Par SILVERMAN JERRY. La musique de nombreux pays, y compris la Hongrie, Danemark, Belgique, Yougoslavie, Norvège, Italie, Mexique, France, Canada et beaucoup d'autres. Paroles sont écrites dans la langue maternelle de chaque pays, plus une traduction anglaise chantantes. Arrangé pour voix et piano et cordes de guitare. Formidable pour les écoles ! / Niveau : Débutant à Intermédiaire / Children's - Songbooks / Recueil / Chant et Piano

A beautifully presented illustrated collection of children’s songs from Wales. It is compulsory for all children to learn Welsh up to the age of 16 in Welsh schools and this book provides a fun way of teaching andlearning the language both in and out of the classroom. All songs are printed in the Welsh language and arranged for easy Piano and Voice. Includes a sing-along CD with professionally recorded backing tracksand examples.

Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano

Chris Adams and Michael Sullivan. Poignant and humorous story about a rich factory owner’s children who become involved with poor factory kids. Set in the 1830s and linked by famous contemporary figures. Fits in with Key Stage 2 of the History curriculum. Ten songs some with two-part singing recorder and tune percussion parts.

A modern day music theatre phenomenon, Tim Minchin's Matilda The Musical is the multiple Oliver Award-winning adaptation of Roald Dahl's classic children's novel from the Royal Shakespeare Company. This official songbook presents ten songs from the show arranged for easy piano with chord symbols, as well as an eight-page photo section. Watch this brilliant performance from Matilda: The Musical (West End) - When I Grow Up : / Piano

School of Rock: The Musical. A dozen easy piano arrangements from the Tony Award-nominated 2015 musical adapted from the popular 2003 silver screen production of the same name. Our folio includes the new songs with music by Andrew Lloyd Webber and lyrics by Glenn Slater and the title track by Mike White and Samuel Buonaugurio. Includes: Children of Rock · Here at Horace Green · Horace Green Alma Mater · I'm Too Hot for You · If Only You Would Listen · If Only You Would Listen (Reprise) · School of Rock · Stick It to the Man · Time to Play · When I Climb to the Top of Mount Rock · Where Did the Rock Go? · You're in the Band.

On the Transmigration of Souls was written to commemorate the lives of those killed on the September 11 2001 attack on the World Trade Center.'My desire in writing this piece is to achieve in musical terms the same sort of feeling one gets upon entering one of those old majestic cathedrals in France or Italy... an immediate sense of something otherworldly. You feel you are in the presence of many souls generations upon generations of them and you sense their collected energy as if they were all congregated or clustered in that one spot.' - John AdamsVocal/Piano score for mixed choir (SATB) children's choir andPiano reduction.

Fifty Great Songs For Children To Sing-Preface by Carol Barratt. Here's a great new collection of showtunes folk songs children’s songs and pop songs carefully chosen to bring fun and musical variety to the primary school classroom. Some will be familiar some will be brand new surprises and some will be half-forgotten favourites from the past now given a new lease of life. All songs are arranged for easy piano and the piano parts can also be heard on the two accompanying music CDs. Lyrics are printed out for every song but are also available as free downloadable pdfs for easy projection for multiple printing. Includes teachers notes.Let’s get our schoolchildren singing again with The National Songbook!

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano