Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of ?RAPsody? from ?Pop Music for Violin

Par WILSON MARK / WOOD PAUL. StringTastic Beginners is the first in a fun new series designed to teach through playing, for violin, viola, cello and double bass, fully integrated so that all instruments can play and learn together. Each book contains over 40 imaginative pieces to steadily establish a secure playing technique and build confidence, from complete beginner to Initial Grade level. As well as being a fully integrated series, the first 20 tunes are presented as duets to accommodate multiple stages of progress, ideal for individual tuition as well as group and classroom settings. Every piece is supported by an exciting backing track to transport you into its unique sound world, in addition to piano-only audio for practice. Plus, the teacher?s book provides the complete piano accompaniments which work with any combination of instrumental parts. / Date parution : 2021-12-09/ Recueil / Alto

Par DUCKETT RICHARD / LOANE C.. Suitable for use by individuals, as well as tutors working with student ensembles, the Team Strings series has been developed to introduce musicians to playing as part of a group. All of the books in the series are fully integrated, allowing students using Team Strings to play in ensembles with students using Team Woodwind, Team Brass, Team Percussion and Team Recorder. Team Strings: Viola is a flexible and adaptable course ideal for beginner Viola players. The tutor can be tailored to suit the specific needs of each student. Each piece is carefully graded to ensure a logical progression at a sensible pace and students are introduced to a wide variety of musical styles throughout the book. Team Strings has been specially written to support almost any combination of string instruments that the teacher may encounter. Imaginative Piano Accompaniments have been provided as well as helpful notes and clear ensemble scores to aid the teacher. Team Strings also includes all of the scales for the relevant grades set by the major examination boards. This volume comes complete with a CD of backing tracks designed to add a third dimension to practice sessions or performance when an accompanist is not available. / Niveau : Débutant / Recueil / Alto

Enseigner l'alto à l'Ecole populaire Suzuki Alto. Les matériaux incluent: Viola Parts (Vol. 1-7) * Les Accompagnements piano (vol. 1-7) * Cassettes (Vol. 1-7 effectuée par Bill Preucil). / Alto

Par WILKINSON MARGUERITE / HART K.. Haydn à Humperdinck, montrent des airs de spirituals - variété est l'épice de la vie musicale et l'essence du premier répertoire pour alto. Ces trois livres combinent plus de 60 pièces élémentaires soigneusement classés qui habilement explorent des sonorités uniques de la viola et fournissent une superbe littérature d'introduction pour le jeune joueur./ Recueil / Alto et Piano

The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard string class methods. Published for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

Par COHEN MARY / SPEARING R.. Superstart est une percée pour les joueurs de Viola débutant, pleins d'activités passionnantes de musique et de plaisir de la toute première leçon d'inspirer et de stimuler les élèves et les enseignants. Mary Cohen est l'un des enseignants de chaîne leaders de la Grande-Bretagne, et cette nouvelle édition est une distillation de ses nombreuses années d'enseignement et de recherche - une méthode de noyau maintenant dans un livre. Cet ouvrage de piano accompagnements et lignes de duo Alto est une excellente ressource pour la fois leçon ou rendement permettant aux enseignants, amis ou famille accompagner les étudiants. Jouant avec accompagnement encourage les compétences de l'ensemble bon et vraiment apporte les morceaux de la vie./ Recueil / Alto et Piano

Méthode en anglais pour violon alto avec exercices et études. Chorus from Judas Maccabaeus (G.F. Handel) * Musette, Gavotte II or the Musette from English Suite II in G Minor for Klavier, BWV 808 (J.S. Bach) * Hunters' Chorus from 3rd Act of the opera Der Freischutz (C.M. von Weber) * Long, Long Ago (with variation) (T.H. Bayly) * Waltz, Op. 39, No. 15 (J. Brahms) * Bourrée, Sonata in F Major for Oboe, HHA IV/18, No. 8 (G.F. Handel) * The Two Grenadiers, Die Beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Theme from Witches' Dance (N. Paganini) * Gavotte from Mignon (A. Thomas) * Gavotte (J.B. Lully) * Minuet in G, Wo0 10, No. 2 (L. van Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (L. Boccherini) * Practice Suggestions (Doris Preucil) Auteur/Compositeur : SUZUKI Support : Livre Style : Classique

Douze pièces pour alto et accompagnement au piano, Grades 4-5 standard. Comprend de la Renaissance à nos jours. / Alto / niveau : Intermédiaire / Partition

A new and exciting way for viola players to learn and practice basic jazz style.This book/CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano - Peter Washington, bass - and Kenny Washington, drums.The recording features two separate versions of each etude: one with the soloist and rhythm section and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD and learn basic jazz style first-hand. / Alto

Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7 exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés avec l´accompagnement du CD, mais aussi accompagnés au piano. Des versions intégrales et de démonstration figurent sur les CD 1 et 2, ce dernier comprenant aussi les partitions du piano sous forme de fichiers PDF.

Par CURATOLO KATHERINE. Pour alto solo, ce livre est une collection d'arrangements de mariage simple, sans piano. A l'intérieur vous trouverez des musiques les plus fréquemment demandés pour les cérémonies de mariage, des plats traditionnels de belles pièces classiques qui ne manqueront pas d'offrir une expérience musicale élégante. / Niveau : Intermédiaire à Avancé / Recueil / Alto

Par DOBBINS JAN. Livre 1 (disponible pour violon, alto et violoncelle) comprend un CD avec des spectacles de toutes les pièces et les exercices avec accompagnements de piano et un certain soutien supplémentaire. Jan Dobbins a été conseiller musical et de l'ancien chef d'un service LEA musique instrumentale. Maintenant, elle partage son temps entre la prestation des cours de perfectionnement professionnel, l'enseignement à cordes, en explorant la musique avec des enfants âgés de 3-11, composer de la musique instrumentale et à écrire des chansons. / Niveau : Très Facile / Recueil / Alto

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Alto