For All Souls' Day [Schubert, Franz] My Heart Ever Faithful [Bach, Johann Sebastian] Nazareth [Gounod, Charles] No Candle Was There And No Fire [Lehman, Liza] Noel [Holmes, Augusta] O Divine Redeemer [Gounod, Charles] O For The Wings Of A Dove [Mendelssohn, Felix] O Holy Night (Cantique de Noel) [Adam, Adolphe] Panis Angelicus [Charpentier, Marc Antoine] Panis Angelicus [Franck, Cesar] Pie Jesu (Requiem) [Faure, Gabriel] Pieta, Signore [Stradella, Alessandro] Preghiera [Rossini, Gioacchino] Ring Out, Wild Bells [Gounod, Charles] Sleeping Christ Child [Wolf, Hugo] Tantum Ergo [Franck, Cesar] Tantum Ergo [Vierne, Louis] The Heavens Declare [Beethoven, Ludwig Van] The Holy City [Adams, Stephen] The Lost Chord [Sullivan, Arthur] The Palms [Faure, Jean-baptiste] The Virgin's Slumber-song [Reger, Max] There Is A Green Hill Far Away [Gounod, Charles] To Thee, My God [Beethoven, Ludwig Van]

Instrumentation : High voice - Pf Content : Brahms: Die Nachtigall(The Nightingale), Marienwürmchen (Ladybird),Sandmännchen (The Little Dustman),Vergebliches Ständchen (Fruitless),Die Henne (The Hen);Mozart: Wiegenlied, An Chloë;Mendelssohn: Gruss (Greeting);Schubert: An Sylvia (To Sylvia); Heidenröslein (The Wild Rose); Schumann: Schmetterling;Beethoven: Die Ehre Gottes (All Nature Sings God's Praises)

Rodelinda Regina de' Longobardi HWV 19; Opera in three acts.After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement.The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance.Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix.Urtext of the Halle Handel Edition.Full score (BA4064) & vocal score (BA4064-90) available for sale.Performance material (BA4064-72) available for hire

80 Arrangements For Weddings And Celebrations. What would love be without music - or music without love! Many couples associate unforgettable beautiful hours, a first meeting, or first kiss with a particular song. And composers have always been inspired and stimulated by love, have celebrated romantic love and longing from afar, secret love, and jealousy. In her selection of 80 songs from seven centuries, Mirjam James evokes this tremendous feeling with the most beautiful songs ranging from medieval courtly songs, through Beethoven's Ich liebe dich, to the Beatles song And I love her. Many of the songs come from German and English language traditions, but what would such a book be without the fire of southern Europe or a dose of French charm, without the moving melodies of cool northern climes, or the melancholy songs of the Russian soul? This beautifully-produced song book is illustrated with the sumptuous paintings of Gustav Klimt, for whom love was one of the great themes of his life. The song book contains a CD with recordings of all the songs in instrumental versions so you can sing along with the pieces and get to know them. A piano book is published alongside the song book, containing all the songs in idiomatic, playable accompaniments. Whether it's for an engagement or a wedding, for Valentine's Day or an anniversary, Liebeslieder makes an ideal present for those newly in love or still in love, and who also love music./ Répertoire / Chant et Piano

Eine Sammlung von 60 beliebten Liedern mit Klavierbegleitung-An Introduction To The Art Of Lieder Singing includes an impressive collection of brilliant examples of 'Lieder Singing' with works from composers such as Bach Gluck Haydn Mozart Beethoven Schubert Mendelssohn and many more.