A quartet in three movements for two violins viola and cello:1 - Allegro moderato; 2 - Piacevole (poco andante); 3 - Allegro molto.

Instrumentation : string quartet Version : study score Contenu : Preface/Vorwort - I. Adagio, ma non troppo e molto espressivo - II. Allegro molto vivace - III. Allegro moderato - IV. Andante, ma non troppo e molto cantabile-Più mosso-Andante moderato e lusinghiero-Adagio-Allegretto-Adagio, ma non troppo e semplice-Allegretto - V. Presto - VI. Adagio, quasi un poco andante - VII. Allegro Nombre de pages : 56 Collection : Eulenburg Miniature Scores Format : ETP small

Vagn Holmboe's String Quartet No. 1 ('1.Quartetto') /Strygekvartet Nr. 1 Op. 46 (1949). I. Affettuoso - animato II. Adagio - andante - presto - andante - adagio III. Introduzione Lento un poco-molto vivace Strygekvartetten opus 46 er den første af den række strygekvartetter - nu tyve (1986) - som Vagn Holmboe har beriget musiklivet med. Den blev uropført kort efter sin fremkomst i 1949 af Erling Bloch-kvartetten som senere fremførste den ved en I.S.C.M. festival i Frankfurt hvor dens succes medvirkede til komponistens internationale gennembrud (...). ALC. 

The quartet in a minor is one of the chamber music works with which Schubert wanted to 'pave the way to the great symphony? in spring 1824. At the same time he was paving his way to a wider audience, as the 'Rosamunde? Quartet was the first and only string quartet that was not only publicly performed in Schubert's lifetime but also published in parts. It is fortunate for us that this was the case because the autograph of this much-loved quartet is missing today and the only source for the work is the first edition. And this is precisely where the challenge lies, as the parts exhibit some inaccuracies regarding the articulation and dynamics. They have had to be carefully resolved, something which our new Urtext edition has done in an exemplary fashion. Its name can be traced back to Schubert's incidental music to the play Rosamunde, which can be heard at the beginning of the Andante. Quite a few people might, however, be reminded of the Impromptu in B flat major op. post. 142 #3, in which Schubert later once again took up the beautiful melody. / 2 Violons, Alto Et Violoncelle