A violin method for children age four and older. By Egon Sassmannshaus; Kurt Sassmannshaus. American English translation: Kurt Sassmannshaus and Melissa Lusk; Illustrations: Charlotte Panowsky. For Violin. Take advantage of our exclusive introductory offer now and save 25% off the regular price - this special price is available for a limited time only. Baerenreiter's Sassmannshaus. Original German title: Fruher Anfang auf der Geige - Band 1; Eine Violinschule fur Kinder ab 4 Jahren. Instructional Method. Method book. Text language: English. 64 pages. Published by Baerenreiter Verlag (German import).

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

For Violin. By Various. Instrumental Folio. Classics, Pop. Softcover. Published by Hal Leonard

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

By Wayne Erbsen. For Fiddle. Methods. Native Ground Music. Old Time. Level: Beginning. Book/CD Set. Size 9x12. 80 pages. Published by Native Ground Music.

Full Score

SKU: HL.367910

For Violin and Orchestra Full Score. Composed by Michael Ellison. E.B. Marks. Softcover. 58 pages. Edward B. Marks Music #MP075013. Published by Edward B. Marks Music (HL.367910).

ISBN 9781705140451. UPC: 840126966787. 11.0x17.0x0.456 inches.

Premiere Slovak Radio Orchestra, June 30, 1992, Bratislava, Slovakia, Robert Black, conductor; Lydia Forbes, violin. Henry V is an overture, but with a violin protagonist. This is a concerto, but the density of interaction between soloist and orchestra is far more intense than in any previous work, whether classical or modern. Its form is somewhat analogous to sonata, but it middle sectionbreaks away completely from what has come before into an exhilarating 5-8 ostinato. There is a joy in dissonance here, an embracing of pain, and all the sorrow of existence, as part a Gita-like vision of the horrible, terrifying beauty of men throwing themselves into the slaughter, straining their utmost in a joyous ‘dance’of mud and death. As such, the energy of the piece is compact, and onfirst listen, potentially overwhelming. Metaphors of the individual coming out of a society, being influenced by and then interacting with that society, and then finally leading it are strongly evoked by this work in a non-specific, archetypal way. Winner of Marin Symphony (CA) Composers Symposium Competition (1993).