SKU: CY.CC2140
A beautiful vocal work of about 2 1/2 to 3 minutes in length transcribed for 8-part antiphonal trombone choir by Ralph Sauer, L.A. Philharmonic Principal Trombone. Handl's Pater Noster is not too difficult and would be appropriate for almost any level group including high school level. The range is conservative with an occasional high B-flat. Jacob Handl was an Austrian composer of Slovene descent, born in Ljubljana. Choirmaster to the Bishop of Olmutz 1579-1585, he lived thereafter in Prague as an organist.
SKU: CY.CC2807
Pachelbel's Kanon (Canon) is among the most recognized and popular works in the classical repertoire. There is true genius in this work, which has been arranged for every conceivable combination of instruments. This arrangement of about 4 minutes by Sonny Ausman for 7-part Trombone Ensemble is in the original key of D and is appropriate for moderately advanced performers.It works for weddings and other celebrations, as background music, or even a recital.
SKU: CY.CC3163
ISBN 9790530111338. 8.5 x 11 in inches.
Motet Furchte dich nicht, BWV 228 was certainly written for a funeral (the text comes from Isaiah), however the date of composition is not certain but likely written during his Weimar period. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is in two movements and about 7 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC3084
ISBN 9790530110614. 8.5 x 11 in inches.
The dramatic Allegro con brio from Beethoven's Symphony No. 5 in C minor has been arranged in its entirety for 16-part Trombone Choir with optional Timpani by Tom Senff. The ensemble is comprised of 4 choirs, two of which have the highest part scored for alto trombone. This work is suitable for advanced performers.
SKU: CY.CC2378
The Toccata in e minor comes from the keyboard Partita, BWV 830 first published in 1731. This work is not only grand in length, but also in expression having a very serious tone. The many moods of the work have been beautifully portrayed by Ralph Sauer's elegant transcription. All parts have equal weight in importance in this setting.
SKU: CY.CC2708
The Chorale from the Finale of Symphony No. 2 (Resurrection) by Gustav Mahler is taken from the fifth movement, lasting over an hour. The Chorale is actually a quote from the Dies Irae, which Mahler called the march of the dead. Also added in is the Resurrection theme which is almost a fanfare. This excerpt from the Symphony features the low brass which makes this arrangement by Randall Malmstrom so meaningful.For advanced performers, this work will add another dimension to your concert.
SKU: CY.CC2710
Schubert's delightful lyrical and bouncy Scherzo from Symphony No. 9 (The Great C major) has been arranged for 8-part Trombone Ensemble by Randall Malmstrom. Arguably Schubert's greatest symphonic work, the Great C major is almost an hour in length, bursting with melody from every corner. Malmstrom's arrangement of the complete Scherzo movement really works and is appropriate for advanced performers. Be prepared for a joyous workout!
SKU: CY.CC2221
A rip-roaring down & out blues chart for 10 bones. An original composition by Canadian Trombone Superstar Al Kay. All 10 parts get a thorough workout with parts 1 & 2 having some great improvised solo choruses. For advanced performers, this work will add a new dimension to a recital or concert.
SKU: CY.CC2947
ISBN 9790530057667.
Bach's Toccata and Fugue in D minor BWV 565 is possibly the most famous work in the organ repertoire. It was written as early as 1704 while the composer was in his teens, which could explain some of its unusual features. It first appeared in publication in 1833 by way of Felix Mendelssohn.The first appearance of this work as a transcription and recording for brass came in 1979 by Frederick Mills and the Canadian Brass, becoming an iconic work in the ensemble's repertoire.Ralph Sauer has had a great deal of success with his transcriptions of Bach's works. This work of about 9 minutes in length for 8-part Trombone Ensemble of advanced performers is brilliantly thought out and can be the cornerstone of a concert program.
SKU: CY.CC2933
ISBN 9790530057520.
Jeremy Kempton has arranged selections from the 1st movement of Mahler's Symphony No. 3 for 8-part Trombone Choir, featuring the dramatic opening and the iconic 1st Trombone solo.This 10-minute work is appropriate for advanced performers.
SKU: CY.CC2824
Bach's Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar.Bach composed many of his greatest organ works during this period.The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length.This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain.Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir.The music is about eight minutes in length and is appropriate for advanced performers.
SKU: CY.CC3172
ISBN 9790530111420. 8.5 x 11 in inches.
Motet Lobet den Herrn, BWV 230, for four part chorus has no known date of composition and was first published in 1821. It has a different character from the previous motets in that it was not written for a funeral and has no chorale melody, but rather a joyous Hallelujah. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble is is inspired from text drawn from Psalm 117 and is about 6 1/2 minutes in length. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
SKU: CY.CC2580
Stephansdom is a new composition, descriptive of the iconic St. Stephan's Cathedral in central Vienna. Ryan Diefendorfer wrote this work for the Indiana University Trombone Ensemble for Bass Trombone solo and Trombone Choir (6-part) to be performed by Carl Lenthe at the 2012 Eastern Music Festival. Ryan's work was awarded the winner of the 2012 Eastern Trombone Workshop National Composition Competition.St. Stephen's Cathedral, also known as Stephansdom, is one of Vienna's most remarkable city icons. Dating back to 1137, Stephandsom towers above the rest of Vienna's skyline and has been a constant presence in the lives of the Viennese for nearly one thousand years. Among the buildings that the Viennese find closest to their hearts, Stephansdom is certainly one of themI. GroundbreakingThe first movement depicts the troubles that St. Stephen's Cathedral had in getting its groundbreaking as a church. The opening of the piece marks the celebration of the Viennese when St. Stephen's was first constructed in 1137, during the Romanesque era. However, the church faced many issues—from being destroyed by the Babenberg Empire to being decimated by a fire—before the church began its construction in the Gothic style in 1307. The first movement depicts these struggles before resolving to an open chord.II. StefflSteffl, the nickname for Stephansdom's soaring north tower, is one of the characteristics of the cathedral that the Viennese find so endearing. This movement is very upbeat and is meant to portray the excitement shared by the Viennese for this beautiful addition to Stephansdom, which was completed in 1433. Stephansdom's north tower is the tallest structure in Vienna, and distinctly stands out within Vienna's skyline.III. 1945As World War II was coming to a close in 1945, Stephansdom's roof caught fire from a neighboring building, destroying large portions of the church. One climax occurs at m.30, which depicts Stephansdom's great bell, the Pummerin, crashing down to the ground. This movement depicts the chaotic nature of the raging fire of 1945.IV. Anton PilgrimAnton Pilgrim was the last, and perhaps most beloved, architect who worked on St. Stephen's Cathedral in the Gothic style. One of his most famous projects was the St. Stephen's organ loft, which is depicted by an opening organ-like canon. The final movement to the piece ends in a chorale-like fashion, demonstrating the Viennese's love for Anton Pilgrim, as well as Stephansdom, one of Vienna's most iconic sights.This work of 12 minutes in length is appropriate for advanced performers.
SKU: BT.DHP-1125253-070
9x12 inches. International.
Tre Volti (Three Faces) has been commissioned by the renowned ââ¬ÅNew Trombone Collectiveââ¬Â, exclusively existing of top-trombonists from the Dutch symphony orchestras. The world première was given by the commissioners and took place in ââ¬ÅDe Doelenââ¬Â in Rotterdam on april 16th 2011 - during the ââ¬ÅSlide Factoryââ¬Â - European Trombone Festival.The composer aimed to illustrate 3 different aspects of the instrument in as many movements. Effetti e Tecniche (Effects and Techniques) displays a large amount of specific spectacular and acrobatic possibilities and also various colors and sounds by using different mutes. It contains many ââ¬Åglissandiââ¬Â as well as clusters with semi tones andquarter tones, all being ââ¬Åtypicalââ¬Â for the trombone indeed. The Lamento Lirico (Lyrical Lamento) combines the rather serious and noble voice of the trombone with an aspect which not automatically is connected to that instrument: the melodical character. The overall atmosphere of this movement is somewhat sad and strained and refers to the many beautiful but rather dark passages in the orchestral and opera literature where the trombone section as such is used ...The final movement is called Sonata Antica (Antique Sonata) and is directly inspired by two ââ¬Åsonatasââ¬Â for 3 and 4 trombones by Daniel Speer (1636 - 1707). It illustrates the ââ¬Åhistoricalââ¬Â dimension of the trombone: indeed it was the only brass instrument being able to play chromatically - many centuries before all other brass instruments - thanks to the unique slide system which even during the Middle Ages was applicable already. The antiphonal position, the dialoguing motives and the ââ¬Åneo-early-baroqueââ¬Â idiom really pay homage to Daniel Speer: he composed a certain number of pieces for brass instruments indeed and the composer used thematic material from his Sonatas in d and a in various ways, thus concluding this varied composition in a festive way. Een driedelige - uitdagende - suite voor trombone ensemble.Tre Volti (zu deutsch: Drei Gesichter) - In drei deutlich kontrastierenden Bewegungen versucht der Komponist, ebenso viele Facetten der Posaune zu beleuchten. Der erste Teil EFFETTI E TECNICHE präsentiert eine Reihe akrobatischer und spektakulärer Effekte, die auf diesem vielseitigen Instrument möglich sind, sowie einige Klangfarben (letztere mit einem Dämpfer gespielt). Das LAMENTO LIRICO enthält die eher ernsten Töne, welche die Posaune in der Regel spielt und kombiniert diese mit einem Aspekt, der doch eher ungewöhnlich für dieses Instrument ist: einem melodischen Charakter. Der dritte Satz - SONATA ANTICA - wurde unmittelbar von zwei der bekanntesten Sonaten vonDaniel Speer (1636-1701) inspiriert. Hier geht es um die historische Dimension der Posaune: Tatsächlich war sie das erste Blechblasinstrument, auf dem man - Jahrhunderte vor allen anderen - schon chromatisch spielen konnte. Tre Volti (Trois Visages) est une commande du prestigieux New Trombone Collective, composé des meilleurs trombonistes des orchestres symphoniques néerlandais. La première mondiale, assurée par la formation dédicataire, a eu lieu le 16 avril 2011 au Doelen de Rotterdam dans le cadre du ââ¬ÅSlide Factoryââ¬Â, le festival européen consacré aux trombones.Le compositeur souhaitait illustrer trois aspects de lââ¬â¢instrument en trois mouvements. Effetti e Tecniche (Effets et Techniques) évoque les nombreuses possibilités acrobatiques du trombone, ainsi que lââ¬â¢emploi de sourdines pour obtenir différents timbres et couleurs. Ce mouvement développe de nombreux glissandi ainsi quedes mesures avec des demi-tons et quart de tons, des effets ââ¬Åtypiquesââ¬Â du trombone. Le Lamento Lirico (Complainte Lyrique) tisse une trame lââ¬â¢empreinte mélodique et aux motifs plutôt nobles et sérieux, mettant en évidence lââ¬â¢une des caractéristiques que lââ¬â¢on nââ¬â¢associe pas toujours avec cet instrument. Le climat général de ce mouvement, quelque peu triste et tendu, fait référence aux nombreuses oeuvres orchestrales et opératiques où les trombones se voient attribuer des passages sombres et mélancoliques.Le dernier mouvement, intitulé Sonata Antica, sââ¬â¢inspire directement de deux sonates de Daniel Speer (1636-1707) pour trois et quatre trombones respectivement. Il illustre la dimension historique du trombone, qui était dââ¬â¢ailleurs, au Moyen ge, le seul cuivre capable de jouer chromatiquement gr ce au système de coulisse, et ce plusieurs siècles avant les autres cuivres. La forme antiphonale, les motifs de dialogue et lââ¬â¢idiome ââ¬Åancien néo-baroqueââ¬Â rendent hommage Daniel Speer. Le compositeur de Tre Volti a emprunté, sa manière, plusieurs thèmes des sonates en Ré et en La pour conclure joyeusement cette composition aux multiples facettes.
SKU: CY.CC5006
ISBN 9790530111000. 8.5 x 11 in inches.
Nabucco is the opera which established Verdi's reputation as a great composer and even he realized its importance as he noted this is the opera with which my artistic career really begins. iTromboni alum Kenneth Pearce and Andrew Poirier have skillfully set the Overture to Nabucco to highlight the beautiful melodies and technical flare in their arrangement for trombone quintet (2 altos, 2 tenors, bass). As in the original, it all begins with a stately trombone chorale, hints at the big melody of Va, pensiero (the great chorus of the Hebrew slaves) and reaches its energetic conclusion full of gusto! This arrangement is suitable for advanced performers and can be heard on iTromboni's debut album: there goes the neighbourhood.
SKU: CY.CC2875
Canzon 1649 by Johann Hentzschel for 8-part Trombone ensemble is reminiscent of Gabrieli and others of the late Renaissance period with antiphonal writing for multiple choirs.The music has been expertly edited by Nathan Siler and is lively with notable sections of imitation and dance rhythms.This 3-minute work is appropriate for moderately advanced performers and has no endurance or range challenges.The fine live performance of this work is led by the editor himself, Trombonist, Nathan Siler.
SKU: CY.CC3143
ISBN 9790530111116. 8.5 x 11 in inches.
Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.
SKU: CY.CC3107
ISBN 9790530110843. 8.5 x 11 in inches.
Nimrod, the ninth variation from Elgar's masterpiece Op. 36, Enigma Variations (1898-99) is one of the most recognized works in the classical repertoire. There are so many adjectives to describe this piece of genius: stately, majestic, serious, solemn, moving, noble, languid, stoic, enduring and sublime. There are few works in the repertoire that bring forth such strong emotions as this work, which is often performed for funerals and for Memorial Day / Remembrance Day services. Mr. Malmstrom's beautifully lush arrangement is scored for 2 alto trombones (optional), 3 tenor trombones, 2 bass trombones and 1 contrabass trombone (optional). This arrangement of 3-4 minutes in length is appropriate for advanced performers.
SKU: CY.CC5005
ISBN 9790530110409. 8.5 x 11 in inches.
Barumba is an original composition by former iTromboni Bass Trombonist Kenneth Pearce. It was the very first original composition written for the ensemble. Barumba is a light hearted, playful Bossa Nova which attempts to capture a bit of the droll humour of its composer! This 3-minute composition is scored for 4 Tenor Trombones, 1 Bass Trombone and is suitable for medium-advanced performers. Trombone 1 contains a repeated 16 bar improvised solo and Trombone 3 contains a high D!
SKU: CY.CC3080
ISBN 9790530110577. 8.5 x 11 in inches.
Lo, How a Rose E'er Blooming is a German Christmas carol composed by an unknown author prior to the 17th century and is most often performed during the Advent season. First harmonized by Praetorius, the song has remained popular and has now been beautifully arranged for a moderately advanced 5-part Trombone Ensemble by Russell McKinney. Length of about 2 minutes.
SKU: CY.CC2995
ISBN 9790530058145.
Samuel Scheidt's Galliard Battaglia, composed around 1621 and popularized by the Canadian Brass, has become one of the most recognized works in the brass quintet repertoire. This secular work was originally written for five viols. The Galliard dance style, very popular at the time serves as a perfect foil for the music's echoing back-and-forth fanfares and brilliant scales.Neal Bennett of iTromboni has done a great job of arranging this music for Trombone quintet of 2 altos (possible on tenor also), 2 tenors & bass, playable by advanced performers. Length is about two minutes.
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