Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone - over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo./ Répertoire / Saxophone Soprano et Percussions

Playing on the Changes features 13 jazz etudes through the various chord qualities found in standards and jazz tunes in all 12 keys. Areas covered include major 7th chords, minor 7th chords, dominant 7th chords (Mixolydian, altered dominant, and half-whole diminished), minor ii (flat-5) chords, tritone substitutions, and a variety of progressions using all of the above. Bob Mintzer has written out etude solos that traverse the changes in a way that familiarizes you with the sound of each harmonic setting. Each etude is modeled after ideas---such as melodic and rhythmic patterns that create continuity---and singable melodies that he recommends using when improvising through the chord changes. Using the TNT 2 software, listen to and analyze the etudes, and by removing Mintzer's saxophone from the mix, you can then practice and play these harmonic exercises on your own with a stellar rhythm section. The amazing TNT 2 software allows you to slow down the tempo, too! / Instruments En Sib

A Fun Collection of Original Pieces-This entertaining new play-along book contains 12 solos in styles varying from baroque to blues. The book comes with a CD containing both backing tracks and full performances performed by real musicians. Youâ??re sure to have fun when you Go Solo.

Pièce en deux parties, la première très mélodique avec de nombreux mélismes, la seconde très rythmique. / Saxophone Soprano Solo

This is the first ever method that teaches you how to play in a rock band. Learn what all the great musicians seem to know intuitively - how to listen interact and respond improvise and become part of the groove. The book andplay-along CD will help improve your timing technique and reading ability. Become the great player that everyone wants to have in their band.

This is a book with cool pieces for those who havenâ??t been playing very long but still intend to steal the show! The terrific musical accompaniments on the CD will really add to the enjoyment and there is room to make up your own solos in some of the pieces.

This volumes of pop hits with play-along CD is ideal for all buddingpop stars! Contains: Big Big World My Girl Sex on theBeach Everybody (Backstreetâ??s Back) and more.