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Choeur SATB, 2 Flûtes Travers… (69)
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Défilé et parade (68)
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Snare drums, Piano (67)
2 Oboes, Piano (66)
Viola da Gamba (66)
Voice and Orchestra (66)
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Orchestres à Vent (65)
Flûte Traversière Violoncell… (65)
Tenor voice (65)
String quartet: 4 violins (65)
Batterie-Fanfare (64)
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Edition Critique des oeuvres d… (63)
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Musique de film et télévisio… (62)
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2 Flûtes Traversières et Vio… (60)
Quatuor à Cordes ou Orchestre… (60)
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Basse En Eb Et Piano (60)
Ligne Mélodique/Instruments D… (59)
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Clavecin Et Cordes (58)
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Saxhorn Basse, Tuba et Piano (57)
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Cor en Fa (54)
Choeur d'Enfants, Solistes, In… (54)
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Xylophone or Marimba or Vibrap… (53)
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Cor d'Harmonie et Piano (53)
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Oboe, Organ (52)
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Bugle (51)
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2 Cors en Mib et Piano (51)
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Alto (Partie séparée) (48)
Variétés françaises (48)
Balalaika (48)
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Quatuor à Cordes et Guitare (48)
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Harp, Violin, Violoncello (48)
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Drum Fanfare (48)
Flûte Traversière, Cordes et… (48)
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Clarinet, Guitar (duet) (47)
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Djembe (45)
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Sextuor à Cordes (45)
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Accordion, String(s) (44)
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Hautbois 1 Clarinette en Sib 1… (44)
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4 Parties Solo Et Orchestre (43)
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Oboe, Bassoon and Piano (43)
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Fac-similé (43)
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Cajon (43)
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Violon 3 (Partie Séparée) (43)
Dobro (42)
Guitare Flatpick et Plectre (42)
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Madrigaux (42)
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Choeur SATB et Basse Continue (42)
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2 Cors et Piano ou Orgue (42)
Soprano Saxophone and Piano (42)
2 Cors en Mib et Piano ou Orgu… (41)
2 Flûtes Traversières ou Fl… (41)
2 Percussions (41)
4 Saxophones (Soprano, Alto, T… (41)
Contrebasse (Partie séparée)… (41)
Cornet en Mib et Piano (41)
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Works For Mixed Choir And Orchestra - Les Djinns Op. 12 N 43B / La Naissance De Vénus Op. 29 N 72B / Madrigal Op. 35 N 78B / Pavane Op. 50 N 100A (FAURE GABRIEL)
Voice and Orchestra
[Sheet music]
Barenreiter
Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” conta...
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Par FAURE GABRIEL. This volume of 'oeuvres complètes de Gabriel Fauré” contains Fauré's four secular choral works in their orchestral arrangements, namely 'Les Djinns”, 'La Naissance de Vénus”, 'Madrigal”, and 'Pavane”. These works were composed between 1876 and 1887 - thereafter Fauré wrote choral compositions based only on sacred texts. The first three works are presented here for the first time in a full score edition, previously having been published only in their versions with piano accompaniment. This edition is therefore the first to present the works with an authoritative musical text based on the careful study of the sources. 'Les Djinns” (1876-76) for mixed choir and orchestra is based on the famous poem by Victor Hugo first published in the collection 'Les Orientales”, while 'La Naissance de Vénus” (1882) for soloists, choir and orchestra is based on a text by Paul Collin. 'Madrigal”, the orchestral version of which cannot be dated with certainty (around 1891, for a quartet of soloists or choir) has been composed after a poem by Armand Silvestre, and the famous 'Pavane”, originally composed for orchestra and only later supplemented with a text by Symbolist poet Robert de Montesquiou, is presented here in an elegant, graceful version with mixed choir. / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
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Salome Op. 54
Voices and Orchestra
[Study Score / Miniature]
Boosey and Hawkes
/ Divers
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Zadok Rules - Hallelujah! (L'ESTRANGE ALEXANDER)
Voice and Orchestra
[Sheet music]
Faber Music Limited
Par L'ESTRANGE ALEXANDER. Zadok rules - Hallelujah! was commissioned by The Hano...
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Par L'ESTRANGE ALEXANDER. Zadok rules - Hallelujah! was commissioned by The Hanover Band Foundation to celebrate the 60th anniversary of the Coronation of Queen Elizabeth II, June 2013. Inspired by the works of G.F. Handel, the text traces all of the English monarchs from William the Conqueror to the present day, as well as interweaving well-known pieces such as 'Zadok the Priest” and the Hallelujah Chorus. A celebratory anthem for unison children's choir, SATB chorus and chamber orchestra./ Recueil / Chant et Orchestre
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Love in a Village (BICKERSTAFF ISAAC (Arr)
Voice and Orchestra
[Sheet music]
Barenreiter
A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was...
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A Comic Opera. Par BICKERSTAFF ISAAC (Arr. TOMS EDWARD). 'Love in a Village' was first performed on 8 December 1762 at the Covent Garden Theatre (London). It was to become one of the most popular British musical stage works of the century, and by 1791 it had also gained international acclaim. The question of why this pastiche comic opera was able to develop this special attraction can be described in terms of fashion and tradition. By bringing stylistically sophisticated compositions by various well-known composers such as George Frideric Handel, Thomas Augustine Arne und Francesco Geminiani into the traditional 'Ballad Opera', the theatre makers succeeded in renewing traditional ways of producing and performing playhouse entertainment. The music of 'Love in a Village' stems from four sources: Vocal music from the amusement gardens, Italian opera arias from the 1750s and 1760s, theatrical or occasional music and folk melodies. Love in a Village' thus further developed the methods first used by 'Ballad Opera' to create a comic opera from a sentimental plot and pre-existent vocal compositions. The fourth volume in our OPERA series consists of a linen-bound volume and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited./ Répertoire / Chant et Orchestre
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Musicalisches Lob Gottes (TELEMANN GEORG PHILIPP)
Voice and Orchestra
[Sheet music]
Barenreiter
Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacr...
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Par TELEMANN GEORG PHILIPP. This volume represents the only annual cycle of sacred music of the 18th century printed in score: it was completed in 1744. The textual basis stems from Erdmann Neumeister. In contrast to the usual practice of the Telemann Edition to edit segments of the church years, here the entire course of the church year is presented. The music to be performed at the beginning of each part of the church year and at special celebrations is included. Telemann used a variety of expressive polyphonic techniques to create the introductory dicta. These, like the chorales, are written in concentrated three-part harmony. The preface provides information on the printing history of the church year and its dissemination supplemented by comments on performance practice: the critical report analyses the rich source material. Editions of Telemann's preface (with his performance notes and an explanation of his figured bass system), the preface on the printing of the texts and the texts of the compositions contained in the volume flank the edition of the music. Facsimiles from the original print and from Hamburg performance materials are included./ Répertoire / Chant et Orchestre
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Ballet Music: Les Corsaires (Vienna 1759) / Le Prix De La Danse (Vienna 1759) / Le Berger Magicien (Vienna 1759) / Les Miquelets Espagnols (Vienna 1759) / Le Naufrage (Vienna 1759) / Les Faunes (Vienn (GLUCK CHRISTOPH WILLIBALD)
Voice and Orchestra
[Sheet music]
Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volume...
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Par GLUCK CHRISTOPH WILLIBALD. This volume is the second of three planned volumes of ballet music composed between 1759 and 1769 in Vienna. They represent only a small portion of Viennese ballet music attributed to Gluck for which musical sources have been preserved. The volumes form a compendium that offers comprehensive editorial coverage of Gluck's activities as 'Compositore von der Music zu denen Balletten' (composer of the music to the ballets). The present volume contains compositions from the years 1759 and 1760 (and, accordingly, the 1759/60 and 1760/61 seasons). / Date parution : 2019-06-20/ Répertoire / Chant et Orchestre
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Gli arabi nelle Gallie (PACINI GIOVANNI)
Voice and Orchestra
[Sheet music]
Barenreiter
Concentus Musicus 17. Par PACINI GIOVANNI. Giovanni Pacini's (1796-1867) opera '...
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Concentus Musicus 17. Par PACINI GIOVANNI. Giovanni Pacini's (1796-1867) opera 'Gli Arabi nelle Gallie' was composed for Milano where it was successfully premiered at the Teatro alla Scala on 8 March 1827. During the same year the work was also performed in Naples and Vienna and in the years to follow - outside of Italy - also in Madrid, Barcelona and New York. The work represents Pacini's style and creative powers in full maturity./ Répertoire / Chant et Orchestre
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Il Teuzzone, RV 736 (ANTONIO VIVALDI)
Voice and Orchestra
[Sheet music]
Ricordi
Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano ...
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Edizione critica a cura di Alessandro Borin - Antonio Moccia (testi in italiano e inglese). Par ANTONIO VIVALDI. 'With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. '/ Répertoire / Chant et Orchestre
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Missa In B-Flat Major Hob.XXII:14 'Harmony Mass' (HAYDN FRANZ JOSEF)
Voice and Orchestra
[Sheet music]
Barenreiter
Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, als...
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Full Score. Par HAYDN FRANZ JOSEF. Haydn composed his Missa in B-flat major, also known as the 'Harmony Mass” in 1802. It is the last of the six great mass settings, which forms the crowning glory of Haydn's vocal music alongside 'The Creation” and 'The Seasons”. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas, and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. This full score is fully compatible with all existing performance material. / Date parution : 2019-11-29/ Répertoire / Chant et Orchestre
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Lobgesang / Hymn of Praise Op. 52 MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX)
Voice and Orchestra
[Sheet music]
Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mention...
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Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name 'symphony-cantata”. Later he added a secular counterpart with 'Die Erste Walpurgisnacht”. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work's performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn's authorised version of the 'Sinfonia”, based on the first edition of No. 1 for piano solo./ Répertoire / Chant et Orchestre
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St. Matthew Passion Bwv 244 (BACH JOHANN SEBASTIAN)
Voice and Orchestra
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. How practical: This choral masterpiece is now appeari...
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Par BACH JOHANN SEBASTIAN. How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text remains unchanged, whilst the Foreword has been revised and supplemented by an English translation. / Date parution : 2019-11-21/ Répertoire / Chant et Orchestre
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St. John Passion "O Mensch, bewein" BWV 245.2 (BACH JOHANN SEBASTIAN)
Voice and Orchestra
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio...
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Par BACH JOHANN SEBASTIAN. The St. John Passion, Bach’s first passion oratorio, can hardly be understood as “one” work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer‘s direction and for every one of these occasions it was revised – sometimes quite substantially. This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety. Most recently found sources – in particular the libretto print of the passion rediscovered in 2015 – are taken into consideration in this edition for the first time./ Répertoire / Chant et Orchestre
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PELLEAS ET MELISANDE IN FULL SCORE (DEBUSSY CLAUDE) (DEBUSSY CLAUDE)
Voice and Orchestra
[Sheet music]
Dover Publications
Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same my...
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Par DEBUSSY CLAUDE. The tragic tale of brothers who are in love with the same mysterious woman, Debussy's only opera is a perfect marriage of music and verse. The culmination of an eight-year effort on the part of the composer, the five-act lyricdrama premiered in 1902. This volume, reprinted from the E. Fromont 1904 edition, reproduces the full orchestral-vocal score in a clear, modern engraving. / Date parution : 2023-05-06/ Répertoire / Chant et Orchestre
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Zion op. 49 (GADE NIELS WILHELM)
Voice and Orchestra
[Sheet music]
Barenreiter
Conducteur avec couverture rigide. Par GADE NIELS WILHELM. Gade dated the cantat...
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Conducteur avec couverture rigide. Par GADE NIELS WILHELM. Gade dated the cantata „Zion“ op. 49 (named “concert piece” in the first edition) on 16 September 1874; the premiere took place on 30 August 1876 during a festival in Birmingham. In Gade’s understanding “Zion” forms “a kind of trilogy” together with the cantatas „Kalanus“ and “The Crusader“ which centres around the “longing for the true light“. The focus of „Zion“ is the history of the Jewish people where a people has received a promise. This is described in Gade’s words in the following sections: a) Introduction – The Departure from Egypt b) The Captivity in Babylon c) The Return – Prophecy of the New Jerusalem”./ Répertoire / Chant et Orchestre
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Sheherazade, Trois Poemes Pour Chant And Orchestre Sur Des (RAVEL MAURICE)
Voice and Orchestra
[Sheet music]
Durand
De T. Klingsor. Par RAVEL MAURICE. Vers De T. Klingsor, Textes Francais Et Angla...
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De T. Klingsor. Par RAVEL MAURICE. Vers De T. Klingsor, Textes Francais Et Anglais, English/ Répertoire / Chant et Orchestre
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Motets and Hymns / Messe de l'Association des pêcheurs de Villerville N 60a / Messe basse N 163 / Christmas Song Arrangements (FAURE GABRIEL)
Voice and Orchestra
[Sheet music]
Barenreiter
Conducteur avec couverture rigide. Par FAURE GABRIEL. / Recueil / Chant et Orche...
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Conducteur avec couverture rigide. Par FAURE GABRIEL. / Recueil / Chant et Orchestre
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