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DOUBLE BASS
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Piano solo
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2ème Livre De Pièces Pour La Flûte Traversière Avec La Basse Continue
Piano solo
Anne Fuzeau Productions
Editeur : Paris, l'Auteur, Foucault, 1710Deux livres de très belles suites pour...
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Editeur : Paris, l'Auteur, Foucault, 1710Deux livres de très belles suites pour la flûte, sans grande difficulté, mais d'une sensibilité très délicate. - Présentation de : Philippe Lescat : Biographie de Michel De La BarreJean Saint-Arroman : l'agrémentation de Michel De La Barre - / Musique De Chambre, Flûte Et Basse Continue / 72 pages / niveau : 1 / Fac-Similés - Format: 16.5 X 24
35.19 EUR - Sold by LMI-partitions
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Chanteuse De Rock
Français
Piano solo
[Score]
Noetzel
Following Dittersdorf (HN 759) and Hoffmeister (HN 721), Johann Baptist Vanhal a...
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Following Dittersdorf (HN 759) and Hoffmeister (HN 721), Johann Baptist Vanhal and his sole double-bass concerto add a further highlight to the classical bass literature in our catalogue. The virtuoso work was transmitted only in a copy of a part owned by the famous double-bass player Johannes Sperger (1750-1812) and found in his estate, which raises a few questions on account of the many later additions in the solo part (especially concerning the octave transpositions). In our Urtext edition, Tobias Glöckler proposes a solution to this dilemma with a musical text that is outstandingly well-prepared for the performing artist. The piano reduction is printed in two keys (C and D major), which allows for performances in the solo and orchestral tuning or, at will. Moreover an additional part, written in fingering notation, has been specially designed for use with the 'Viennese tuning' customary in Vanhal's days. It allows players to use this resonant historical tuning immediately without tedious retraining. / Contrebasse Et Piano / Chanson En Séparée
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Klavierkonzert (MOZART WOLFGANG AMADEUS)
Piano solo
[Sheet music]
Barenreiter
for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orc...
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for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano
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First Year Jazz Collection - Piano
Piano solo
Alfred Publishing
12 outstanding arrangements for the beginning jazz ensemble written by experienc...
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12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled Loosen Up. This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.
17.90 EUR - Sold by Woodbrass
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano solo
Barenreiter
KV271 'Jeunehomme'-Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'J...
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KV271 'Jeunehomme'-Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores format 16.5 x 22.5cm are ideal for musical analysis rehearsalpurposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...
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Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
5.50 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...
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Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...
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Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Wolfgang Amadeus Mozart: Piano Concerto No.9 In E-Flat K.271 - Jeunehomme:
Piano solo
Barenreiter
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Ob...
(+)
Jeunehomme-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologistsas well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.
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Franz Schubert: Quintet in A Major Op. 114 D667 The Trout: Piano: Instrumental
Piano solo
[Sheet music + Audio access]
Music Minus One
Music Minus One Piano-Schubert's seminal chamber composition the Piano Quintet ...
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Music Minus One Piano-Schubert's seminal chamber composition the Piano Quintet in A major D667 commonly known as 'The Trout' or 'Die Forelle ' is certainly one of the greatest pieces of music ever penned. Its rich textures and lovely melody create an unforgettable musical experience. Its celebration of nature's beauty stems from a summer trip in the Austrian Alps which inspired the young Schubert to rework a song into this complex chamber-piece. Composed of five alternating movements 'The Trout' uses unique orchestration (substituting a double bass for the second violin) and gives special emphasis to the piano as well. But all the instruments take an equal role and this may also be a reason for thepiece's eternal popularity. 'The Trout' instantly brings to mind the calm serenity of the summer mountain air and its sparkling melody and gentle poignancy leave a particularly happy feeling in both player and listener. It is a joy-filled piece but at the same time is filled with a serene quality that makes it one of the most exhilarating pieces for any musician to play and one of the most important compositions for any musician to learn. This Music Minus One edition gives you that opportunity in the comfort of your own home. Contains a high-quality printed music score with informative liner notes and compact disc (with accompaniments only) voluminously indexed for ease of practice. Performed by Harriet Wingreen piano Accompaniment: The Classic String Quartet
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Franz Schubert: The Trout: Piano: Instrumental Work
Piano solo
[Sheet music]
Edwin Ashdown
In this easy to intermediate arrangement a student pianist will become familiar...
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In this easy to intermediate arrangement a student pianist will become familiar with Schubert’s themes and changing tonalities to a certain extent and begin to open a window onto this delightful work.Schubert’s Piano Quintet inA Major written in 1819 and published after his death has unique sonorities due to its instrumentation: Piano Violin Viola Cello and Double Bass rather than the usual String quartet with Piano. It received its nickname fromits theme borrowed from a song that Schubert had written entitled The Trout.
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Kurt Schwertsik: Albumblätter: Piano: Instrumental Album
Piano solo
[Sheet music]
Boosey and Hawkes
Collected piano works-Collected together for the first time: the piano works of ...
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Collected piano works-Collected together for the first time: the piano works of Kurt Schwertsik. Albumblätter – 14 short works for friends plus Cinque Nocturnes (Op 10b) Fantasia & Fuga (Op 105) Am Morgen vor der Reise (Op 119) and Eden-Bar Seefeld (Op 6). Includes contextual notes by the composer.Kurt Schwertsik's music is mercurial and idiosyncratic with a refreshing lightness of touch. Though a pupil of Stockhausen the composer rejected serialism in favour of new forms of tonality. His search for an 'alternative' modern culture draws inspiration from Satie and the Dada movement. His wide-ranging output includesoperas ballets the Irdische Klänge orchestral cycle concertos for violin alphorn guitar double bass timpani flute and trombone numerous song cycles and Nachtmusiken – a nocturnal orchestral journey through wartime Vienna.
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Peter Maxwell Davies: Six Secret Songs: Piano: Instrumental Work
Piano solo
[Sheet music]
Chester
Peter Maxwell Davies wrote this set of six short pieces in 1993 as a gift for a ...
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Peter Maxwell Davies wrote this set of six short pieces in 1993 as a gift for a friend (a double bass player and composer from the BBC Philharmonic)who was celebrating the birth of his daughter. Despite the reason for writing thembeing most ‘occasional’ these pieces are certainly not lacking in musical substance as one might expect an ‘occasional’ piece to be. These pieces are ideal works for young performers to introduce them to playing modern music oreven as an introduction to the broad range of Maxwell Davies's work
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Premier Piano Course : Technique Book 3
Piano solo
Alfred Publishing
Technique 3 se poursuit et développe les outils techniques et artistiques appri...
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Technique 3 se poursuit et développe les outils techniques et artistiques apprises dans les livres Technique 1A, 1B, 2A et 2B. Les quatre nouveaux outils de fabrication introduites sont: l'évolution des doigts sur les notes répétées, des changements double bonne note, les pouvoirs de la main, et les ovales. Etudes artistiques mettent en valeur la technique d'un élève dans un cadre musical expressif et Mains Ensemble ateliers axés sur le développement des compétences nécessaires à la coordination mains-jouer ensemble. Etudes ouvragés offrent une formation pour jouer chefs-d'oeuvre standard. Chaque page du livre technique en corrélation avec une page spécifique dans le livre de leçon. / Piano
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Richard Andrews: Blue Notes: Piano: Instrumental Work
Piano solo
Willis Music
Later Elementary Level-Description: This piece is a blues in ABA form with brief...
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Later Elementary Level-Description: This piece is a blues in ABA form with brief introduction and coda. The melody is built on a short melodic phrase: a riff. The bass part is a separate but related melodic phrase which becomes the important melody in the B section. Purpose: Introduction to the elements of the jazz styles of Duke Ellington Count Basie and Horace Silver: 1. Jazz inflection and phrasing 2. Varying riffs through simple variation and rhythmic displacement 3. Harmonic structure drawn from commonly used jazz harmonic patterns. Suggestions for Instruction: In m. 1-8 learn hands alone with special attention to double and grace notes. After learning one hand at a time it can be playedwith a teacher as a duet. In m. 12 RH double notes need special attention lifting the fifth finger on upper repeated notes while playing lower voices smoothly. In m. 13-20 learn to play the LH melody legato with RH chords detached. In m. 28-29 give special attention to rhythm and chord positions. Other Information After Blue Notes is memorized it will work well with rhythmic accompaniment or as a basis for improvisation. Key: F Major
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Georg Friedrich Händel: Flute Sonatas Volume II [Hallenser-Sonatas]: Flute:
Piano solo
G. Henle
Le fait que les trois sonates dites ?de Halle? n?aient pas toutes ?t? compos?es ...
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Le fait que les trois sonates dites ?de Halle? n?aient pas toutes ?t? compos?es au cours de la jeunesse de Haendel ? Halle n?enl?ve rien ? la faveur dont elles jouissent. Comme on ne dispose que de tr?s peu d?informations sur ces sonates et que certains ?l?ments stylistiques indiquent qu?il pourrait s?agir d??uvres de jeunesse elles ont ?t? attribu?es par le pass? ? ses ann?es de jeunesse dans cette ville. Cependant il a ?t? ?tabli entre temps qu?au moins la sonate en mi mineur a ?t? compos?e ? Londres. L??dition Urtext propose d?une part deux exemplaires de la double partition fl?te/basse continue afin que les deux musiciens fl?tiste et accompagnateur puissent jouer ?partir de cette partition combin?e. D?autre part la partition s?accompagne non seulement de la basse chiffr?e mais ?galement d?une basse continue enti?rement r?alis?e historiquement fid?le et jouable ? vue.
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Musiques De Sous-Bois Pour Piano
Français
Piano solo
Delatour France
Dans mon quotidien d'enseignant, il arrive souvent que je donne un exemple 'im...
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Dans mon quotidien d'enseignant, il arrive souvent que je donne un exemple 'improvisé sur le vif' à un élève, Je suis donc parti de ces exemples comme point de départ pour composer ces pièces, car je trouvais intéressant de pouvoir les interpréter dans un contexte plus musical qu'un simple exercice technique, 1, Mon moustique a un tic (durée 01'00'')Ce morceau permet une exécution sur une position de mains autour du do central, sans déplacements, Il permettra également de travailler le jeu legato, et l'indépendance des mains (lié/détaché) dans les mesures 9 à 12,Niveau : 1ère année, 2, Un crapaud sur le do (durée 0'45'')Ce titre demande un travail d'accords jusqu'à 4 sons à la main droite (timbre et poids des main/poignet/avant-bras), et d'indépendance pour conduire de 2 voix à la mesure 15, La main gauche quant à elle conduit le thème du début à la fin, avec une articulation marquée,Niveau : 2ème année, 3, Le rag du mulot (durée 1'00'')Retrouvons l'esprit du ragtime avec cette pièce qui propose une main gauche à la difficulté progressive : peu de déplacements au début, intervalles ne dépassant pas l'octave ensuite, et enfin double-notes alternées à une basse, La mélodie à la main droite doit s'accommoder des diverses liaisons et altérations accidentelles,Niveau : 3ème année, 4, Le reflet de la limace (durée 1'38'')Introduction avec une citation de la célèbre ' Lettre à Elise ', Le style s'éloigne tout de suite de Beethoven avec des harmonies plus modernes (souplesse du poignet de main gauche avec un index souvent utilisé comme pivot), une pédale de sustain omniprésente, et des changements de tonalité (jusqu'à 4 dièses), Le point d'orgue mesure 32, axe de symétrie de la pièce, marque le ' reflet ', C'est ainsi que des mesures 33 à la fin, la musique se ' rembobine ',Niveau : 6ème année, 5, La toile d'araignée (durée 4'10'')Dans cette pièce d'esthétique moderne, les changements de tempo, nuances et tonalités sont de mises, La main droite doit conduire 2 voix simultanément, et passer parfois la voix inférieure à la main gauche (mesure 20 par exemple), Le clavier est largement utilisé, dans l'aigu comme dans le grave, Appoggiatures et articulations précises (staccato, accents) enrichissement une musique rythmée et variée,Niveau : 7ème année,? / Piano
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Ludvig Hegner: Trois Morceaux Pour Contrebasse Nr. 2: Double Bass: Instrumental
Piano solo
[Sheet music]
Wilhelm Hansen
Menuet D'Orphee
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North Carolina : The Tar Heel State
Piano solo
Alfred Publishing
Quatre mouvements distincts représentent la merveille de cet état. Le Blue Rid...
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Quatre mouvements distincts représentent la merveille de cet état. Le Blue Ridge Parkway utilise octaves et accords riches pour créer un morceau majestueux qui dépeint la grandeur de la route panoramique. Appalachian Mountain colmatage imite la joie dans l'exécution de cette danse folklorique à travers une mélodie syncopée sur une ligne de basse régulière. Légende du Blowing Rock raconte une histoire à partir de malheur et se terminant dans la joie avec une mélodie lyrique et expressive passages en doubles croches. Phare du Cap Hatteras dépeint les dangers qui guettent les marins de son avertissement d'ouverture mystérieuse, de jeûner, les eaux turbulentes, et enfin à une mélodie lyrique représentant un port sûr. / Piano
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Duvernoy, Jean-Baptiste : Elementary Studies, op. 176
Piano solo
[Sheet music]
Schott
Jean-Baptiste Duvernoy (1800?1880 Paris) was a French pianist, composer and prof...
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Jean-Baptiste Duvernoy (1800?1880 Paris) was a French pianist, composer and professor of piano at the Conservatoire de Paris.
His overall oeuvre comprises more than 300 works.
He is known particulary for his studies which include 'Ècole primaire' (25 studies for elementary instruction).
These studies were written for beginner's lessons on the piano, consisting of a simple structure.
They are supposed to train primarily the dexterity and independence of the fingers. But the special appeal of this collection lies, due to the cantabile character of the individual pieces, in the musical texture of these wonderful and expressive melodies.
Their focus is on the experience of sound which is why these studies are very popular in lessons and perfectly suitable as performance pieces. / [Etudes Elémentaires Opus 176] / Méthodes
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Szilvia Elek: Guide to Early Keyboard Music: Piano or Harpsichord: Instrumental
Piano solo
EMB (Editio Musica Budapest)
France 1-This brand-new series is intended as a guide to the keyboard music of t...
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France 1-This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes dances suites rondeaux and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality age-resistant paper that is produced in an environmentally-friendly climate-neutral manner using renewable raw materials.
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