A superb collection of fifty-eight jazz hits arranged for Eb and Bb saxophones, complete with two sets of chord symbols for accompaniment. / Saxophone

Par SINATRA FRANK. Australian saxophone wizard Brian Hayes brings you this collection of classic swing standards. A great set that you won\'t want to miss! Includes a printed music score with parts for both B-flat tenor and E-flat alto saxes, and access to online audio containing a complete performance with soloist (on tenor sax), then a second version with accompaniment only. Performed by Brian Hayes, tenor sax Accompaniment: The MMO Orchestra The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys,and pan left or right./ Recueil / Divers

La partition Classique Saxophone Sib N0079 Ballet Des Petits Riens a été composée pour Saxophone. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Saxophone / Partition

A travers cette méthode d'apprentissage Saxophone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage CD au Saxophone a été écrit par Villetorte Jean-Didier et éditée par les éditions Beuscher sous la référence PB961. / Saxophone / Partition Cd

A travers cette méthode d'apprentissage Saxophone vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage METHODE COMPLETE ET MODERNE POUR TOUS LES SAXOPHONES a été écrit par Romby Paul et éditée par les éditions Billaudot sous la référence EPD6666. / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

Par O'NEILL JOHN. These methods provide complete courses for players off all ages, guiding students from their first note to 'classics', together with compositions by contemporary writers. Each book is accompanied by high quality rhythm section tracks recorded on compact disc. Right from the start, students can enjoy authentic jazz sounds, playing in the company of professionals. With step-by-step instruction and a progression of specially written pieces, the fundamental elements of good technique are introduced alongside the rhythmic subtleties of jazz. Improvisation is encouraged from an early stage and is given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With supplementary suggestions for listening and reading, and an Appendix containing all the chord progressions for 'live' accompaniment of the tunes, 'The Jazz Methods' are ideally suited to both students working alone and those learning with a teacher. 'John O'Neill has a solid understanding of jazz and how it can be taught. I highly recommend his educational jazz materials.' (Jamey Aebersold) '...a rare opportunity for a new player (or a more experienced one) to develop a really musical facility. A rare addition to the jazz improvising library.' (Lee Konitz, international jazz saxophone soloist) The Saxophone is, for many, the instrument of jazz and there is an enormous and exciting repertoire waiting to be explored by newcomers to the instrument. 'The Jazz Method for Saxophone' will guide beginners of all ages from producing their first note on the saxophone to the performance of full-blown jazz pieces, including 'classics' by Thelonious Monk, Charlie Parker, Sonny Rollins and Horace Silver, as well as contributions from leading contemporary jazz players and composers. Backing for all the music-specially recorded for this method is provided on the accompanying CD so that, right from the start, student saxophonists can enjoy an authentic jazz sound, playing in the company of a top-class rhythm section (bass, guitar, drums) used later to support first attempts at improvisation. With step by step instruction and a progression of specially written pieces, the fundamental elements of good saxophone technique-breath control, tone-production, embouchure, tonguing and fingerings-are introduced alongside the rhythmic subtleties of jazz (for example, 'swung' and syncopated rhythms). Improvisation is encouraged from an early stage, given direction through the systematic study of scales and arpeggios and advice on ear-training and chord patterns. With additional information on practical matters such as choosing reeds and earing for the instrument, as well as supplementary suggestions for listening and reading, 'The Jazz Method for Saxophone' is ideally suited both to students working alone and those learning with a teacher. / Méthode / Recueil / Saxophone

The Saxophone Play-Along® Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the audio tracks to hear how the saxophone should sound, and then play-along using the separate backing tracks. The melody and lyrics are also included in the book to help you follow along. The online audio is available for download or streaming using the unique access code printed in the inside cover and features PLAYBACK . a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right ? available exclusively from Hal Leonard. Song List: East River Drive Just The Two Of Us Let It Flow Make Me A Memory (Sad Samba) Mr. Magic Take Five Take Me There Winelight

Initiation au jazz et à l'improvisation pour le saxophone Sib ou Mib. Nombre de pages : 48 Date de parution : 23/09/1999 Titres : ucket's Got a Hole in it - Frankie et Johnny - Hold on - Jericho - Joe Turner - Let my People Go - Nobody Knows - St James Infirmary - Teacher's Blues - The House of the Rising Sun

8 pièces de swing avec accompanement d'un vrai Big Band !
Titres :
Let's go out
Jumpin' up and down
Don't waste my time !
Gettin' there
Swing 'till you ring
Catch my drift
What's cookin' ?
The rockin' Blues / Partitions jazz

Mauricio Sotelo’s Muros de dolor...I (2005) speaks of the pain and sorrow of the soul. The strong and expressive character is achieved via a precisely calculated succession of “micro-intervals” and an expanded palette of “micro-qualities” of the tone. Mauricio Sotelo wrote Muros de dolor…I for saxophonist Marcus Weiss, who supported him significantly in the composition of the work with his knowledge of the saxophone’s capabilities and his experience as an interpreter. A fingering chart for eighth tones for tenor saxophone is contained in UE33034. / Partitions classique / Bois / Saxophone / UNIVERSAL EDITION

Ce travail a d'abord été interprétée par le quatuor Rascher en Juillet 1995 au Festival du Schleswig Holstein en Hasselburg, en Allemagne. Une version de l'oeuvre avec accompagnement orchestral, 'Concerto pour quatre saxophones', a été créé par le Quatuor Rascher avec l'Orchestre de Radio de Stockholm en Septembre 1995.Score disponibles: DU10483 / Saxophone